Shamus

1973 "SHAMUS a pool-shooting, card-playing, broad-chasing, private eye...cross him, and he'll blow your head off!"
6| 1h46m| PG| en
Details

New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring raid with a flame-thrower is too good to miss. His investigations soon get pretty complicated and rather too dangerous. At least along the way he does get to meet Alexis.

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Reviews

Vashirdfel Simply A Masterpiece
Console best movie i've ever seen.
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
merklekranz It's a shame that "Shamus" isn't a better film. It has all of the Reynold's trademarks. There are numerous women, including Dyan Cannon, who fall for his irresistible charm. There are some nice critter scenes with his puss cat. The presence of John P. Ryan should have given the movie a terrific villain. Unfortunately, Ryan is totally wasted as a cartoon like character. Reynolds seems to be constantly running from bad guys who have no concept of how to shoot a moving target. The worst offense of "Shamus" however is the plot, which is so murky that it comes across as nothing more than an afterthought to all the car chasing, and pursuit nonsenses. A disappointment for sure. - MERK
Juha Hämäläinen Burt Reynolds in his prime as detective McCoy investigates gun trade and several lovely ladies. Some investigations lead to life threatening danger, some to the pool table. The time of the plot is early seventies but some obvious and tradition conscious nods to the detective genre point back to the forties. Two scenes, the taking of the assignment and later a scene with a lady in a bookshop seem strangely familiar. Like they were lifted from 'The Big Sleep' and turned into something new and more humorous. If I'm not all wrong about those bits, they certainly are a nice touch to the story.McCoy also seems to have a lot in common with Mike Hammer of 'Kiss Me Deadly', his nature. At one moment he is a likable wisecracking guy and a ladies man. Then at a moment's notice he may turn into a violently sadistic brawler using any means to put a man down and get any information he wants. He is almost like two guys at one, which considering the profession becomes very handy indeed.Shamus is full of speedy action, chases, fights and some very good looking stunts which at least some of them Reynolds seem to have handled himself. No need to wonder his superstar status during the seventies. He really had the works, skill and presence many action stars of today are lacking. Dyan Cannon as McCoy's new flame is simply lovely. She is the heart of the movie and brings in the sexiness for male viewers. Not being much of a game player I don't have to wonder anymore about the holes in pool tables.
Woodyanders The ever-cool Burt Reynolds gives a typically fine and credible performance as Shamus McCoy, a scruffy, but smooth and studly rugged womanizing private detective who's hired by flaky rich guy E.J. Hume (a pleasingly offbeat turn by Ron Weyand) to find a killer and retrieve a fortune in stolen diamonds. During his investigation McCoy makes the acquaintance of the lovely, vivacious Alexis (delightfully played by the gorgeously voluptuous Dyan Cannon) and uncovers a wild plot to sell surplus military weapons on the black market. Adroitly directed by Buzz ("The Hunter") Kulik, with a colorful and compelling, if rather muddled script by Barry Beckerman, a groovy score by Jerry Goldsmith, occasional exciting outbursts of raw rough'n'tumble fisticuffs, gritty, but lush cinematography by Victor J. Kemper, a funky New York City atmosphere, and a few charmingly quirky touches (McCoy sleeps on a pool table with a mattress on it and has a deep-seated dread of large dogs), "Shamus" makes for a hugely enjoyable and often thrilling private eye flick. Popping up in solid supporting parts are Larry Block as funny sports trivia freak informant Springy, Joe Santos as hard-nosed police Lieutenant Promuto, John P. Ryan as crazed fanatical army Colonel Hardcore, and John Glover in his film debut as a pathetic heroin addict. Excellent downbeat ending, too. Granted, we're not talking unjustly overlooked lost classic here, but this baby overall sizes up as a most entertaining vintage 70's Burt Reynolds star action vehicle.
jawlaw This film brings back good memories for me. It's the first film that I had enough nerve to ask a girl out to when I was a teen. As my first official date, I was soon upstaged by the very rising star power of Burt Reynolds.I think this film must have been planned as a recurring character for Reynolds--sort of a low brow "Saint" or a poor man's James Bond. Like "Remo Williams--The Adventure Begins" it unfortunately ended as soon as it began. Bigger and better things came to Reynolds soon after this release and he apparently sought not to be type cast as an American P.I. with a Scottish variant of the name James.Still, it was a good film, and exciting and action packed by the standards of the day. Reynolds is a cool, believable and likable hero figure who acts like Popeye on spinach in the fight scenes. Cannon is good scenery in the film, but not much more. This isn't her fault-- the script treats her like little more than a prop. The villain in the film is hate worthy, though not formidable, but his "henchmen" provide good conflict for the "I do my own stunts" Reynolds. I give the film a 7 out of 10.