Son of Fury: The Story of Benjamin Blake

1942 "Bold Swooping Tremendous Adventure!"
7.1| 1h38m| NR| en
Details

Sir Arthur Blake has inherited title and lands from his brother. He also has his orphaned nephew Benjamin working for him as a bonded servant. While he believes the lad was born out of wedlock and so cannot claim the inheritance, he is taking no chances. Benjamin eventually rebels against his uncle and sets sail to try and make his fortune. This may enable him to return to prove his claim to being the rightful heir to the estate.

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Reviews

CommentsXp Best movie ever!
Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
ellenirishellen-62962 IMHO,Treasure Of The Golden Condor is owed its proper respect,in some ways an improvement of Son Of Fury.No offense to Ty fans,but Cornell Wilde was terrific,more beefcake than Powers,and Macready better looking and more menacing as the treacherous uncle.Interesting that the original prologue had the uncle killing the brother and his wife.Macready was much more menacing lauding over Fay Wray how the brother preferred someone else to her.Granted,we got to see some Sanders beefcake in the pugilist scene,which certainly explained the "lesson in pugilism" in Golden Condor,and perhaps why the uncle was such a brute,who can forget how Sanders looked positively psychotic while almost beating his nephew to death (perhaps why Macready wasn't quite as ferocious in Golden Condor,but near lethal anyway!).Both have outstanding supporting casts,but both deserved to be judged fairly as very good films!Hated Sanders acting effete in the courtroom,mocking Ty's defense.
kijii This is part of the 20th Century Fox's Tyron Power swashbuckler boxed set. There was not a lot of swashbuckling in this movie, but the story and its stars still make it a fairly entertaining experience. The movie is based on Edison Marshall's novel about a young boy, Ben, who was the rightful heir of a large estate in Bristol England. However, he has to earn his way to what rightfully belongs to him. In the movie, Roddy McDowell plays Ben as a boy while Tyron Power plays him after he grows into manhood. As the movie opens, Ben is living and working with his grandfather, Amos Kidder (Harry Davenport). However, when Sir Arthur Blake (George Sanders), discovers that Ben is his dead brother's son, he gets a legal writ making him Ben's guardian so that he can keep a close eye on him. Arthur then makes Ben his indentured stable boy. As Ben grows up, he and Arthur's daughter, Isabel (Frances Farmer) fall in love but can do nothing about it because of their stations in life. Even Arthur's wife, Helena (Kay Johnson)--who had once been in love with Ben's father-- quietly takes Ben's side, hoping that he can someday prove his legitimate claim to the estate. After Ben assaults his master and runs away from the estate to earn money for his cause, Ben's grandfather is jailed. But, Ben and his grandfather are able to communicate to each other through a prostitute, Bristol Isabel (Elsa Lanchester), who knows how to get in and out of jail without drawing undue suspicion. Ben's grandfather relates (through Bristol Isabel) that he should make his fortune in the Indies and THEN try to make his case for the estate, with money in his pocket. Ben stows away on a ship headed for the Indies. Aboard this cruelly run ship, he meets another stowaway, Caleb Green (John Carradine). Green's crime is that he is a debtor. They both plan and execute an escape from the ship to a South Pacific island. Caleb had heard, from a 'Spanisher,' that the island atoll is loaded with valuable oyster pearls. His information proves to be correct, and they soon harvest a fortune in pearls to free themselves from their past stations.However, while on the island, Ben meets and falls in love with one of the island natives, whom he calls 'Eve' (Gene Tierney). He also becomes a great hero to the natives by teaching them how to make crud tools and improve their lives. Even though Eve loves Ben, she knows that he is waiting for some European ship to someday come along and take him back to England for revenge and to makes his rightful claim. She helps him watch for such a ship. When a Dutch ship eventually DOES land near the island, Ben departs on the ship, but Caleb decides to stay on the island for life. When Ben returns to England with his fortune in oyster pearls, he is capable of buying himself into respectability through an agent there, Bartholomew Pratt (Dudley Digges). Pratt takes some of his pearls and promises to use his influence to research and uncover the truth about Ben's parents. However, when Ben is put on trial for his past crimes, Pratt doesn't meet his promise and it looks as though Ben may face the ultimate penalty... As the movie draws towards its ending, it fills in the lack of swashbuckling with some dramatic moments and surprises. There are some interesting variations to the actors' usual character types. For example, Tyron Power is never very physical and when he physically fights someone, he always loses. It is not his physical gymnastics that wins the day here. It is, instead, his steadfastness about revenge and his rights. Furthermore, this is not the George Sanders that we are used to either: While we are used to seeing him as a powerfully-connected courtier, a dandy, a fop, or a cleverly smug Addison DeWitt-type character, here he is a physically brutal pugilist who would rather live by his fists and his whip than his wit, wordplay and cryptic charm.
