Actuakers One of my all time favorites.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

spelvini Donald Strachey (Chad Allen) meets Paul Hale (Jared Keeso) on a dark street just before a truck tries to run him down, and when the client ends up dead Strachey gets more than interested especially since the man has given him a five-thousand dollar retainer. He visits the man's mother Phyllis Hale (Morgan Fairchild) and discovers that her son was a poster child for a clinic specializing in "conversion therapy", turning gay men into straight men through consultation and a host of other mysterious means. Strachey goes undercover as a client at the clinic, led by a smooth-talking Dr. Trevor Cornell (Michael Woods) who conducts group sessions touting self-examination designed to empower gay men into thinking and living their lives in straight ways. Strachey himself has a damaged psyche and recalls with angst his time spent in the Army and a companion as they lived a secret life. When Strachey's husband Tim Callahan (Sebastian Spence) offers some information about one of the clinic's wealthy clients and another body turns up dead things get really twisted. When Strachey discovers a DVD with a potentially damaging documentary that Paul Hale was creating he suspects Dr. Cornell but after a shoot out and the discovery of the real murderer the truth about the clinic and some of the clients comes out in a thrilling ending.

Terrell-4 "Trevor Cornell is one of the most successful reparative therapy providers in New York," says Timmy Callahan. "I wonder what his idea of 'successful' is," says Donald Strachey, a private eye. "Dressing badly," says Callahan, "decorating your home with duck decoys, breaking out in a rash whenever Barbra Streisand sings." To explain: Reparative therapy means conversion from being gay or lesbian into happy, contented heteroes. Timmy Callahan (Sebastian Spence) is a political type in Albany, New York. Donald Strachey (Chad Allen) is not only a capable and tough private eye in Albany, he and Timmy are married. "At least," as Strachey says, "as close as two men can get to it...more important, I'm in love with him." Those who find a gay agenda under every leaf, revolver and bloody baseball bat may not like this movie. On the other hand, those with a fondness for well-constructed mysteries that feature politics, victimization, murder, martinis and phenalzine should enjoy the story, the style of Donald Strachey and the puzzle. Bet you don't guess the murderer. It's worth pointing out that you don't need to be a collie to enjoy "Lassie" or a guy with a gut to enjoy John Wayne. And you don't need to be gay to enjoy Shock to the System. The movie has it's faults...it was made for cable with awkward acting in some of the secondary roles and it has that clean, careful look of most made-for-TV films. But the mystery is satisfyingly complicated, with a nice number of red herrings. Chad Allen makes a believable, interesting private eye. And his happy home life with Timmy would probably be the envy of many married couples, gay or straight. Paul Hale, a frightened 20-year-old man, wants Strachey to help him. But before he can tell Strachey what he wants, he is found dead. At first it's thought Hale died of a stroke, but when a lethal mixture of alcohol and barbiturates is found in Hale's system, Strachey decides to find out what was going on. And that takes him undercover to the Phoenix Foundation, a successful institution led by Dr. Trevor Cornell and his wife, where gays and lesbians, Dr. Cornell says, can find their true path to heterosexuality. It turns out that Hale was going to be a poster boy for the Foundation when Cornell announced a major push to go nation-wide with his cures. Not only does Strachey find himself taking part in group therapy and flashing back to his own earlier life, he gets threatened, beaten up, chased and shot. Almost as frightening, he encounter's Hale's wealthy, well-groomed and surgically-enhanced mother. "My son was not gay!" she says. "He was...confused." Strachey eventually solves the crime. Justice, formal and informal, is dealt out. Donald Strachey is the gay private eye in eight mysteries written by Richard Stevenson, beginning with Death Trick in 1981. They are first-rate reads with clever, involved and sometimes violent plots. In other words, they aren't gay mysteries...they're mysteries that happen to feature a gay private eye. Two of the books have been made into cable movies; this one was shown in 2006 and Third Man Out was shown in 2005. The books are well worth reading if you like mysteries. This movie is no classic, but it makes it's "gay agenda" points low-key enough that they don't interfere with the story. And although there is a bit of beef cake that shows up from time to time, one or two friendly smooches and a quick flash of frontal nudity, the movie has none of the leering smarminess that seems built-in to many of the boy-girl Hollywood films nowadays.

Lechuguilla A young gay man affiliated with a so-called "gay no more" program seeks help in finding someone, from gay PI Donald Strachey (well played by Chad Allen), in this second in a series of gay detective stories, from Director Ron Oliver. Before Strachey can pursue the investigation, the young man turns up dead.My impression is that the filmmakers here want the audience to focus on the dubious nature of the "gay therapy" pushed by political conservatives. However, I chose to watch this film as I would any other murder mystery.The killer was a person who was not high on my suspect list; so I enjoyed the surprise ending. However, Ron Oliver's apparent objective to spotlight the hideous agenda of social conservatives seemed to override the need for intricate plotting, necessary for a truly effective whodunit puzzle. Still, the mystery element was sufficiently credible, and I did spend quite a bit of time with it. The mystery's outcome has some clever irony.The visuals have a noir, retro look and feel, especially in Strachey's office, with those window blinds, the table fan, and the light and shadows. The opening credits sequence features some great B&W schematics and a terrific jazz score. In the second half, light and shadows, together with eerie music, and the image of a hooded figure running down a dark corridor combine to create some excellent suspense.Film direction is unobtrusive and simple, probably by design. I could have wished for fewer close-up shots. At times, the pace grinds almost to a halt in scenes with lengthy dialogue; however, this is not a problem if your attention is on the murder mystery.To watch this film as a social commentary on those dreadful "gay no more" programs can be enlightening and informative. But I enjoyed the murder mystery element. "Shock To The System" wasn't quite as good as "Third Man Out", in my opinion. But it was as good or better than countless other whodunit films I have seen.

afhick This is a well-plotted, superbly cast follow up to the first Donald Strachey film, "Third Man Out." I personally found the subject matter—-sexual "healing" for gays—-more engrossing than the "outing" theme of the first film. Once again, Chad Allen is fascinating as the macho gay detective. And his back story—-he's an ex-soldier who was drummed out of the service for being gay—-more ably serves the screenplay this time around. The regulars all seem more comfortable in their roles, and it's nice to see Nelson Wong returning as Donald's secretary. Morgan Fairchild appears in a rather thankless cameo, and, although Sebastian Spence is a little less ditsy as Donald's lawyer boyfriend (Nora to Allen's Nick), Timmy, Allen's banter with Daryl Shuttleworth, as Detective Bub Bailey, and the other guys at the precinct is more fun. It's a first-class production, with director Ron Oliver making all the right moves, and Allen's acting is nothing short of brilliant: he does Emmy-caliber work in a surprisingly literate script.