People, Places, Things

2015
6.8| 1h25m| R| en
Details

Will Henry is a newly single graphic novelist balancing being a parent to his young twin daughters and teaching a classroom full of college students, all the while trying to navigate the rich complexities of new love and letting go of the woman who left him.

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Reviews

UnowPriceless hyped garbage
Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Kayden This is a dark and sometimes deeply uncomfortable drama
The Couchpotatoes It might not be the funniest movie I have ever seen and if it wasn't that Jemaine Clement plays in it I probably would not even have watched it. But since I saw Flight of the Conchords I have a weak spot for Jemaine Clement. That show was so funny to watch that I just looked him up on here and then I fell on People Places Things. It's an easy movie to watch, nothing complicated apart of his life in the movie then. Jemaine Clement has one of those faces that makes you laugh. And certainly with his deep New-Zealand accent. So to me it was just a fun movie to watch. Maybe not the kind of movie I would have gone for because it's more dramatic then funny but nevertheless it's worth a watch. If you like Jemaine Clement and you like silly humor then you should definitely watch Flight of the Conchords though.
koshdegr8 Really a special movie depend on the mood your on when you hit play from start you gona have great to f**king amazing time. The humour is fresh the script feel great backed up by some great acting.Jemaine Clement is beautiful these days no matter what he plays and i am growing more an more fond of him. I might take a hit for this next statement by am gona say it anyway. The story is more sportive from a male perspective rather than a female and due to that there be more fan of this film on male side than the female. The lead is male i do take that into account but its just that the amount simphty they made you show for Will and from his side i feel they left a lot of room to dewell from his ex wife perspective. Give this lovely movie a try a good short flick for the lonely hearts.
Sergeant_Tibbs People Places Things isn't really about people, places or things. That's a grand statement. It's much more specific. It's about the romantic relationships of a 40 year old single father of two little girls, Will Henry played by Jemaine Clement. Writer and director James C. Strouse's autobiographical touch brings a freshness to that type of used protagonist. Will is lost, uneasy, and despite passive aggression with his predicament, he's a grounded and sensitive character. Add that to Will's graphic novel drawing vocation and People Places Things is like Mike Mills' Beginners but less tragic and more self-pitying to many endearing degrees.On his daughter's 5th birthday, Will catches his wife Charlie (Stephanie Allynne) cheating on him with the most insultingly least likely suspect; a pale, overweight and sheepish man, Gary (Michael Chernus). Jump to the next birthday a year later and they're long since split up. Will gets his two daughters on weekends, wrestling for as much time with them as possible whilst juggling his graphic novel teaching job. Life never felt more unfair to Will as Charlie's announcement that she's pregnant with Gary's baby and they're about to get married.At class, his student Kat (Jessica Williams) tries to set Will up with her mom Diane (Regina Hall), despite the fact that she's dating other people. Their awkward dinner is an ideal example of his ineptitude with relationships in light of his split. Meanwhile, he gets his wish as Charlie dumps his daughters on his schedule while she goes through various strains in her life. However, in a bind as he lives an hour away from their school, he elicits the help of Kat as an emergency babysitter and thus a relationship blossoms between him and Diane. Life gets complicated as Charlie's stressful life brings her closer to Will and he must make a choice between the two women.Fans of Jemaine Clement from Flight of the Conchords and his recent brilliant vamp-moc What We Do In The Shadows will certainly be drawn to this and will be surprised to find him more dramatic than before. Like his comedy he handles it with a dry simplicity. Strouse's direction isn't as strong as his script and you often find the cast hesitating at lines as if they want to alter the words to feel more natural. Fortunately those moments are outweighed by the odd comedic jab, some you can clearly see Clement relish in, enjoying the details of his character and situation. He brings the bulk of the film's appealing whimsy and solemnity.The supporting cast is a mixed bag. On the one hand you have the superb Regina Hall who nails her exasperated role. I remember her mostly from Scary Movie so it's odd to see her in a role like this. On the other hand you have Stephanie Allynne whose conviction never once lands as sincere. It kind of works since her character is a struggling actress but that didn't need to spill into other areas of her performance. She's supposed to be the one these men are fighting over and she hardly gives us a reason. The film unwisely leaves most of her scenes offscreen as that's