Plutopia

1951
6.6| 0h7m| en
Details

Mickey's on vacation at Camp Utopia. At first Pluto thinks it really is utopia: trees everywhere and a cat to chase. But the cabin rules are strict: no dogs indoors, and dogs must be muzzled and leashed. Mickey puts Pluto out to sleep, just out of reach of his food, and the cat comes down and taunts him. Pluto falls asleep and dreams of his "Plutopia" with a subservient cat begging Pluto to bite him and catering to his every need.

Director

Producted By

Walt Disney Productions

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Reviews

Perry Kate Very very predictable, including the post credit scene !!!
Linbeymusol Wonderful character development!
UnowPriceless hyped garbage
Ava-Grace Willis Story: It's very simple but honestly that is fine.
Jesper Brun It was nice for a change seeing something outside the usual Disney stuff with an edgy and surrealistic edge to it and the pathos put aside. It was almost Alice In Wonderland like. Pluto has a dream about being in his utopia after being dissatisfied with Camp Utopia to which Mickey has brought him with their strict rules about dogs. The animation is just great with many vibrant colours and surrealism to it adding a nice edge. And thanks to the actor who gave an entertaining yet disturbing performance as Milton the cat.
OllieSuave-007 Mickey takes Pluto to Utopia, a serene park in the woods. Pluto was just making himself at home in his cabin when Mickey was forced to put a muzzle on him and make him sleep outside because of park rules. Outside, Pluto is taunted by Milton the Cat before drifting off to sleep, dreaming about his own utopia where Milton was waiting on him, hand and foot.A pretty funny cartoon that I remember watching when I was a kid. I enjoyed that part where Pluto gets back at Milton.Bright, colorful animation, and a unique story.Grade B
ccthemovieman-1 More frustration for poor Pluto, who thought he was in dog heaven after he and Mickey drive up to "Camp Utopia." This place looks like it's in the middle of a redwood tree forest, and it's beautiful. (The artwork in here, too, is fabulous - tremendous colors.)Pluto has all the trees a dog would want and lots of forest critters to chase. Things are looking good.But, Mickey reads the rules of the camp and rule number one is "no dogs inside," so Pluto finds himself tied up, muzzled and on the front porch. To make matters really bad, a fox comes by and taunts the dog and eats his food! Pluto is not a happy camper at this pointThen this cartoon gets surreal....and fascinating and Pluto has a dream where he is in "Plutopia." Without giving it away, I think this is easily one of the most inventive Pluto cartoons I've seen and one the best. It's just so different.In fact, I think it was different from the normal Disney fare that they didn't quite know how to end this, so it ends abruptly. Overall, this is a cartoon to check out if you're an adult and like a something a little edgy and unexpected.
Ron Oliver A Walt Disney PLUTO Cartoon.Mickey's hound Pluto dreams of a remarkable PLUTOPIA, where he is the master and Milton the cat is his obedient, obsequious servant.This is an enjoyable little film with an exceptionally funny performance by Milton, in his first of three Disney cartoon appearances. Mickey's participation the film is very limited.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work will always pay off.