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Smartorhypo Highly Overrated But Still Good

Console best movie i've ever seen.

Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.

Leonard Smalls: The Lone Biker of the Apocalypse "Rabid Dogs" is without a doubt, the best Bava film I've seen. I've seen a lot; if you read my other reviews you'll get a small taste. The pace of this film is unbelievable. You can't take your eyes away from the screen. The criminals are so good you forget at times that you're watching a movie. The nihilism with which Bava conveys the torture and mayhem on screen is a testament to his genius. Films nowadays can't touch the suspense and tension that "Rabid Dogs" builds in the viewer and it's all done with such insane creativity and with what appears to be a minimal budget. George Eastman, aka Luigi Montefiori is classic as 'Thrity Two,' a sadistic criminal who cannot be stopped until one of his own put an end to his carnal rampage.Then there is the ending. I cannot for a moment imagine a better twist and I never saw it coming. I bet you won't either unless you've been clued. Absolutely classic. Awesome music too! Tarantino wishes he was this cool...9 out of 10, kids.

Michael_Elliott Rabid Dogs (1974) **** (out of 4) A father (Riccardo Cucciolla) is rushing his young son to the hospital because he is near death but before getting there three criminals and their female hostage kidnap them and force them to drive them away from the police. The leader, Doctor (Maurice Poli), and his two assistants (Don Backy, George Eastman) are all crazed madmen who want to escape the police with their money and they don't care what happens to the sick child. It's been many years since I last saw this film and while it went down a few pages in my book I still think it's a very impressive film that would have done director Bava wonders for his career had it ever been released while he was alive. Before the post-production could be finished, one of the film's producers went bankrupt and this caused the film to be seized by the courts where it stayed until 1997, a full seventeen years after Bava had died. Once again the director does wonders with such a small budget and he really creates a nailbitting thriller that manages to have several tense scenes and some claustrophobic moments. I love the visual style of the film, which takes place, for the majority of the running time, inside a moving car. The tight space in the car and the way Bava shoots this tightness makes for a very tense ride as we wait and see what the killers are going to do next. Most of the scenes are filmed in close up and this puts us right in the middle of the action. I also loved the way Bava shows developments in the story even if it's something simple like one of the bad guys pulling a gun. Bava just lets the camera gently slide to where the action is and this slow pace really helps build the tension. The entire cast deliver strong performances by it's George Eastman who really sticks out as the perverted Thirty-Two. The movie is rather mean spirited but it never relies on gore or graphic violence. Most of the violence takes place off screen but the way the criminals have no regards for the dying son makes them perfect villains. The music score by Stelvio Cipriani really captures the mood and frantic pacing and adds a lot of tension as well. Then, of course, there's the downright shocking and out of left field ending, which perfectly closes the film. If anyone sees this ending coming then they're a lot better than I am.Kidnapped (2002/1974) ** (out of 4) This is the re-edited, American version of Mario Bava's 1974 masterpiece Rabid Dogs, which has been tinkered with to the point where it's really not the same film. Producer Alfredo Leone, who had previously worked with Mario Bava, bought the American rights to Rabid Dogs but he wasn't too happy with the edit that had been done in the 1990's so he hired Mario's son, Lamberto, to shoot new scenes, re-edited other scenes and then added an entire new score. You could argue that there will never ben an official, director's cut of this film, which is a shame but I see this version as a complete hack job from start to finish. I'm not sure what Lamberto didn't like about the original editing job but everything his father's film had going for it is pretty much lost here in the bastard like version. For starters, it seems that the producer wanted more of an action movie so we get added scenes that really don't do anything for the film. During the opening heist we see added footage of the police being called. The biggest problem with these added scenes are three moments where an extra character is brought into the film and this really ruins the ending. I won't ruin the brilliant original ending by writing about it here but once you watch the original version you'll see what I mean. Then there's the re-editing of the film. Once again I feel this really takes away the pacing of what Bava had in mind. How can I know what Mario original had it mind? Because Rabid Dogs has the pacing of a lot of Mario's films while Kidnapped doesn't. There's also a new music score added, which is a real killer as it, again, adds nothing to the film. If you're a fan of the original film and want to see how a producer can mess up a classic then I'd recommend you watching this version. If you haven't seen either version then stick with the original. It's funny but producer Leone messed around with Mario's Lisa and the Devil and turned it into the hated The House of Exorcism so it's no shock that he would do it again. It is shocking to see Lamberto putting his name on this however.

Woodyanders A trio of brutal criminals -- ruthless ringleader Doctor (superbly played by Maurice Poli), vicious psycho Thirty-Two (an incredibly feral and frightening performance by Luigi Montefiori), and his equally nasty buddy Blade (a memorably vile Aldo Caponi) -- barely manage to pull off a payroll heist. With one of their number shot down by the cops and every minute of the essence, the dangerous hoodlums are forced to take three hostages: middle-aged Riccardo (the excellent Riccardo Cuciolla), his sickly infant son, and lovely young lady Maria (the fetching Lea Lander). They all go on the lam in Riccardo's car. Director Mario Bava, working from a tight and bleak script by Alessandro Parenzo, relates the gripping story at a relentless barnstorming pace, does a masterful job of creating a hard, gritty, no-nonsense tone, and wrings plenty of nerve-wracking suspense from the claustrophobic confines of the constantly moving automobile. Moreover, Bava's trademark black humor is notably absent here; in its place there's a mean and unsparing nihilism that's a true savage and shocking wonder to behold. Stelvio Cipriani's thrilling, pulsating score further enhances the grungy excitement while Emilio Varriano's plain, yet polished cinematography likewise does the trick. Starting with a deliriously messy opening robbery sequence, given an extra stinging edge by several startling outbursts of raw, ugly violence, the extremely coarse dialogue, and the fierce sweltering hot summer day setting, and perfectly capped off with a great surprise bummer double twist ending, this simply stupendous crime thriller winner makes the grade with flying colors. Absolutely astounding.

retroslasher I love horror, so when i heard bava had a crime/thriller type flick, i HAD to check it out.. it easily turned into my favorite foreign film. i could not take my eyes of this movie! It had been on my 'to see' list for quite sometime, till one day when i was looking up horror trailers on youtube... i typed in rabid (david cronenberg flick) and i spotted Rabid Dogs a few clicks down.. i checked out the trailer and i was hooked.. the score is beyond great, it was stuck in my head for days! The setting is wonderful (hot summer Italian afternoon), the characters were very intriguing (the shot of 32 after they are speeding away from the police is breathtaking). Bava's great story and direction is flawless.. I much prefer 'rabid dogs' to 'kidnapped' though.. you be the judge! check out this near-perfect movie and you will see its influence over the media favorites of today.