Persepolis

2008 "The film Iran didn't want the world to see."
8| 1h35m| PG-13| en
Details

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

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Reviews

ShangLuda Admirable film.
Catangro After playing with our expectations, this turns out to be a very different sort of film.
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Portia Hilton Blistering performances.
negatively-positive-girl A style so simplistic, yet all characters are able to be identified. Carrying a story with twists and turns, as any life does, this story makes me feel like I could be her, but I also wish to meet her. Liked it.
klieu The following story is my imagined encounter I had a dream that would be feasible for a Stalinist version of Persepolis, since the only people who would be biking, skating, or inline skate street sport partakers in California would be a young person who is probably educated with a Common Core that is close to French abstract studies. It is highly possible as a eclipsed review since the only person that would be forgiven passively for their imagining that Persepolis or the war in Tehran, Iran in the years depicted in the war movie would have top be someone who feels their life is in a war to stay in a dreamily state they perceive as real, so in that state, they could even imagine that the war was made up and that they are a person who was drafted into some sort of war just in order to realize they were the female narrator in the story who merely yearned to receive their university education: I was in a pit bull-riven area of San Leandro, CA and I got so afraid I would be mulled by one but it turns out that there was one fence that looked closed but it was open and two large borzoi dogs who look very smart, private and caring after each other, and were deep black/brown redhead dog couple they used their nose to pry the open fence a bit more open but then the one closest to the outside of the fence used it's nose to hold the fence a hinge close except for a ruler length and it didn't attack me, or the couple borzoi did not because they saw I was a woman who was skateboarding and who had stopped and I didn't go forward so I am holding at my mercy a few skateboarders and inline skaters in my neighborhood since I won't go back to where the dogs are and on top of that, they may just be stupid youth who will be mauled by the dog(s) in that area instead, and so because the universe knows that, the spirits in them that are good and want to be a body that will survive because they know they will be at a higher chance of getting killed by their body master's depression after they get pulled apart by the dogs for not being me... so I'm trying to see if I can suck the spirits out of them have a better body or master or whatever u call it.Sun 8:31pm I lied I made that up because I had a nightmare that Tehran of Persepolis in the Iranian war was a made up event called Stalinism since it could be that a person could have just made up Tehran of that year that they as a man got drafted and the main character in Persepolis got to study in France! Since it would make since that if a person who is in a neighborhood with dogs, at the beginning of Persepolis they release dogs to run after the dude and so he gets attacked but in my lie I just told you I am a ghost that always haunts and taunts the person who is imagining a made up Tehran of Iran in the war years, since only a person who is unconscious is not guilty of thinking that their reality is made up to any extent or brink that would somehow manufacture to their brain that they are still in the real world and their fantasy a real reality they live in real life and the person who saw the two borzoi and was spared, well they keep taunting this poor person hooked up to a ventilator since, if it was just one memory of their being mauled apart by pit bulls then, technically that vision of the smart borzoi would be their saving grace in an alternate universe where they were not mauled and left in a coma for the rest of their life.
Python Hyena Persepolis (2007): Dir: Marjane Satrapi / Voices: Chiara Mastroianni, Catherine Deneuve, Simon Abkarian, Danielle Darrieux, Francois Jerosme: Unique animated film that isn't for families but for those scholars of animation, they will definitely find much to appreciate with its different approach to the genre. It deals with serious issues regarding persecution and family as well as the harsh condition for which these people endured. It chronicles the life of a young Muslim girl whose wild imagination often verges trouble. She lives through the Iran / Iraq war but is spirited away at the urge of her family where she grows weary of a school in Vienna. Director Marjane Satrapi delivers an original animated style that is backed with themes of economic distress. Characters and the world they inhabit are mostly black and white, which endorses the particular style and mood of the film. The voice talents include Chiara Mastroianni who lights up the lead and her open imagination during the war and destruction of society. Catherine Deneuve, and Simon Abkarian voice her parents while Danielle Darrieux voices her grandmother. Francois Jerosme voices an uncle. One thing that becomes clear is that a good imagination comes in handy during times of extreme duress, and this film demonstrate that quality effectively. The film voices its message through its unique animated style. Score: 9 / 10
Artimidor Federkiel If you want to see light at the horizon of the adult cartoon world, Iranian born Marjane Satrapi's animated autobiographical feature "Persepolis" should be one of your first stops. The daughter of a wealthy progressive family in Tehran, expatriate Satrapi recounts her coming-of-age tale, beginning with her childhood days growing up under the western orientated Shah, then witnessing revolution, the subsequent repression of the totalitarian regime, war, followed by her on-and-off escape from her homeland. Satrapi doesn't tell you what to think of her story, she just relays her confusing impressions as a young girl and the outlook on life that goes with it, all brought to the screen via the perfect medium for such a purpose: animation. The fascinating, primarily monochrome look adds realism and weight to the portrayed subject matter, counterbalanced with a lot of charm and humor working splendidly against the dire circumstances that abound. The animation approach also helps to maintain a strong bond with the protagonist through all the stages of the young developing life, formed partly by experiences caused by political turmoil, partly by disorientation as a human being - and due to the intense personal take on the events it stays believable, especially as Satrapi mainly shows aspects in her life to which Westerners can relate. "Persepolis" oscillates between a young kid's floating on clouds in admiration for idols like Bruce Lee and Michael Jackson, the harsh socio-political reality on the ground and the consequential estrangement from life, the universe and everything. And still, remarkably, this girl made her way.Satrapi would follow up her adventure into the movie world with "Chicken with Plums", this time using real actors and focusing on a side of Satrapi that "Persepolis" neglected: the artist. While that story stands on its own, the disenchantment of the protagonist nevertheless connects thematically strongly with "Persepolis". To those interested this very quirky romantic picture is warmly recommended as well. It looks stupendously French, but is all about that beautiful girl of back then, the one who bears the name Irâne.