Noutions
Good movie, but best of all time? Hardly . . .
FuzzyTagz
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Janae Milner
Easily the biggest piece of Right wing non sense propaganda I ever saw.
danielleh-1
I was going to give this a seven, but after re-watching it with the director's commentary I give it an eight. Its VERY hard to believe that it was made for £5000... it certainly doesn't look, feel or sound like so cheap a project. It doesn't have the 'floating fuzziness' of other DV features I've seen (this may be, as the commentary suggests, because some of it is film?) Whilst the performances are occasionally creaky and the exposition filled with ellipses, it manages to make a merit of its weaknesses as it moves further and further into willing abstraction. Its ultimately a film all about Mood and, in a way that belies its budget, it makes its tight-framed abstract photography, eerie score/sound design and thoroughly non-linear approach to its narrative its strength. The result is similar to the style of Don't Look Now, both use the flimsiest of thriller conventions (and this one is pretty weak) to launch off into fairly abstract film making territory. A masterpiece it is certainly not, but as a no-budget B-film, I found it remarkable. Confident enough in itself to relish its slow dark mood in the face of narrative necessity, film students take hope here.
travis-j-rodgers
I've noticed that some people have rated this movie a 10. Others have said it's one of the worst films ever made. The truth is somewhere in the middle. If the budget of this film was actually 7K (pounds or dollars?), then it's a very impressive achievement. That said, it's not nearly as good as El Mariachi as some have suggested.The film moves slowly through the first 20-30 minutes and it's unclear what's really going on. Yes, a cop is investigating a series of murders, but what's really going on? As the film progresses, some things fall into place...but not all of the pieces. Some of the scenes are head-scratchers. What's up with the little girl and her mom? I didn't see a reason for them to be in the film.As for the technical aspects of the film, the music is very good in a few instances. For the most part, it's terrible and inappropriate to the action. The cuts back and forth do not bother me; it actually provides a fairly suspenseful climax, which was the best scene in the film. The acting is of decent quality, with no outstanding performances. Overall, the film is a 7/10. If you want to see a bad movie, skip this. If you can stand a slow-moving noir, then check it out.
jeanna-1
I saw this film having read that it was made for a mere $7000 and was sceptical that this was possible, and if it was possible, that it would be watchable. However, when I sat down to watch this, I discovered a diamond - a remarkable and absorbing discordant thriller from a first time writer/director that looks and feels as if it cost 100 times its minuscule budget. I was compelled to watch the director's commentary immediately afterwards for explanation of how this was done. The influences on the film's visionary are subtle but omnipresent - the cold, detached objectivity of Kubrick, a fractured narrative structure favoured by fellow Brit Christopher Nolan, and a faint reminiscence of Hitchcock's Vertigo. Perhaps its most obvious assimilation is Nicholas Roeg's Bad Timing, echoing the style of remote, disturbed protagonist, the themes of obsessive, all consuming love and culminating in a disturbing but revelatory sex scene. This is a slow burner which requires concentration and a modicum of intelligence to unravel. There is little dialogue - imagery and motif play a large part in the understanding of the narrative - and there are no blockbuster effects or big name stars to sell it. However, its complex thriller narrative, dissonant soundtrack and solid involved performances blow fellow low-budget-starter Robert Rodriguez's El Mariachi out of the water. For anyone who is aspiring to be a film-maker and doesn't think it's possible without millions of dollars, this film is an inspirational must-see.
George Parker
"Soho Square" is a British drama which follows a troubled homicide detective as he sorts through personal issues while working on a serial killer case. An unfortunate piece of work, the only redeeming thing I could find between the credits of this flick was the shorter-than-usual 78 minute run. A choppy mess of poorly lensed and poorly edited scenes with horrible color and music, "Soho Square" seems to be an attempt at art house fare which just went wrong. The story is muddled and confused and sorts itself out only when it's too late to care. Character depth is superficial, nothing scenes are dragged out for no apparent reason, plot holes are everywhere....I could go on...and on. However, suffice it to say, this film is not recommendable. I happened to rent it mail order by mistake and only stuck with it because it was in English and I could type these comments while it was running. (C-)
