Shelter Island

2003
3.9| 1h25m| R| en
Details

Lou, a former professional golfer, turned motivational speaker, seems to have it all: fame, money, and a beautiful live-in girlfriend, Alex. Her seemingly perfect life is turned upside down when she is attacked near her home in Manhattan.

Director

Producted By

The 7th Floor

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Reviews

Artivels Undescribable Perfection
GazerRise Fantastic!
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
box12 Up to 1970 lesbians almost always died in the movies. The modern movie maker does not want to blame lesbians, but they have to die. By the way, in Nazifilm there also were a lot of strong women, who had to die at the end. It does not give meaning, why the blonde woman kills her lover just to find another woman, who will make her laundry. When she is killing her girlfriend, you get the impression, that she is heterosexual, but she has to be a lesbian at the end - because the film wants to tell you, that lesbians are mean, stupid and, in a way, helpless. They can get rich, but they have a poor live. That it is dangerous to be a lesbian - very dangerous. In one thing the film is right: it's all about perception. The film is bullshit.
laurierenee this movie is pretty awful. it lacks suspense and is all around boring and worthless. i connected with none of the characters and now as i think back, i can't even remember how it ends. don't waste your time w/ it. actually i think why i don't remember the end is because i fast forwarded to the end, i do that sometimes, so i can say i've seen a film but i don't have to actually sit and watch the whole thing, i usually get the gist though. it's a bad habit really, if it's getting too long or i'm just feeling too fidgety or it's boring i'll fast forward. i always feel a little guilty when i do it though. like i'm disrespecting the director, and i am, but i've got other things to do than watch a crappy film. now mind you i've only done this a few times and this film happens to be on my 'sucky' film list.
jimbobnick I might have a partial spoiler here, but maybe not.What's the matter with Ally Sheedy, taking a role like this? The movie's plot and ending would do well in an 11th grade creative class, but gee, we paid money to see this. It's impossible for anything like this movie to happen. In a crime scene, the same gun was used on every person in the room, which would make forensics people lick their chops.I've always liked AS, but she must have a lousy agent. She's a pretty good actress, and needs to be tested a bit. The Dancer Upstairs was okay, but another mediocre writer ruled.I felt duped, and to call this movie a thriller was mislabeled.2 out of ten.
jotix100 Geoffrey Schaaf probably had no clue where he was taking this story, because ultimately, it makes no sense at all. The credits tell us it's based on a screen play from Paul Corvino; it makes us wonder if the writer must have been under influence when he conceived this pathetic thriller.The actors are wasted. Poor Ally Sheedy, she gets involved in projects that really don't deserve her talent. One wonders if after High Art a lot of directors have decided to cast her in lesbian roles. The story is too obvious. We know what's coming just by looking at the first scenes of the dinner party. It goes downhill after that. Stephen Baldwin will be better off by retreating to his native Long Island and start a clam digging business. Chris Penn is just horrible in the film, as are Patsy Kensit and Mimi Longeland. Surf channels whenever this dud shows on your screen.

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