PodBill Just what I expected

Pacionsbo Absolutely Fantastic

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

vitachiel Again, here we have a movie that tries to be a commercial success by trying to serve everyone by trying to be many or most things. It cannot be classed because it is more than one kind of movie: black comedy, moral tale, emotion-driven drama, fantasy, post noir, court drama… And it fails miserably on all accounts. The cast is perfectly cast: Kim Cattrall as the vain impresario, Anthony Hopkins as the wise old guy, Jennifer Love Hewitt as the femme fatale, Dan Aykroyd as the imposing yobo and Alec Baldwin as the struggling man of a certain age. Hence, a perfectly TYPE-CASTED cast. What more to say about 'A Shortcut to Happiness'? Not much. It is boring, self-indulgent and over-ambitious. If you like those kind of movies, do not hesitate and watch it immediately.

moonspinner55 Struggling novelist, unable to get anything published much less an actual audience to read his work, enters into a pact with a comely female Satan: fame and fortune in exchange for his immortal soul. Archibald Macleish's play "Scratch" becomes an updating of "The Devil and Daniel Webster" (filmed in 1941, with a panicked farmer as the tempted central figure); producer-director Alec Baldwin portrays the leading character opposite a terrific supporting cast, including Anthony Hopkins as lawyer Daniel Webster and Jennifer Love Hewitt as the Devil. Unfortunately, the movie was edited against Baldwin's wishes after sitting on the shelf for years, debuting on the Starz television network in 2007 after some brief theatrical bookings. It begins well but quickly loses its footing once Baldwin's writer gains the success he so desired, turning the picture into a yuppie treatise on the old money-can't-buy-happiness ploy. The filmmakers are so out-of-touch, they don't even consider the fact that maybe some of the writer's needs ARE fulfilled by his newfound celebrity. Instead, he turns into a sad sack with money in the bank and women at his feet--clearly not something struggling writers in real-life can identify with. Worse, there's never a moment when this man's heart is actually detectable; Baldwin is so callow an actor (not to mention as the director) that all we perceive are his handsome, unmodulated externals. He purses his lips and gazes intently at the camera, hoping to smolder, while viewers lose track of the character's roots. The final courtroom battle is well-played, though so much of the writing is smarmy, and executed without style, that the overall results are distinctly unsatisfactory. *1/2 from ****

Robert J. Maxwell You can't help wondering how many times this story has been told in print, on stage, and in film. Weren't there independent redintegrations of this Medieval plot by Marlowe and Goethe? This version comes to us from Steven Vincent Benet and Archibald MacLeash, updated to the current time. It's entertaining still but all very familiar.Alec Baldwin is a luckless, penniless, sexless unpublished author who just can't catch a break like his college Dan Aykroyd, who has written a highly successful novel, "A Feeling of Loss." All he has are a few fellow sufferers like Barry Miller, who is always willing to tell Baldwin the truth about his writing.An agent, Anthony Hopkins, tells him to write better but Baldwin is going berserk. Back in his shabby apartment he cries out that he'd sell his soul to succeed. Enter Jennifer Love Hewitt as a sexy devil. She gives him the success he pines for. Cabs stop magically to pick him up out of a crowd. An editor, Kim Cattrall, reads his manuscript and decides its worth a first printing of 100,000. That's a lot. You're lucky to get 5,000. But she insists on a few changes. Baldwin agrees, even though the alterations turn his work into the kind of trash that sells. It begins with the title, "A Loss of Feeling." Of course it's a ripoff of Aykroyd's book, "A Feeling of Loss," but that's the point. There follow a number of sequels. "A Feeling of Greater Loss," or something, winding up with "A Certain Numbness In the Extremities." That's pretty funny.Alas, there is a long courtroom scene at the end in which Hopkins defends Baldwin and Hewitt is the prosecutor. The trial is a fantasy. The jury consists of departed writers like Ernest Hemingway and Dorothy Parker. I don't know how this scene was originally written but here it comes across as maundering and uninventive. "This is the world God gave us," Hewitt orates. Smooth violins in the background tell us that this is all very important, in case we didn't get it. I think it's mush. "Death -- well, death gives us a chance to sum up our lives." Baldwin directed this and there's nothing wrong with his work, either as director or actor. Anthony Hopkins is a remarkable actor. He convinces us with such little effort, even when the lines he's forced to read are idiotic. Hewitt is a bit of an embarrassment among the pros. She looks and sounds like a pretty young girl in a high school production. It's hard to pin down just where she goes wrong, but, by contrast, we can check out Kim Cattrall in the part of the shallow and sexy editor. Hewitt looks cute, while Cattrall projects a sleek kind of professionalism.I kind of enjoyed the film except for the last twenty minutes when it bogged down into seriousness. It should have remained the up-tempo screwball comedy that it started out as. Frank Capra would have done wonders with it back in the 30s.

TheEmulator23 This is one of those films that I remember being in the can for years before anything happening w/it. I don't think it's terrible, but it's not really good either. Alec Baldwin was pretty good, but the plot is it kind of flimsy at best. The cast is pretty good in what they're given, but again you are only as good as the script. Baldwin directing this although I could have sworn he didn't direct all of it, I thought I read somewhere or lots of re-shoots wasn't bad but he definitely has some potential in there. Although his work on "30 Rock" is nothing short of genius & should keep him busy for a little while longer. I just hope the show bows out gracefully a la Seinfeld, but maybe not even that long. 9 years it went. So if you want to see a film that you won't get much from, but won't really hate either well this is for you. I can't remember the last time a film had been wrapped so long before finally being released & only on DVD at that. It was nice to see Alec Baldwin & Anthony Hopkins again together since their excellent yet not much people have seen "The Edge." Now pick up that excellent film for some real entertainment.