Matialth Good concept, poorly executed.

Acensbart Excellent but underrated film

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Leofwine_draca A mildly scuzzy women-in-prison movie of the 1980s, REFORM SCHOOL GIRLS is far too cheesy to be a successful movie. It was somehow posited as a spoof of the then-popular movie, but the laughs are in short supply unless you find terrible overacting amusing. The story is the usual mix of prison flick cliches, rivalry, gang culture, exploitative shower scenes, and cruelty. Sybil Danning has a small role as the warden but the cast is mostly unknown. It does get unpleasant at times - that branding scene! - but overall it feels remarkably light and insubstantial, with a real lack of characterisation making it hard to care about what happens to any of the cast. Wendy O. Williams steals all her scenes as the resident psycho.

jellopuke This was supposed to be a spoof of the women in prison movies, but it comes across as just boring, even with lots of girls in the buff or tiny underwear. The plot is paper thin and the Wendy O. Williams part is a massive eyesore. She looks like she's 40+, not an under 18 year old. The ending is alright and the evil guard is suitably over the top, but the rest of the movie is played too straight to work as a spoof. At least it was short.

Woodyanders Sweet young innocent Jenny Williams (a perky and appealing performance by Linda Carol) finds herself incarcerated at a harsh juvenile detention facility where she runs afoul of both the vicious staff and predatory inmates alike. Writer/director Tom DeSimone relates the entertainingly trashy story at a zippy pace, maintains a perfectly campy and over-the-top tongue-in-cheek tone throughout, and makes the most out of the blithely outrageous lowbrow humor by providing a wealth of hilarious lines and suitably grotesque caricatures. Moreover, it's acted with gusto by the enthusiastic cast: Legendary punk rocker Wendy O. Williams makes a strong impression with her sensationally snarly portrayal of formidable top con Charlie Chambliss, Pat Ast deliciously hams it up as monstrous head matron Edna, and Sybil Danning has a ball as the strict bible-quoting Warden Sutter, plus there are sturdy contributions from Sherri Stoner as timid and fragile teen runaway Lisa, Charlotte McGinnis as the compassionate Dr. Norton, Tiffany Helm as mean flunky Andrea 'Fish' Eldridge, Laurie Schwartz as the sarcastic Nicky, and Darcy DeMoss as the sassy Karen 'Knox' Charmin. Better still, DeSimone ably covers all the pleasingly sleazy babes-behind-bars bases: Tasty gratuitous female nudity, ferocious catfights, a sizzling group shower set piece (look fast for an uncredited Michelle Bauer in said shower scene), hot gals slinking about in skimpy lingerie, and a rousing climactic riot with the definite astounding highlight being when O. Williams commandeers a bus and stands on its roof as it speeds towards a watchtower. Both Howard Wexler's slick cinematography and Dan Siegel's robust melodramatic score are up to par. The cool rocking soundtrack likewise seriously smokes, with several of the songs sneered out by O. Williams (the theme song in particular is simply fantastic). An absolute wacky'n'tacky hoot.

BA_Harrison Set in a correctional facility for young female offenders, Reform School Girls is technically a Women in Prison movie, but don't expect anything too sleazy ala the films of Jess Franco—as far as the genre goes, this mid 80s effort from seasoned trash director Tom DeSimone is one of the lighter examples, designed to be fun rather than offensive.While it does deliver most of the standard WIP ingredients—cat-fights, communal shower scenes, bull dykes, fragile first-timers, and physical abuse—it's all done in knowingly camp fashion with tongue firmly in cheek. The big-breasted women saunter round their dorm in sexy lingerie, the nastier inmates and members of staff are grotesque caricatures, the dialogue is deliberately tasteless ('I thought I smelled fish'), and the plot is about as cheesy as it could get.Let's face it, any film which sees a scantily clad Wendy O. Williams, lead singer of punk/rock group The Plasmatics, stood atop a speeding bus on a collision course with a sadistic, overweight, shotgun toting head matron called Edna (a memorable performance from Pat Ast) was never intended to be taken all that seriously.