Spotswood

1992 "An everyday story about loyalty, betrayal, lust and footwear."
6.2| 1h35m| en
Details

Wallace is an efficiency expert, managing the high-profile downsizing of a major auto parts factory. But when he is hired to evaluate a small moccasin factory which seems from another era, Wallace has to reconsider the rapid modernization he advocates, as he is confronted by the human faces such plans hurt.

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Also starring Alwyn Kurts

Reviews

Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
RickRunyan Errol Wallace's wife, Caroline, perfectly played by Angela Punch McGregor, delivers that turning point line and sums up the plot. Bottom line focused efficiency expert finally sees the people whose lives his career of recommendations affect and unwittingly saves his own marriage in the process.Some might say "slow and plodding", but then they'd be missing the point. Layers of character development compactly delivered in 90-some minutes contradict that sentiment. No one does it better than Sir Anthony. Reminiscent of Merchant and Ivory's "Howard's End" but set in 1969 in Victoria Australia's working district of Spotswood a few kilometers from Melbourne, Hopkins again makes his measured character riveting more by acting than by dialog. For instance the look on his face is priceless while not being overplayed when, after asking Caroline to get him an "axe handle or something heavier", fearing a second labor retaliation on their home, she brings him a flimsy lady's umbrella.To paraphrase another reviewer, "Quite a little gem."
Fred SPOTSWOOD, which, in American release, is called THE EFFICIENCY EXPERT, is a rewarding movie for those who pay attention. I've watched it three times in the last three nights and liked it more each time. Briefly, Anthony Hopkins plays one of these guys who goes from company to company telling management how costs can be cut. It being Anthony Hopkins, you know he's going to look calm and cool while hating what he's doing. (Think of MEET JOE BLACK.) If you've seen the Ealing comedies from the 50s you'll see that SPOTSWOOD is much in the mode of those. The best part of this movie is its focus on the factory Hopkins visits. The characters are droll, but relatively realistic, and, of course, you don't want Hopkins to cause them the misfortune he seems poised to introduce into their lives. The movie is a bit weak in relating the story of Carey (Ben Mendelsohn), a young machinist who worships the boss's daughter from afar. Given that this is a comedy about workers versus big money, the love triangle almost derails the satire (enter Toni Collete as the saintly factory girl Ben Mendelsohn keeps ignoring.) In any case, even in its weak spots it's so well-acted (dig Russell Crowe as an up-and-coming shark) that it holds your interest. There is a really great scene of pure cinema. This is a slot-car race, filled with suspense and laughter. I have yet to see an Australian movie that didn't have at least one almost impossible-to-film moment. The land that gave us 90-some minutes of almost-impossible-to-film moments (that's THE ROAD WARRIOR, of course) offers a marvelous mini-moment in this scene. There is at least one great sight gag ("Don't turn the key until I tell you...") and some very moving moments led by Alwyn Kurts as the owner of the targeted factory. This is a very well-made, amusing motion picture. Also, check out Hopkins in one scene in close-up, when he's laying down his cynical law to Alwyn Kurts. He's got the back of his hand just under his own jaw-bone, and he's moving it in a sawing action. It reminded me of Brando in APOCALYPSE NOW.
Sean P.O'Neill I saw this film in 1992 at the Cinema Arts in Huntington , New York. I have it on video. I viewed it last night for the first time in 4 years. It is a nice simple story of change. How change effects people. How simple things could be deceiving. I love Anthony Hopkins in this. I originally saw it because Russell Crowe is in it. He was excellent in "Proof" directed by Joclyn Moorehouse. He was excellent in that as he was in this. I loved the character of the father . How he states that his children are the most important thing to him. There are some real gems here. Well worth the look some 12 years later. Each of the performances are excellent. I realize this is not the film for everyone. It is not flashy, there is no explosions. The appeal is in th simple story .
ktmphd Who knew Hannibal Lector could be so subtly funny and filled with pathos. Hopkns turns in a marvelous role of the efficiency consultant who thinks nothing of recommending that half a work force be fired for better profits. Then he visits a down and out shoe company and meets his match in the Mendelshohn and Kurts characters and the rest of their workmates. Indeed, Kurts steals the film as the owner who lives back then and hopes that his efficiency expert can get him and his factory into the modern era, but does not expect it to be as brutal and painful as it is.Kudos to all. If you want a droll comedy that gives remarkable insight into the human dilemma, rent this. You will not regret it. In closing, pay close attention to how Hopkins portrays a plethora of emotions with only his facial and non verbal reactions. He is a genius!