Scum of the Earth

1974 "She Found Out How They Live Below Tobacco Road!"
5.2| 1h30m| en
Details

Newlyweds Helen and Paul are honeymooning in a Texas cabin when Paul is murdered by an unseen assailant. Fleeing into the woods, Helen is taken in by Odie Pickett and his impoverished hillbilly family, becoming trapped in their isolated shack while the killer is still on the loose and wreaking havoc.

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Reviews

Jeanskynebu the audience applauded
Lucybespro It is a performances centric movie
Acensbart Excellent but underrated film
Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
BA_Harrison Helen Fraser (Norma Moore), a pretty (or should that be 'purdy') city girl on vacation with her hubby Paul, flees into the Texas backwoods after finding her spouse dead (having lost an argument with the business end of an axe!). Panic-stricken, she runs into redneck Odis Pickett, who takes her back to his cabin to meet the family: pregnant wife Emmy, daughter Sarah (pronounced Say-rah), and idiot son Bo. But rather than call for help, Odis proceeds to subject Helen to a night of drunken abuse, culminating in rape.And all the while, a murderer lurks in the woods outside, waiting to kill again.Scum Of The Earth (AKA Poor White Trash 2), by director S. F. Brownrigg, may not feature the highest of production values, and might be a mite talky for many people, but with a script that delivers some of the funniest hillbilly dialogue in the history of cinema (this one packs in every clichéd redneck saying in the book), great characters (think the Clampetts, only not so clever), and a smidgen of incest, rape and murder, it's difficult to resist the film's sleazy exploitation charms.Norma Moore does a decent enough job as the woman in peril, looking suitably scared (and rather tasty) throughout, but it is those playing the dungaree wearing, possum eating hicks that really make this piece of 70s trash cinema unmissable. Gene Ross is delightfully odious as Odis, slurping moonshine from a jar whilst slapping his slutty daughter to the floor and threatening his pregnant wife; Charlie Dell, as Bo, makes an extremely convincing moron; Camilla Carr is equally as credible as Bo's loose-knickered sister (I'd buy that for a dollar—NOT!); whilst Ann Stafford, as Odis's downtrodden woman, provides some much needed pathos.Added to this potpourri of Southern stereotypes are several brief-but-nasty scenes of gore (the opening axe-ing, an impalement, a barbed wire garrote, and a shotgun blast to the face) and a truly silly ending in which the identity of the killer is finally revealed; the result is a mighty enjoyable movie that'll have you smilin' like a mule eating' briars.And if anyone tells you diff'rent, don't pay him no never mind!7.5 out of 10, rounded up to 8 for IMDb.
Maciste_Brother The best thing you can say about S.F. Brownrigg and his films is that he had his own unique style and vision. Few directors can actually claim that. But are his movies really good? They work on a Brownrigg level but when you start thinking about them outside his universe, they really don't hold up. I enjoy Brownrigg's quaint "aw shucks with a bloody axe" quality more than the movies themselves. The same can be said about SCUM OF THE EARTH or POOR WHITE TRASH 2. There's actual attempt at direction and acting here, compared to exploitation films made then or even today but the problem is Brownrigg's treatment is better than the material he's working on. The story in SCUM OF THE EARTH is totally implausible: a big city woman is forced to stay with a family of hillbillies after her husband was murdered, with an axe to his chest, by an unknown assailant. The dramatics are not really believable, certainly after Pick rapes the main character. With characters dying like they're in a Friday the 13th film, woman being raped, etc, you expect people to react in a more worried way but they don't. They stay in the house until the killer reveals himself at the end, who just walks in the house just like that. BTW, the killer's identity is lame.What's missing is atmosphere. It acts like a complete exploitation film (gruesome murders, rape, nudity) but in the end feels more like a grubby afterschool special, with its focus on characters than the horror. Some of the murders were effective but because of the cutesy music, the horror elements were totally nullified. I thought the score sucked the life out of this film.I'm glad I watched POOR WHITE TRASH 2 (the version I saw on video). Like I said before, I admire Brownrigg's style more than his films. He has certainly created his own special niche in the world of cinema. The problem with this film is that there's hardly anything memorable about it.
dhtucker4 All my high school friends and I saw this movie at a drive-in. We still quote lines to this movie still! "Bo, git me a jar!" It was retitled as "Poor White Trash, Part II" - but there never was a Poor White Trash - Part I. I've been trying to get this on video for over 20 years, with no luck. It's so bad, it's funny. I think the budget for this flick must have under $50,000. The dialogue is laughably bad, the actors are godawful, the plot has so many holes like a broken colander. But to its credit, this movie is far worse than anything Ed Wood did - "Plan 9 From Outer Space" and "Glenn Or Glenda," etc. don't hold a candle to this flick. Possibly "Eraserhead" might come close, but I don't think so. To set the mood to watch this movie, you must be either drunk (half-in-the-bag) or stoned or both.
cosineve62 this is a great back woods story starring gene ross aka the judge in dont look in the basement who also helped writing this film .gene brought along co stars from dont look in basement as camilla carr sara picket aka harriet also hugh feagin jim aka the sarge. this film is a must for any fan of the back woods