Santo in the Vengeance of the Mummy

1971
5.2| 1h27m| en
Details

When Santo accompanies a troupe of archaeologists in the search for Aztec artifacts, they find the Mummy of an Aztec who leaves a warning to those who tamper with his resting place. The adventurers ignore the warning, and before long, the Mummy starts bumping them off one-by-one with his bow & arrow.

Director

Producted By

Cinematográfica Calderón S.A.

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Reviews

SpuffyWeb Sadly Over-hyped
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Cristal The movie really just wants to entertain people.
GL84 A masked wrestler is brought along by friends on a journey to recover a mummy's petrified remains, but the party's presence awakens the creature and forces him to protect them from the creatures plans.Another in a great selection of masked wrestler movies from Mexico, this one falls just short of the best of the bunch but still has a lot of enjoyment on hand. There's some minor problems in the party taking way too long to get to the tomb, as the Adventure Film surroundings seem like time-padding and really only there to feature the titular hero wrestling with animals, but beyond that there's a lot to like here. The camp where all the stalking goes down is pretty decently used for setting up some suspenseful stalking, the grand burial tomb is Gothic splendor and the frequent battling between the two are highly enjoyable and entertaining. The twist ending is a little hard-to-follow in terms of adhering to storyline continuity but makes for a nice touch in the genre overall and it moves along at a nice enough pace to not really be boring. Overall, it's pretty solid.Rated Unrated/R: Violence and Adult Language.
poe426 Santo and his tag-team partner win two out of three falls and then it's off to the jungle with a party of scientists in search of an ancient tomb. The local villagers, of course, think that Santo and Company are mucho loco en de cabasas, but that never stopped Santo nor any of his scientist friends before... En route to the aforementioned final resting place, Santo tussles with a (very young) black panther, tossing the child around like a bean bag. They finally find the mummified body of "Nonoc, the great Opache prince," and in a flashback that incorporates a couple of nice stock shots from another movie, we learn of his fate (which parallels that of another Mexican horror star, THE AZTEC MUMMY). Before long, the mummy is wreaking havoc on the group. "Fear is a bitch," the stalwart overseer tells Santo- just before he gets killed. The extended tussle between Santo and the mummy is good and there's a bit of a twist ending. Also notable is the fact that the boy is actually Santo's real-life son. Not bad.
JohnHowardReid To my mind, prolific but very competent director René Cardona made two minor mistakes with this entry. I found his variation on the zip pan (the camera buzzes into colored beads or baubles) distracting and I thought he gave away the plot far too early (halfway through to be reasonably exact). But it seems I was mistaken in this latter belief for nobody else seems to have noticed the particular close-up concerned (which is held for at least five or six seconds). I've just read a scad of reviews in which all the writers expressed surprise at the way the story is worked out. Presumably, all were too frightened or in such a state of shock, they failed to notice the giveaway details Cardona deliberately chose to reveal in the particular angle he selected for this camera set-up. And I will certainly agree that Cardona does keep the plot moving at such a fast clip that even in possession of the director's giveaway information, you really don't have time to work out the complete aspects of the resolution before it actually happens on the screen.Another thing that didn't grab my wholehearted enthusiasm were the boring wrestling bouts with which the main story was enclosed. Scrupulously choreographed though they were, it's easy to see how punches were pulled by undercranking the camera to speed up the action and then adding a loud soundtrack from the effects library.Once we delved into the story proper, however, my interest perked up considerably. Mind you, despite his silver mask, I found Santo himself to be an indifferent performer. Fortunately, in his capacity as co-producer, he does allow the other players a fair share of the running. The charismatic Eric del Castillo really impresses as the helpful engineer, the two girls are attractive, and (despite criticism from a number of fans) I really enjoyed the comic relief provided by Carlos Ancira as an absent-minded professor.However, to my mind, the player who actually walks away with the picture's acting honors figures right down at the bottom of the official cast list: Amado Zumaya brings a great deal of dignity to the role of the reluctant guide and translator. The scene in which he reads from the scroll is one of the most telling in the whole picture.As usual, production values are top drawer. Carrion's outstandingly atmospheric music score, however, deserves a special commendation.
kikaidar Bouyed by interesting pink and green advertising art which shows a close-up f the mummy's distorted face and a color insert of Santo fending off the monster with a blazing torch, this promises to be an exciting lucha title. While mummies had been heavily used in Mexican cinema (and, in fact, Santo faced them in another outing), the ad art on this film suggested a decent budget and an ambitious presentation. The mummy mask/make-up was also worlds above the job done on the Aztec mummy, being both unsettling and actually a bit alarming.While the film is good, it's inexplicably one of the few Santo features which pulls its punch. Considering the wild excesses of the lucha film genre, the twist ending, which does anything but satisfy, makes little or no sense.Santo is enlisted for Professor Romero's (Caesar del Campo) expedition to the lost tomb of Nonoc, an Aztec warrior. As usual, this is a cursed tomb and the dead warrior had been entombed and cursed for loving a maiden designated for the gods' use. This aspect is scarcely new, having already been covered in the Aztec Mummy series and other genre films.The expedition also includes an old native guide (Amada Zumaya)and his grandson, two girls, and hunter Sergio (Eric del Castillo).Arriving at the tomb, they find a scroll which explains that, by entering, they are now officially cursed. Nobody attaches much importance to this announcement, which is a mistake. Shortly thereafter, the party is being stalked and killed off by the avenging mummy -- or so it seems.A decent adventure flick. Worth the watching.