Shrew's Nest

2014
6.7| 1h31m| NR| en
Details

Spain, 1950s. Montse's agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she lost her youth raising. But one day, a reckless young neighbor, Carlos, falls down the stairwell and drags himself to their door. Someone has entered the shrew's nest... perhaps he'll never leave.

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Reviews

Solemplex To me, this movie is perfection.
UnowPriceless hyped garbage
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Bantam If you have an interest in Euroflicks, you should give this one a go.While the movie starts out as some sort of post-war drama with a pair of sisters living together after their parents both die. The mother died early, the father died presumably in the war.But the movie takes a quick turn to a slasher/King's Misery hybrid and does this quite well. It even manages to covey some dark humour here and there which suits the movie well. The cast is small and basically all the action takes place in one flat (this has to do with Montse's fear to leave the flat). But the director did use this "disadvantage" to make the movie a bit more intense.Even though the story is mostly predictable the end and the final conclusion is no happy end at all.All in all the acting is very good and Macarena Gomez does really well as a twisted character. (I've seen her in Sexykiller, where she showed some comedy talent, too) The movie is no revelation, but it is much better than some other flicks covering a similar subject. As said, if you are into Euroflicks, give this one a go.
Seemp deHond Maybe because it's a foreign film (only Americans classify anything non- US as such) it looks more than it is but this highly predictable plot drags for too long and shortly after about 1/3 it is very obvious where it is going. Stuck between Misery and Psycho, this movie doesn't have much else to offer. Hoping it would go somewhere I watched to the end but particularly the last 20 minutes were just hard to sit through. Clichés galore and some of the most irritating, like dragging a wounded person lying on your back. Come on, just get up, grab them under the armpits and schlep them away. It could have done a lot more with just suspense and less gore.
Densus Sn I have to admit I was expecting a different type of plot, more psychological less psychopath, at least from the only synopsis i've read before watching it (my bad...sorry), but even though it was a great movie, it actually reminded me of Korean thrillers... you know, the type of movies that get's your attention and you expect more. Another thing that i liked was the color/camera approach... it blended correctly with the music, a peculiar old obscure environment where it should be. I would give this more if part of the plot wasn't obvious at some points, but was good most of it. Also after reading that this is a work from a new pair of director's then i just can't wait to see more of their work! Also i really liked the main actress performance and the great make up they did on her.
Mozjoukine It really is amazing that producer Alex de Iglesia has gotten so far without being a world celebrity film maker. This one is a quickie directed by a couple of his colleagues with unfamiliar players (Mrs. de Iglesea, the striking Carolina Bang, has a quite small part) and while it has a personality of it's own we can still see the macabre, master-crafted Iglesea style in it.We get one of his closed environments like the apartment block in LA COMUNIDAD or Resines' space ship in ACCION MUTANTE, here a flat in a fifties Spanish apartment block, which the camera never leaves. Shut in seamstress Gómez (who proves to have a scream queen background that includes a Stuart Gordon Lovecraft adaptation) terrorizes her younger sister, former child actress Nadia de Santiago, now at the age where getting out of the house to work has made her take an interest in boys. Then neighbor Silva falls down the stairs - and proves to have a secret of his own. Throw in religious fanaticism and morphine addiction.Gripping, perverse, bloody but not without rounded characters in the confusion. The great Luis Tosar is particularly imposing in his small footage.Giving us some idea of the shortness of the film critic memory a few writers have cited MISERY but no one seems to notice that it's retreading WHATEVER HAPPENED TO BABY JANE.