Noutions Good movie, but best of all time? Hardly . . .

Micransix Crappy film

Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Kinley This movie feels like it was made purely to piss off people who want good shows

ma-cortes Mystery , terror , intrigue about a teen with a serious physical reaction to sunlight and seeking clues about strange killings . Spanish horror film full of thrills , suspense , chills and eerie twists and turns . A young high-school student called Santi (Valverde) has a disease which makes him sensitive to the light , he suffers from a photosensitivity disease , running through the city as the dawn chases him . He is forced by his health to move with his single mother (Mar Sodupe) to a shadowy , isolated village in the mountains of Spain . As Santi moves to a far-off village lost in the mountains with his mother where the inhabitants begin to reveal themselves as strangely xenophobic . Then Santi befriends a beautiful young student called Angela (a gorgeous newcomer Blanca Suarez) , though he also makes enemies . But horrible , violent deeds begin to occur . There then appears a killer committing a criminal spree , as the murderer is hunting them all down . When , the lonely adolescent becomes first a pariah at school and then strongly suspected by the police (Roberto Enriquez) of hideous murders . A series of odd events will shock the place and he will become the main suspect .The only way to prove his innocence will be disclosing the terrible secret the wood hides .This exciting , bizarre film contains tension , thriller drama , mystery , plot twists and shocks , including decent scares with tense terror sequences especially in its final part , in a creepy denouement . ¨Eskalofrio¨ or ¨Shiver¨ suffers from some sputtering about a quarter of the way in , the sputtering came from a complete change in story direction, away from the spectacular beginning and toward a much simpler story line , one which suffers from a severe lack of ingenuity . Interesting screenplay by Hernán Migoya and the same director revolving the mental disintegration of an adolescent and the various amazing surprises he finds . The motion picture is pretty well , although sometimes slow moving and packs turns ; however is entertaining for continuous suspense and unsettling atmosphere . The picture is thrilling and some moment brilliant, and the players are quite reliable . Ghastly movie builds taut by showing virtually well staged killings , evocative settings , appropriate soundtrack and adequate cinematography . Few disagree that the film is professionally mounted, the performances solid, and that it respectfully carries on the tradition of Spanish "horror" films like The Devil's Backbone, Pan's Labyrinth and The Orphanage , borrowing—in fact—teenage actor Junio Valverde from Backbone, Labyrinth's Oscar-winning set designer Pilar Revuelta, and The Orphanage's composer Fernando Velázquez to firm up its genre pedigree . Colorful cinematography by Josep M. Civit showing splendidly mountains , woods and villages from Picos De Europa , Ponga, Asturias , Elizonda , Erratzux, Navarra, Spain . Josep M Civit is one of the best Spanish cameramen as he has demonstrated in "The Hidden Face" , ¨Shiver¨, ¨Warriors¨ , ¨The Absent" , ¨Asphalt¨ , ¨Anguish¨ and many others . Exciting as well as frightening musical score by Fernando Velazquez who has composed for successful terror films as ¨The orphanage¨ , ¨For the God of others¨ , ¨Devil¨ , ¨Julia's eyes¨ and ¨Mama¨ . This motion picture displaying genuine chills , suspense, mystery and dark atmosphere and a twisted finale , being skillfully proceeded by Isidro Ortiz and turned out to one of the most unusual Spanish thrilling movies of the 2.000s and certainly one of the most unsettling . Ortiz is a good director and writer, known for Fausto 5.0 (2001) , Jugar a Matar (2003) , Somne (2005) , Asesino de Parking (2006) and especially this Eskalofrío (2008) , his most successful film . Shiver or Eskalofrio premiered in the Panorama section of 2008 year's Berlinale to tepid critical response.

marilynprincess16 A teenage boy has a decease where every time he steps into the sun he burns his skin. So his mother faces a decision to move away to a mountain town, where the sun sets early. They notice that the town people are all very close knit. But almost immediately following the boys arrival to the town, the town begins to have grim murders in the woods. The town people begin to suspect the strange new comer. 'Shiver' is one of the most enjoyable suspense films I've seen. The scare value in this film isn't the 'boo' shots or the gore. It's the superb use of silence and the true horror of what it means to know you're not alone in the woods… or your house.

cristian-mo This is ones of the most wonderful films i never see in my life is full of magic , a well made scrip that bring you to the darkness of the soul of this society. Isidro Ortiz take the topics of terror films of all times to used a pieces of a personal "fairy-tale" that talks about the human nature. The look of the film is not like a low-budget film and the light is another character of the movie as the art direction show us a world full of textures and organic life. The film talk about unadapted people , those who lives in the limits or outside. Is a travel to the soul of our "civilitation" but all dressed with mystery and a lot of surprises.

Chris_Docker Santi is a young lad with a strange disease. Bright sunlight has him running for cover. Not surprisingly, he's a hoodie with sunglasses. Mum is a translator. She works from home. Parents are separated but on good terms. Santi also gets bullied a lot (he's very bully-able – you could want to cosset or kick him).Doctor persuades Mum to take Santi to remote village. Less sunlight, you see. But kids pick on him there too. They don't understand his disease and treat him as a wimp. Shortly afterwards, locals turn on him. Especially when sheep are eviscerated. And a bully murdered. And we know there's something Nasty In The Woods. A waiting game is to see whether Shiver implodes in orgiastic excess of CGI, vampires, werewolves, radiation mutants, CIA viruses, supernatural gore or other well-worn concoctions. Remarkably, it doesn't. Even when the attacker is revealed, momentum keeps going and we can enjoy a mix of terror with fairly down-to-earth explanations.Like many other genres, horror can be more about minor deviation on clichés than whole new formulae. But although the Shiver 'monster' avoids paths too well-trodden, the backdrop of the film is highly derivative. A flitting in the trees reminds me of Predator. Farmer and policeman are stereotypes. Santi discovers truth and, guess what – his parents don't want to know. Santi susses things out on Google – the current answer for every geek-on-a-mission. And the night vision camera thing is all a bit too Blair Witch.Low-budget interactions and nice scenery are mixed with occasional fast editing, unnerving sounds, jolting cameras, and horrific dream sequences. Director Isidro Ortiz says he wanted, "to build a monster thriller where the monsters are the heroes, and where you must flee from the light to take refuge in the darkness. A back-to-front tale." This sophisticated theoretical foundation is almost more interesting than the movie itself. "I wanted the film to have two kinds of monsters," he continues determinedly, "those which are such because they're 'different' and cannot adapt to what society defines as 'normal', and those which are real monsters and hide their dark side while they look like a model of social behaviour." Wow! Is this film really deep? Or is the depth flown in afterwards as P.R.-flavoured gibberish? It sounds sensible enough, but out of place when referring to such a low-brainer.To Ortiz' credit, he trimmed down his original plan to avoid relying on American budgets, but the end result, while enjoyable enough, falls slightly short of the grand concepts he envisages. It does keep you guessing for a bit but, although decently acted, characterisation and dialogue do not have the profundity to redeem such aspirations.On the plus side, this is a broad appeal 'horror' film. It isn't offensively gory, and has an almost warm cozy feel to it. But in other words, it's a bit of a girly horror. A nice little movie with some atmospheric tension, and maybe not quite enough to satisfy late-night fans.