Sin Nombre

2009 "The greatest sin of all is risking nothing."
7.5| 1h36m| R| en
Details

Sayra, a Honduran teen, hungers for a better life. Her chance for one comes when she is reunited with her long-estranged father, who intends to emigrate to Mexico and then enter the United States. Sayra's life collides with a pair of Mexican gangmembers who have boarded the same American-bound train.

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Also starring Edgar Flores

Reviews

Sexyloutak Absolutely the worst movie.
Limerculer A waste of 90 minutes of my life
Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.
Staci Frederick Blistering performances.
Jack The film starts out captivating your attention by throwing yourself into the perspective of a Gangster. I like the real-life sense that you get from watching the movie. I didn't dislike anything about the movie. I loved how professional and high-budget the film seemed. The film seemed not American because there wasn't a happy ending. Usually, in an American film there are basic guidelines that the movies follow. Culturally, the difference between Mexico and America was evident from the gangs to the clothes the actors wore. It was easy to see that crime overtakes at least some cities in Mexico. The perspective I take from this film is that the only reason these people wanted to cross the border was for hope of a better life. The people who actually stay in Mexico are the gangs, it seemed to me that those who wanted to leave were the ones not in gangs. If I was in Smiley's position I probably would've done exactly what he did. It seems that if you are not in a gang that you are in danger. I wouldn't change the ending; what made the movie so good was the realistic feel that the ending could've happened in real life.
xinfatale After watching El Norte (a great film, by the way), I wanted to find more films about an immigrant's journey to the U.S. Upon finding Sin Nombre, I wanted to like it. I was determined to watch it with an open mind and a serious attitude . . . and the movie turned out decent, for the most part, but something essential was missing.Soul.Before tagging me as "sentimental" and skipping the rest of my review, understand that a film about people's suffering needs well developed characters who truly embody the reality they represent. Sayra did not. I found her and a couple other characters to be not quite believable. Their struggles were obviously seen from an outsider's perspective who only detailed the violence, and not even the full violence. I felt alienated watching this film, a feeling I didn't get whilst watching El Norte. El Norte had its share of plot holes, but it delivered in terms of emotional impact. It made me truly care. This film showed the violence, but forgot to treat its characters as actual people.The movie also came off as a typical thriller. Good guys, bad guys, bad guy gone good, etc. Where is the life? I wanted something that explored the emotional journey more. The cinematography and music are top notch, and the tattoos were a nice touch. However, this film did not seem genuine. It seemed very fabricated. The actors themselves were believable. It was the script that put me off.However, I did really enjoy seeing the journey of the youngest major character of the film. It was chilling to think about.
grantss Engaging, gritty drama.In Honduras, a man, his son and daughter set out to get into the United States and ultimately New Jersey, where his wife and remainder of his family are. Their journey will take them through Guatemala and Mexico. Meanwhile, in Southern Mexico, a young man is struggling to reconcile his membership of a gang and his personal life. Soon, circumstances will force his and the three Hondurans' paths to converge, for better or worse...A good story, well told. A story of overcoming hardship, doing the right thing, loyalty and what some people go through in order to migrate to another country.Not perfect - there was an inevitability and predictability about the plot and it felt contrived at times.Good performances all round.
museumofdave Instead of sensationalism for its own sake, director Fukunaga relates a gripping story straight, a clear narrative outlining the mental and physical journey taken by a young man recruited into a violent Latino gang and used by them to gather protection money to beef up the gang coffers; the young man makes choices that create difficulties his path one of both fear and self-awakening, and a parallel story of immigrants attempting to crash the U.S. border lines him up with a young woman of integrity. As noted by so many critics and reviewers, this is an often violent film, but how else to picture what we know has often made many border towns between the United States and Mexico unlivable? This is an important picture, a sincere and moving effort which captures a world most of us only read about