Rosemary

1960 "It is the true story of a certain "young lady" known simply as Rosemary to her many admirers."
6.7| 1h41m| NR| en
Details

West Germany in '50s is becoming an economic superpower. In such climate, Rosemarie is just one of many enterpreneurs who wants her piece of new fortune. She uses her charms to bring members of West German industrial elite to her bed. There she finds business secrets and later sells them to French competition. However, when scandal errupts, Rosemarie would find that she can't beat the system.

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Also starring Carl Raddatz

Reviews

ShangLuda Admirable film.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.
krysiews I some what enjoyed Das Madchen Rosemarie because of the following reasons: camera shots in car, plot and storyline, setting, and several characters. The storyline was great and very creative. I guess I like those blackmail movies but, there is a couple parts that I didn't quite pick up on. For example, (this could be a spoiler) near the end Rosemarie receives a call from this guy in a booth and she demands 30,000. Then she hangs up. I was wondering how does she know this man? I felt like I either missed some connection during the movie or the director just threw that in there. Several characters stood out and kept my interest. The two singing men with their act and how they always kept on following Rosemarie. Were these guys suppose to be like musical narrators because sometimes they would be singing, but you would be watching Rosemarie in a different building? Regardless they added some of the comic relief that was needed in parts of the movie. I felt that Hartog was an odd character. He seemed to be too generous that you would expect him to do things in the movie. Another great aspect of this film is the writing. Some of the lines were great and the musical lyrics were hilarious!
Sykik6901 I believe that this film was not a very good one. It is not that I thought it was a bad movie, it is just that I found it very hard to follow and therefore I lost interest very early on in the movie. From the beginning, I did not find the movie visually stimulating at all. It just seemed very flat to me and therefore it was not exciting for me to watch. I think what bothered me the most about the film was the still shots. What is brought to my mind is the shots of just cars driving by. This was not stimulating to me at all. I feel that some how, the film needed to be more vibrant, perhaps maybe with color. I understand that the film was made in the 50s, however, hopefully the remake made use of color to add more visual stimulation to the movie. I guess I also lost some interest in the movie because I really did not like how the hotel clerk was "selling off" women. I do understand though that it was the practice at the time. I also felt like the acting was not dramatic enough. All in all, I believe that I lost interest in the film because I did not find it very stimulating. In my eyes, it was nothing great to look at and the music was nothing spectacular either. Lastly, the acting did not do anything to justify the film, and it simply just brought it down even more.
edeboer Although I came into the movie theater with high expectations for this film (which had been selected for my film class) I left a bit disappointed and a bit more confused. In short, I didn't like this movie. Artistically the movie was pleasing. The camera work was smooth and the shots were from creative angles (such as when Rosemarie visited her old domicile and the shot was of her feet walking in, somewhat showing how she was above that life now) and the scenes flowed nicely from one to the next. Content and plot-line were my biggest disappointments with this movie. Firstly, all of the characters in this film are static. There seems to be little character development in any of the characters. Each character interacts starkly with the next and neither seems to learn much from the next. Secondly, the plot-line in this movie was loose. The end of the film left many avenues open and some of the plot was not even tied together.For example, the small apartment where Rosemarie lived at the beginning of the film was not explained at all during the film. Even the men who lived in the apartment weren't explained in effect or purpose. The story also switched from being somewhat comical, to stark and realistic, to unrealistic at the end. In short, this is a well-done movie that I didn't like.
mschuell "Das Mädchen Rosemarie" offers a compelling tale of a West German call girlcaught up in the big money world of capitalism in the 50's. The title character is a resourceful, intelligent beauty who attempts to outwit morally corruptbusinessmen, and fails, losing her life. From the opening sequence which finds Rosemarie dancing below a hotel, "Das Mådchen" is full of vibrancy and life, containing an almost lyrical quality to the film. Singing is prevalent throughout the film, with Rosemarie's lowlyaquaintances providing social commentary with an accordion throughout themovie. Along with this poetic quality, the film also finds strength through its stylish camera work. Full of extreme zooms and close-ups, the camera addsreal drama and a sense of urgency to the story. Nadja Tiller, as the call-girl Rosemarie, is electrifying, dominating the screen in every scene. Beautiful and resourceful, you never doubt her ability to outwit the West Germanbusinessmen. The supporting cast is also very strong. As for weaknesses of the movie, the story does tend to drag along a bit, despite the music which is prevalent throughout. The main problem however,is its hit you over the head method of displaying its message. The audience is constantly bombarded with messages of the ills of capitalism , most commonly displayed through the songs of Rosemaries friends , which are not-so-subtlejabs at capitalism. While the merits of capitalism are certainly valid film topics, the constant barrage detracts from the movie. The story works on its own, and does not need the constant anti-capitalist messages. Stylistically, "Das Mådchen has echos of Hitchcock, with its dizzying camera work and morbid end. Despite this one major flaw, "Das Mådchen" is a colorful and enjoyable movie, complete with a tragic ending which lends an air of seriousness to the movie.