SnoopyStyle
It's 25 years in the marriage of Olive (Frances McDormand) and Henry Kitteridge (Richard Jenkins) in small town Maine. They have a son named Christopher who has a troubled relationship with his cantankerous mother. Her personal demons stem from the family history of depression and her father's violent suicide. She's a junior high math teacher who develops a connection with fellow cranky teacher Jim O'Casey. Kevin Coulson is one of her student whose mother Rachel Coulson (Rosemarie DeWitt) is struggling with debilitating depression. Henry is the town pharmacist. Denise Thibodeau (Zoe Kazan) and Jerry McCarthy (Jesse Plemons) work for him in the store. His nice guy personality leads to flirtations with Denise especially after the hunting accident death of her husband, also named Henry. There are many people in and out of their lives over the years including finally the rich crank Jack Kennison (Bill Murray).This is a four hour HBO mini-series. So much happens and yet nothing really does in this marriage. They keep going on despite the many issues in their relationship. It gets really uncomfortable with Henry and Denise in that truck. There are amazing performances. I do wonder if this could work even better as a two hour indie darling. I could see this winning awards after stripping out a few side stories. The drug robbery could be dropped. Honestly, I couldn't stop thinking that it's Bill Murray every time he shows up on the screen. His part could be done with a lesser known actor as a final scene with Olive. Overall, this has amazing stuff although some of it is over-extended.
Mark Rogers
I've had some time to review the reviews of this miniseries. It would seem that the subset of posters that moan "why would anybody watch this depressing series and mean spirited" title character are predisposed to not like an excellent, and nuanced drama and see it instead as trauma. One poster went as far as to say why would they "hurt" themselves by watching this. It seems the point that this is a character study seldom found on TV was missed by those predisposed to miss it. A few other things missed. The show details a fascinating study of interpersonal attitudes. On a surface Olive is "mean spirited", but more objectively she is a conduit of truth going her entire life stating what is fairly accurate feedback. She is highly intelligent, analytical, (Math teacher) and see's through others shortcomings, challenges, and openly comments on them. For this, in an age of non stop reinforcement, coddling, unconditional regard, she is viewed as a "witch" evil, destructive, and generally the reason all is wrong with others. Ignoring entirely the shortcomings, or very similar nihilism exhibited by almost all the other characters. Starting with her son who this viewer also saw as "mean spirited" but without any regard, and less virtue. The son seems to evaluate every adult he comes into contact with dismissively, or with lack of regard. From the outset one see's this character as one who will go through the rest of their life in therapy, blame others for their being, and while being caustic in interactions and even with peers. Including the student who Olive defended. A student she defended from cruelty, and even from her own son. The son exists as a borderline sociopath throughout. Not connected with family enough to even spend time at the dinner table. Judging and smirking in nearly every scene. Seemingly oblivious to any of his own interactional characteristics. Later in life we see the son as somebody who is a punitive rather than permissive with children and who has oddly learned to be inflexible and impatient as a parent but who now rants about the influences of Olive while doing worse to the children he rears. Lost entirely is the son living a comparatively idyllic life on a beautiful property in Maine. A property with beach, walking paths, places for children to explore. What child wouldn't love that opportunity? Contrast this with the bombed out backyard in the neighborhood with dog feces sidewalks and urban decay that the younger couple has chosen as a place to raise children. Complete with a spouse who drinks during pregnancy because yeast is good or some such nonsense. In other words harming a child even before birth. But this same mother, despite her own obvious flaws (for instance not providing her progeny with stable fathers or stable upbringing) is flatly dismissive of Olive making her apologize to an acting out child, demeaning her, talking down to her, and figuratively with Olive put in the dingy basement room which is symbolic of imposed hierarchy. Contrast this with the beautiful property and house granted to Chris and his short lived wife. These are intentionally put in as contrasting comparisons of respective treatment. Reasonable commentary can occur that the truly " mean spirited" actions are taken up by some of the younger people featured in the series that are entirely dismissive, mocking, and mean at least in response to Olive. Because she doesn't match the unconditional regard prototype, and she is instead, honest. Watch the series a second time and witness how many times Olive is actually wrong in an assessment. She merely lacks the white lies inherent in contrived nicety. The kind of nicety that smiles at you with forced raised lips but that curses and demeans the mother of the son at her wedding when Olive is thought not to be in earshot. Another inter-generational prejudice is featured when the Fathers ex employee openly, and contemptuously questions the sale of the pharmacy and that they take advantage of "people like you". The disrespect was so blatant that the nice to a fault Henry was virtually forced to respond "its none of your business". The employee owes Henry his career, his opportunity, and even his wife (which Henry setup) but is openly disrespectful of him. An under riding theme throughout is a world turned upside down (or is it) of children in control, of parents getting down on their knees apologizing, and ignoring behavior at every turn. Interestingly the same Chris who viewed his parents relationship dismissively engages in a marriage that lasts a few months and in which he is sleeping in bed, while his wife curses looking for an earring on the wedding night. A couple who's relationship was over before it even started. Interestingly the few deepest characters in the movie, including the husband, and Bill Murray, as well as the depressed young man, and the waitress, they get Olive, they get what she see's. In the end Olive saved all of them and including herself. That's the last, and integral part missed, is that Olive isn't just mean, she's a seeing savior.
bellab1972
I would love to know the point of this show! Did the producers think "let's make a series where everyone is depressingly boring and twisted and nothing happens"! Olive Kitteridge is a miserable nasty person which makes for an arduous viewing experience! I like to give program's a good go but honestly, after 2 episodes I found myself dreading watching a third episode considering how depressing and slow it is! Even when I see the title while scroll through my program guide, a feeling of foreboding envelopes me! Who in their right mind would actually "enjoy" watching depressed, uneventful mind numbingly boring characters and story line! I am shocked there is a book with the same characters and story line! The only thing I liked about Olive Kitteridge were the commercials!
Tejas Nair
Olive Kitteridge is a fable regarding original people in original situations. The subtlety with which Lisa Cholodenko carries the four-hour mini-series is what emphasizes the story about a woman who is childish yet cruel, sappy yet caring, wildly honest yet deeply depressed.I like Frances McDormand very much. Her cheekbones speak more than her mouth, and in here, the air she adopts of the titular character is splendid. She makes you wanna hate her and love her at the same time. Supported by the great Richard Jenkins and amusing Bill Murray, the story of the life of Mrs. Kitteridge is what we can relate to with our own lives. Elizabeth Strout's Pulitzer Prize winning novel gleams originality and its adaptation doesn't lag any behind.The four episodes each talk about certain periods of her life and it ends with a very good moral. The characters hold truth in them and we start becoming judgmental, without even knowing it. Themes such as bereavement, depression, and paranoia is rampant in the series and you will be stunned to find connections between them.The actors have been directed and shot well. The countryside locations serve as the perfect background for the story. I must say I am impressed by the whole cast and crew for giving me a piece of pie called Olive Kitteridge.BOTTOM LINE: Not many people know about this series, and it will be my duty to recommend it to people who love original dramas that are not just crime-related a la Fargo (2014) and True Detective (2014).Can be watched with a typical Indian family? YES