Robert J. Maxwell An entertaining tale of Tyrone Power, cheated out of his birthright by the villainous George Sanders. Power becomes Sanders' ward, and Sanders beats and humiliates him. Power assaults him -- a grave offense, a commoner knocking a rich aristocrat around -- and barely escapes hanging by stowing aboard a sailing ship that brings him to a Polynesian island like Tahiti. There he meets the delicious Gene Tierney in a flowery two-piece sarong. Who could resist? When he's collected enough pearls to ransom a king, he returns to England, hires a lawyer who deposes Sanders, and assumes his rightful place as lord of the manor. Sanders is now a commoner himself, though still capable of a sly trick or two in his attempt to continue in the life style to which he's become accustomed. There is a brutal fist fight. Sanders fights dirty. All villains fight dirty in these scuffles. But Power wins, gives the manor to the servants and to his kindly grandfather. Then he takes off again, trading the corruption of civilization for the simple life among the noble savages, the sheltering palms, not to mention the sheltering arms of Gene Tierney. Jean-Jacques Rousseau can be heard faintly, applauding from just off camera.It's one of those tales we don't see much anymore, based on a sprawling, epic, now-forgotten novel. Nobody seems to have patience enough to read these long tales of adventure and romance. Maybe James Michener was the last of the breed.Tyrone Power is a passable adventurer, Twentieth-Century Fox's answer to Warner's Errol Flynn. He's aided considerably by Alfred Newman's heroic score, Twentieth-Century Fox's answer to Warner's Eric Wolfgang Korngold. Gene Tierney had little range as an actress, even though, as here, she was forced to be a sexy and naive native girl or, elsewhere, a dumb and hungry redneck. She's out of her depth. She needs to be in sleek clothes in New York, as she was in "Laura" and "Leave Her To Heaven." Best performance award goes to -- envelope, please -- yes, George Sanders as Sir Arthur Blake, snooty and sadistic aristocrat. He's never been a better cad. Oh, to see him sit at court, while Tyrone Power is humiliated and about to be sent to the gallows, and Sanders lolls back in his seat, looking down his nose like William F. Buckley, and rolling his eyes heavenward. The guy was great.
HarlowMGM Those who claim Elizabeth Taylor and Montgomery Clift were the screen's all-time most beautiful couple apparently have never seen Tyrone Power and Gene Tierney. SON OF FURY is a wonderful multi-genre picture that goes from British period piece to South Seas romance quite smoothly. The film's plot has been well-explained by multiple IMDb members so I'll just concentrate on the performances.The entire cast does fine work. Gene Tierney doesn't appear until a full hour as passed and her role doesn't require much except smiling and looking utterly beautiful and that she does to perfection. George Sanders (looking amazingly like John Wayne in the early scenes) has one of his most brutally villainous roles and he plays it without flinching, this is no character you love to hate, he's one scary SOB. This major 1942 film is also notable for giving breaks to two actresses who had been brushed off by many in Hollywood, the troubled Frances Farmer who plays Sanders' daughter (and Power's first love) and early talkie star Kay Johnson, making a very rare appearance, as Sander's wife. John Carradine has one of his most likable roles as a seedy castaway who turns out to be a great friend. There's also an exceptional performance from Harry Davenport (best known as Doc Meade from GONE WITH THE WIND) as Power's beloved grandfather.And I've saved the best for last, the one, the only Tyrone Power. Was there ever a more gorgeous man in movies? And SON OF FURY fairly revels in his beauty, his beautiful mop of thick black hair, his stunning profile, manly arms, friendly eyes and infectious smile. And as a bonus, there are numerous scenes of Power shirtless, running around the island in sarong-like swim-shorts. To top it all off, Tyrone is a fantastic actor, one of classic Hollywood's best. He would have been a superstar in any era.