Reasonable Doubt

2014 "Proof is the Burden"
5.7| 1h31m| R| en
Details

When up-and-coming District Attorney Mitch Brockden commits a fatal hit-and-run, he feels compelled to throw the case against the accused criminal who was found with the body and blamed for the crime. Following the trial, Mitch's worst fears come true when he realizes that he acquitted a guilty man, and he soon finds himself on the hunt for the killer before more victims pile up.

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Reviews

Evengyny Thanks for the memories!
Lawbolisted Powerful
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
matthew-vaughn-141-344338 The Hitchcockian plot is kind of perfect for a fun-little-detective-movie, but this film just does not get it right. The dialogue, the police work, the court room scenes...are all totally unbelievable. If you can suspend your disbelief enough you might enjoy the ride. I couldn't get past it.
SnoopyStyle Mitch Brockden (Dominic Cooper) hopes to get a promotion at the DA office in Chicago. He's on his way home after a night celebrating with his buddies when he hits a pedestrian. Fearing a DUI, he leaves the scene of the crime. Next morning, Clinton Davis (Samuel L. Jackson) is found with the body and arrested. Det. Blake Kanon (Gloria Reuben) is the investigator. Mitch volunteers to take the case.This is set up for a Hitchcockian thriller even if it's somewhat derivative. The not guilty verdict midway through the movie hits with a thud. The tension is drained. Some of the dialog is tiresome and frustrating. The business card seems to be an ace in the hole that Clinton would play a lot sooner during the trial. There are lots of little inconsistencies which add up to a less than stellar thriller. The big setup is full of conveniences. This should be Hitchcockian but there are always nagging annoyances.
Brian Downs Could have been good - but really isn't. Samuel L could only bring so much to this but still couldn't save it - a story line where the "lead" plays a hotshot DA with absolutely no smarts or common sense. "Annoyingly stupid" would be a too kind. You will want to reach into the TV and give him a smack - you will!!!!
Adams5905 Hmmm... I know it's only 81 Min's long, but it's really hard to keep your brain turned off for all that time when something this trite and just plain lazy is offered up. I shan't review the plot (such as it is-I got the impression it was scribbled down on a cigarette packet after a night of heavy drinking, and never redrafted afterwards), because it's already been exhaustively picked apart elsewhere.What really struck me about this offering was the total lack of engagement and empathy for any of the characters. Mitch Brockden (Dominic Cooper) is characterless and colourless, a devoted family man who thinks nothing of jeopardizing that family's future and well-being by his rash actions, a career attorney and putative politician who risks all by such awful courtroom etiquette that he exposes himself to possible disbarment, and then gambles it all yet again with illegal, unauthorized independent action. Samuel L. Jackson (Clinton Davis) just wires in his performance by the numbers-he seems to have lost his quality control radar, and is now appearing in any old rubbish. The only other cast member worth mentioning is Gloria Reuben, as the leading Homicide Detective, but even her performance is nothing better than you'd see on any 60 minute detective show on network TV, and many of those are far better... The film is full of superfluous and overused clichés (how many more times are we going to see a protagonist try and use a cellphone that has no signal), and riddled with inconsistencies and 'plot holes' (see elsewhere). There also appear to be key scenes that have been either edited out, or deleted, leaving the viewer bemused. All in all a classic illustration of how not to make a movie. Either pare the plot down slightly and use it in an hour-long TV show, or rewrite the whole thing THINKING about the plot, and making it at least remotely believable. Lazy, inconsistent, ill thought-out, badly cast, and completely unbelievable.