Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Martin Bradley While not as well-known, nor as highly regarded, as their other later works this is every bit as good as one would expect from the team of Michael Powell and Emeric Pressburger. It's fairly predictable, flag-waving stuff following the fortunes of six British airmen shot down over Holland as they try to make their way to the coast and back to England.They are all well played by a stock company of British army types, though some of the 'Dutch' people they meet on the way, (Peter Ustinov, Robert Helpman, Googie Withers, Joyce Redman), leave something to be desired. The editor was David Lean and the photography was by Ronald Neame and they do a splendid job; it looks great and much of the airborne stuff has a documentary feel to it. It is also consistently tense and is actually better than the better known "49th Parallel".

ianlouisiana A bit of a Curate's Egg,this.A "Microcosm of Society" - type aircrew is shot down over Holland,contacts the Dutch Resistance and is guided safely back home.Now I understand it was made at a time when the British Government needed to ensure that we were all singing from the same hymn sheet and that Europeans(Brits weren't considered to be Europeans in those days)had to pull together to free the continent from the yoke of Nazism,but resistance to the Germans in Holland - like in France - was the exception rather than the rule,and these were lucky airmen indeed to have managed to contact members of such a very small and brave elite without disaster befalling them. Many Dutch and French were enthusiastically embracing Fascism right up until the Second Front opened. Mr Robert Helpmann as the collaborator would not have been quite the exotic creature he is made out to be. But my main concern about "One of our aircraft is missing" is the way the Dutch are portrayed as perky rosy-cheeked and chirpy,almost like members of the von Trapp family.And surely they wouldn't spend so much of their time together as a group right under the noses of The Master Race who might reasonably be expected to be a little suspicious of such gatherings. But considering the parameters within which it was made and the audience for whom it was intended,the film is capable enough,just a bit of a disappointment considering the talent involved and the high standard of many British propaganda works of the same era. The flying sequences are well handled but once the crew have parachuted and gone to ground,for me the tension is dissipated,when surely it should be increased. "Jaw,jaw",may be better then "War,war" as Churchill posited,but in "One of our aircraft is missing" it gets to be a bit of a "Bore,bore" I'm afraid.

icemith Given that this movie was made about the then contemporary World War II times, without the benefit of a huge budget (compared to now), generations before computer graphics became the norm, it is refreshing to see a sensible depiction of those wartime conditions. Imagine making a picture of the bombing raids over Germany in the (I presume Mosquito) bombers, not known to be that secure from ground based A.A.C. fire— they could not fly higher, as could the later Lancasters. I feel the directors chose correctly in making it a character driven piece, with the action sublimated somewhat. I caught this movie on a relatively new local TV station, it was one of their first offerings albeit in the early morning, I did not know about the movie before. What also surprised me was the appearance of later 'stars', Robert Helpmann, Peter Ustinov and Googie Withers, though she was fairly established by then. By co-incidence, I had viewed earlier that evening a British Documentary feature where the grandchildren of the original RAF bomber crew-members were to learn to actually fly a remaining WW II aircraft. And that reference was cool. The atmosphere exhibited in that doco, certainly the old time news clips, recent interviews of the veterans, rang true to the movie, especially with the actual ( or the perceived depiction if it was only that ) film of the raids over Germany and the resultant destruction.The characterisations were laid back, as befits the RAF types, and the Dutch citizens, who organised the Resistance, were well played. Besides the unexpected cast members, there was another piece of 'recoginition' I found fascinating, and I hope it wasn't used in the film, (made in either 1941 or 1942, both are given in various sources), and gave away the Resistance as the war was only half over then. Of course the film makers had no idea how long the war would last or just what was in store for them. The pace of the film was a bit pedestrian, all the better I think, to enable the characters to be developed, and the bits of business the group had to 'endure' was fairly realistic, reasonably true to life. I guess there must have been some propaganda value in the movie as I couldn't imagine that opportunity would have been missed by the British authorities, maybe even instigated it, in league with the Dutch. I could hardly blame them.All in all, I thought it was a fascinating movie, a benchmark. For others to come it also was a benchmark, to be creditable one had to do at least as well. Whether our later techniques make it easier, or convenient, or cost effective, or entertaining, or thought provoking, is a matter for our future, but looking back sixty odd years I think they produced a fine movie.

mthfllof "B. for Bertie crashed on Sunday morning. 0431. But our story starts some fifteen hours earlier......."With that simple statement Powell and Pressburger take us on another journey into cinema. A group of wise-cracking RAF crewmen take off on a routine bombing flight. The plane is shot and the crew manage to parachute off the before the plane stalls and crashes.On the ground the men (minus the pilot) gather together. They first encounter a trio of children who ask "have you come to invade Holland?" The men are taken to the adults who debate about what to do with them.Truly inventive film is well thought-out and photographed. Interest never wavers. What could have been a run-of-the-mill war film was skillfully crafted into a film of humanity in the midst of inhumanity.Shameless Laudations!