Alicia I love this movie so much

GamerTab That was an excellent one.

Steineded How sad is this?

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

preppy-3 This was made to cash in on the then hot roller disco fad. Rich girl Terry Barkley (Linda Blair) inexplicably falls in love with skater Bobby Jones (Jim Bray). Then she, Bray and their friends try to stop nasty businessman Thatcher (Mark Goddard) from tearing down the local roller disco rink.I realize a lot of people find this campy and fun. It's campy alright but I didn't find it fun at all. I was mostly bored. The script is pretty awful--full of idiot characters (all of Brays' friends act like Three Stooges rejects) and stupid dialogue. There are continuity problems galore too--notice how Goddard and his goons look pretty clean after being pelted with tons of fruit. As for the acting...what can you say about a movie where Linda Blair gives the best performance? The acting on display here is abysmal. Bray easily is the worst but (in his defense) he was chosen to star at the last minute. No wonder this was his only film. Also that feathered hair does him NO favors! He also looks pretty unattractive (but that's just my opinion). Goddard is pretty good though--he (wisely) underplays his role. This gets a 3 because it isn't totally unwatchable--it's definitely better than "Xanadu" and the opening sequence with the kids skating through the streets IS fun. Also I admit--I LIKE some of the songs and the skating/dancing was actually pretty amazing. Years ago Blair was asked out of all the bad films she did what was her favorite. She said, "Roller Boogie. It was good for the kids." So I didn't like it but it is harmless.

MartinHafer This is a truly awful movie and it reminds me of a part of American history that many of us would rather just forget. Yep, the time when Disco forged an unholy alliance with roller skating! This craze lasted about a week and a half and spurred on the creation of this terrible film. The movie is less a musical and more a teenagers save the roller disco from the evil corporation--all set to a disco beat. Linda Blair seems to try hard enough, but the horrid script, direction and the idiotic supporting actors they paired her with doomed this movie to oblivion. BUT, it's so bad, it's good. In other words, it will provide hours of laughter and the ineptness of the film.In addition, you should be aware that 1979-1980 also gave us perhaps the WORST musicals ever--not just Roller Boogie. Can you remember the horrific and big budget mess that was XANADU (Gene Kelly's body is STILL spinning in his grave for having appeared in this film)? Or, perhaps the West German sci-fi disco religious musical THE APPLE (where the good hippies were saved by a Cadillac driving Jesus at the end of the film)? Well, my advice is watch these terrible films to relive your past OR watch them so you can laugh at your parents who actually paid good money to see them!

Ed Uyeshima This one is a complete hoot. I caught this low-budget, formulaic 1979 film this past weekend on the big screen at the fully packed Castro Theater in San Francisco as part of a roller-disco midnight madness program. The crowd went wild at every absurd turn of the plot, and it's no wonder. Directed by potboiler specialist Mark L. Lester, this ultimate cheese of a roller disco musical avoids a permanent home in the video junk heap simply because of the sheer idiocy of the storyline and the wealth of unintentional humor permeating the film. There are movies that are intentionally vile and not worthy of reviewing, but this one is actually full of good spirits albeit with nothing in the way of taste, wit or common sense.In what has to be the steepest career free-fall for a former Oscar nominee, an extremely nubile, twenty-year old Linda Blair stars as Terry Barkley, a prodigious flautist on her way to Juilliard, who tires of being ignored by her wealthy, 90210-based parents and decides to run away for a whole night. Upon meeting Bobby James in Venice Beach, the king of the disco-driven roller skaters, she decides she wants to learn some moves to win the big roller boogie contest at Jammer's, the local roller disco rink. My favorite plot point is Bobby's aspiration to become an Olympic roller skating gold medalist...even though no one tells him it isn't an Olympic event. Of course, Terry is rich, Bobby is poor, and consequently, romantic sparks are inevitable. Complications, however, occur when a thuggish land developer blackmails Jammer to sell his rink, so he can raze the building and build a shopping mall. The rest of the plot is not worth disclosing except to say that it is as preposterous as the convoluted set-up, and thanks to the wooden acting, horrendous dialogue and hilarious skating sequences, it makes for grade-A camp entertainment.In skin-tight leotards and enough make-up to scare off a Santa Monica Boulevard hooker, Blair makes a sincere attempt at portraying Terry's teen-aged angst. Of course, it helps her professional standing that she is playing opposite real-life roller skating champion Jim Bray, a non-actor who was cast as Bobby only because the producers could not find a leading man who could actually skate. Innately geeky, the never-to-be-seen-again Bray certainly tries hard, though he is defeated by the film's numerous skating sequences which have been inserted so we can be impressed by his expertise. Instead, they provide the film's biggest laughs - the opening where he leads dozens of fellow skaters to the boardwalk to the strains of Cher's disco-diva anthem, "Hell on Wheels"; the ridiculous chase sequence through the streets of Venice where Terry and Bobby are chased unsuccessfully by a speeding car; the concluding roller boogie contest (of course); and in what has to be the absolute nadir, a solo skating number full of cornball treacle dedicated to the drunken Jammer.Familiar faces from the baby-boomer TV generation dot the supporting cast, among them Beverly Garland ("Scarecrow and Mrs. King" and "My Three Sons") and Roger Perry ("The Facts of Life") as Terry's parents; and Mark Goddard ("Lost in Space") as the villainous land developer. If all that is not enough, there are other lures to consider - the blaring disco music; the groovy, circa-1979 clothes; the forced slapstick (in particular, a fruit-throwing mêlée and a very non-spontaneous pool dunking at a garden party). It's hard to think of a movie more execrable, yet the film has an endearing charm for all its misguided inanity. It's worthwhile just for the unintended guffaws. In the 1979-80 holy trinity of roller disco cinema, "Xanadu" may be "Gone With the Wind" and "Skatetown U.S.A." may be "West Side Story", but this one must certainly be "Citizen Kane".

mfvaughn This is absolutely one of the worst movies ever made. And contrary to another comment on the movie, having lived in Southern Cal during this period and being the age that this movie was aimed at, it was meant to be taken seriously for the disco crowd that was running rampant just prior to and during its release period. The acting is horrible, the milieu it represents is horrible, the writing is horrible, and the premise is horrible. Let me say that a LOT of people went to see this film upon it's release--the superficial, appearance oriented, self-centered disco freaks. Pure commercial slop intended to capitalize upon a temporary and silly craze.