Harry Lags
Jack Hazard (Aaron Norris) is an L.A. cop who's wish is just to relax and stay out of trouble. Jack can't seem to relax after the department forces him to take some time off after a raid goes bad. In the end though, he's going to need another vacation.Just like his real life brother Chuck Norris, Aaron Norris smashes, dashes, and clashes with the baddies in this film. Aaron is a one man wrecking crew.IN THIS MOVIE AARON PROVES 3 THINGS: 1- He's every bit the martial artist his brother is. (After all Chuck is the one who trained him.)2- He's a fairly okay actor and with time would have got better.3- And if he had not gone into directing, he could have become an action star.Don't pay attention to all the bad reviews about this movie, It's not that bad. I actually thought this film was pretty good, with some good fight scenes and action scenes too. Conclusion - If you are a Chuck Norris fan, then you will like Aaron Norris in OVERKILL too. I really OVERJOYED OVERKILL..
angelicardour
First of all, I need to get this off my chest. The way "Norris" is printed on the cover makes me believe they wanted people to think that it was Chuck and not Aaron in the movie. Cheap move I think, but after actually watching it, kind of fitting. Overkill had all of the Norris, none of the Chuck.Don't get me wrong, I like my share of B movies, but my favorite B movie is the kind that doesn't try to be anything else. This movie was certainly nothing else, but tried to be. Undoubtedly, they thought having a Norris in their movie would sell tickets. However, I expect an actor to react to a nice hard kick to the face. Not stand there for a few and then jump backwards in a very obvious way.At the beginning of the movie, things are pretty much cut and dry. Uncontrollable cop screws up a raid and is told to get their sh*t together or resign. Cop goes on vacation and gets wrangled into helping out some nerdy tech guy who looked into the wrong computer file. That's the storyline. Not much more to it really…. Until you start hearing about the shadow people out in the jungle. That touch of the supernatural in a movie like this was definitely unexpected.For the majority of the movie I found that added other-worldly plot just as corny and predictable as their dialog, but the ending really caught me off guard. I was actually really impressed with it and that's what saved this movie for me. In fact, it jumped it up from what would have been an overall opinion of one.If you do decide to watch it, watch it with the knowledge that you are watching a B movie. Don't expect a blockbuster or you will be disappointed.
Comeuppance Reviews
Jack Hazard (Norris) is a cop on the edge who is sent down to San Carlos (actually Puerto Vallarta, Mexico), presumably because his name is too awesome for the LAPD. All Hazard wants to do is just relax and be shirtless for a while, but he runs into the nerdy Steiner (Moskow) who has, as seems to be very common in this time period, a computer disc. What's on the disc you ask? All the dirt on an unscrupulous, evil land developer named Lloyd Wheeler (Nouri), of course. Naturally, Wheeler sends Hazard and Steiner into the "Jungle of the Shadow People" so he can hunt them down and kill them. But Hazard has a few tricks up his sleeve for Wheeler and his gang of baddies.Aaron Norris...yes...AARON Norris here makes his bid along with relatives Chuck and Mike to be another action hero. And just in time too, as I was starting to worry that the world was running short on Norrises. He's an odd-looking man, a sort of cross between David Heavener and Don Swayze. He's the perfect star for those who find the work of Lorenzo Lamas too intellectually challenging. His line readings are beyond wooden, they're petrified, much like the trees of the jungle the movie takes place in. He's yet another goofy meathead, perfect for this movie however, which is yet another "Most Dangerous Game" retread. By 1996 they really should have known better.Perhaps that was the prevailing feeling on the set of Overkill, (which doesn't really live up to its name by the way, nor does the promise of the name "Jack Hazard" get fulfilled), as Michael Nouri was probably only involved so he could go to a warm, sunny location, sleepwalk through a one-dimensional role and get a nice check. You can't really blame him, but Aaron has even less energy than Chuck Norris, he doesn't talk much, and when he does, his performance can best be described as shirtless and mulleted. So he's not bringing the energy level up too high.Of course, there are the classic clichés and silly lines as well. This was director Ferrandini's only directorial effort to date, and he's much more well known as a stuntman, having a long and rich career in that field. He's done stuntwork for Comeuppance classics such as Breakin' (1984), Zero Tolerance (1994), Hologram Man (1995), and Invasion USA (1985), among other Chuck vehicles. With time, his directorial abilities may have improved, but I guess we'll never know. Much of the movie is too dark to see, and needed more light. The plot is something we've all seen before and the audience must try way too hard to get invested, and at a certain point it's just a lost cause. The movie needed some pep. Interestingly, the plot is similar to another Norris vehicle, Mike's Death Ring (1992).By 1996, the music for these movies was just not as good as it used to be, and the movie has no memorable song. There is a song, "Paradise", by the perplexingly-named "Food for Feet", but come on. The days of Steve Butler and "Always on my Mind" were clearly long gone by now.Overkill is stupid and has an unbelievably lame ending. Our standards for movies like this are very low, but Overkill still did not meet those already rock-bottom standards. Overkill is "Hazard"ous to your health.for more insanity, please visit: comeuppancereviews.com