where the biggest drama of its story lies, but Allynne's weakness as an actress makes it a blessing in disguise that she doesn't have more scenes.The photography suffers from its low budget and doesn't feel well planned out as if it's hastily on autopilot most of the time. It's made up by its lovely score with a quirky lushness that elevates the richness of every scene. It's a very lighthearted film, but at its most thoughtful it ponders success and failure in relationships. It acknowledges how all relationships have an end, but does that make them a mistake? How do you measure success? It's an easy film to connect to if you come from a family disjointed by divorce, but not to the point of complete fracture. People Places Things suffers from being obvious and stilted in a lot of places but it has a genuine heart at its core and a great sense of humor that makes it worth watching.7/10Read more @ The Awards Circuit (http://www.awardscircuit.com/)
tinybirds Charmingly every-day and cynically sweet, James Strouse's People, Places, Things (2015) is a playful illustration of the struggles of heartsick, 40-something nice-guys. We all know them: divorced and a bit adrift with a couple of kids, trying to understand the gap between where their life is and where they imagined it would be. This film is absolutely for the faint of heart; lightweight and quippy, it keeps a pretty steady comedic roll and is definitely not lacking in its share of flimsy sitcom-style tropes. Cutesy jokes about grown men being unable to dress well and efficiently care for themselves and their kids abound. Idiot students invariably disrupt class and make jokes about masturbation. Crazy wives are crazy. The impeccable comedic execution of main character Will, played by Jemaine Clement, as well as supporting cast members Stephanie Allynne, Regina Hall, and Jessica Williams, definitely elevate this film from just a pleasant and heartwarming flick to a cleverly executed, if light, comedic experience. What this film lacks in profundity, it makes up for in relatability and spirit raising adorableness that has the potential to appeal to a wide audience. Will is a graphic novelist and professor in New York, who separates from his partner Charlie (Allynne) within the first five minutes of the film after he stumbles upon her alone with another man, and in his t-shirt, upstairs at their twin daughters' birthday party. He then finds himself relegated to a lonely apartment in Astoria, suddenly thrown off course and missing Charlie and his daughters. Seeing his thinly veiled gloom in class, college student Kat (Williams) invites him to her home for dinner with the intention of fixing him up with her mother Diane, a quick witted Columbia University professor played by Hall. A guarded romance ensues while Will struggles over the increasing complexity of his dynamic with Charlie, as well as his new life, fatherhood, and just general inability to pull himself together. Close camera-work connects us intimately to each defeated response and hilariously mumbling reproach Will dishes out to those around him. Comedy strongman Clement flawlessly carries the timing and tone of this amusingly reflective film. The musical score by Mark Orton is gently bright and upbeat, appropriately unobtrusive for its lightweight context. Will's own comics charmingly serve as a secondary source for connectivity with the backstory and not-so-underlying narrative of detached loneliness for a character that had seemingly always desired to be a touch farther removed from those around him that he managed to be - until now. Will's comics are a good symbol for the film itself - quirky, cute, superficially grazing the human condition and leaving little work to the viewer in decoding Will's underlying emotions. We don't have to think too much - just as when reading a comic the thoughts and sentiment are right there in plain sight. There's not much to be done beyond minding the "gap" between your comic's panels, as Will covers in class, riding close to the line of obviating the weightiest symbolism this film has to offer, while its main man searches for what was missed in the in-between spaces he may not have been giving the necessary attention. Still, the film manages to toe that line effectively, maintaining its romantic comedy air while staying equally rooted in realistic emotions and resolutions.While Clement played a significant role in helping to elevate this film, for me, his presence also detracted oddly. As pleasant and consistent as this film was, I found myself continually expecting the disarming peculiarity and heart of the directorial influence of Clement's usual partner in film Taika Waititi (What We Do in The Shadows, and Eagle vs. Shark). It's quirky and very personal air seemed to nod to the same stylistic motivations, but failed to deliver that level of uniqueness and sentiment that really makes films like Waititi's sink into your pores and stay there. Yet, much of the charm of People, Places, Things may be found in its ordinariness. A pleasantly accessible film with ample charisma and comedic talent, People, Places, Things is nothing more (or less!) than an effortlessly funny, easy to watch and easy to like crowdpleaser.