Dirtylogy
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Jakoba
True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Babys-man
I saw only about 10 - 15 minutes of this. I came in near the beginning of Alison Krauss doing "The Boxer". My first thought was: "Oh, no! Not a bluegrass version; what will they think of next". I stayed with it, though, and was heartily rewarded. In retrospect, bluegrass is a good choice for "The Boxer", and Krauss delivered. In particular, Krauss' fiddle during the bridge was very moving. My only complaint was that the song was done as a duet. The harmonies were beautiful but the singer in "The Boxer" is supposed to be so very lonely, and the second voice seems contrary to that theme. That's a very minor point, though.Next came Lyle Lovett doing "50 Ways to Leave Your Lover ". Wow, what a horrible programming choice! Lovett did a great job, but the manipulation, deceit, and superficial emotions that are at the heart of "50 Ways .. " left me feeling disgusted. I remember when "50 Ways ... " first came out. It was hip, slick - seemed really sophisticated and clever. Coming right after "The Boxer", though, made it seem juvenile and prurient.James Taylor and the Dixie Hummingbirds restored the mood with a genuine-sounding "Slip Slidin' Away". Great stuff! I really enjoy seeing talented performers working together - just thinking of how much they must be enjoying themselves makes my enjoyment all the greater.I definitely will watch this all the way through, and probably increase my score - except this time I'll FF through "50 Ways ... "!
