Hellen I like the storyline of this show,it attract me so much

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Raymond Sierra The film may be flawed, but its message is not.

p-stepien In a beautiful and riveting opening sequence set in the midst of a Thai rain-forest we are thrust straight into the overall tone of the movie. The whole six minute scene is made in one take, where the camera is seemingly detached from the action and only stumbles upon it from time to time capturing a rape scene and several minutes later the perpetrators are lying dead in the water.From this we are transported into the lives of a town-dwelling marriage of well-off professionals May and Nop. As in the opening sequence there lives are detached from each other only occasionally touching each other as if almost by chance. Nop is engulfed in his photography as a means to escape his failing marriage, whilst May finds solace in the arms of her coworker Korn. Without much enthusiasm May and Nop plan an escape into the wilderness and go camping in the forest. Even here in the midst of nature and cut off from other companionship they hardly intertwine and seem to exist separately. Until one night Nop wanders off in the forest only to disappear...Extremely consistent in eeriness it captivates the senses. Much thanks to the camera-work, which is terrific and beautiful stuff, albeit most of it is made with a hand-held camera making it almost reminiscent of "Blair Witch Project" (albeit with way better results). Given that this movie almost watches like a horror film it must be noted, that it is much more than just a typical genre movie. It remains creepy throughout shying away however from actually being a shock thriller or Asian horror.The ending leaves much unexplained and it would probably help a lot to be better acquainted with local mythology. Without it you can assume various plot points, but are ultimately left with many questions unanswered that seem solely cultural. Additionally the version I saw seemed to be missing a significant portion of the last 30 or so minutes and various situations seemed to have not been filmed or cut out. That said the version I watched lasted 93 minutes, while IMDb gives the Cannes copy a 109 minute runtime.All in all I found movie captivating and inspiring, although somewhat slow and drags on unnecessarily at times. The ending is not entirely satisfactory and slightly bland, but I admittedly preferred that it left so much to self-interpretation. Made a significant enough impression on me to search out other Pen-Ek Ratanaruang movies and note him down as an auteur filmmaker.

Jonas SPOILER WARNING!It is somewhat trendy these days to be 'sustainable' and 'emission free'. Ratanaruang caught this topic very well and expressed in 'Nang Mai' impersonalizing nature into a pretty young lady (the super-hot Thai actress Porntip Papanai) who suffers from the evil humans. The impersonalization is a little vague and incomplete yet the message is clear: do not hurt the nature or it will come back to you. Those who remember Pen-ek's movie 6sixtynin9 probably remember the moment where the girl gets attacked in her apartment by the gangsters and the TV is swhiched on showing some fellow talking about how important it is to "stop cutting down trees...". I believe the topic is not accidental and Mr. Ratanaruang must be a strong supporter of environmentalists which he wanted to express in his movie. My respect for that. We must protect our nature and understand the broader impact of that. I feel sorry for those who didn't quite get it and thought this was an 'ordinary' horror movie. It's not a horror movie and it's not intended to be so.

holymousey Nang Mai (or Nymph) wasted 2 hours of my life. The movie starts out with what feels like a 10 minute clip of some guy walking through a forest with a camera – okay I do admit I do feel the director putting a lot of effort into the scene, shooting the entire thing in one take… but obviously he's not going to repeat this first-person biology-watching nature trip again and again right? Turns out I was wrong. The entire movie more or less consists of a long and tedious trip through Thailand's wonderful forests! It looks and feels as though as Pen-Ek Ratanaruang has a man-crush on Stanley Kubrick and wants to come up with his own Thai version of the 2001 Space Odyssey, except with this one he'll shoot 80% of the movie in one day, having actors mindlessly walk around in circles in a forest then sticking bits in to create a ridiculous excuse of a plot! His forest scenes contained absolutely NO development and puts Andy Warhol's "Sleep" to shame -- the director is too busy striving to make a strange and unusual movie in hope of creating something "unique", that he forgot to make it actually watchable. The only enjoyment I got from this movie was the seemingly random sexual bits, and Cherry Berry.I felt cheated after walking out of the cinema and want my 150 baht and my 2 hours back… not mentioning how disturbingly misleading the preview was. If you felt cheated after watching this excuse of a movie like I did, you have my sympathies… if you have not seen this movie yet, then for the love of Pete don't make the same mistake that I did!

enirehtac03 Alright. So I saw this movie with my husband and a friend while we were in Thailand with English subtitles. I wish I had a camera to record and show you the abuses they were mouthing after seeing this movie. They thought it was going to be a horror. Although the movie was confusing and slow and "arty" (but not really in a good way) I will try to give you a fair review below:It starts out in a unique way, with a long, one cut camera shot in the jungle, about 4 or 5 minutes. There is little to no sound, just the occasional breathing and the rape scene in the distance (you never really know why that was in the movie in the first place, it never ties in and the rapists end up mysteriously dead and that's where the scene cuts, no sign of the girl that was being raped).As the movie progresses you meet the characters one by one. There is little to no talking in the movie. The few lines that there are in the beginning give away what is to be the theme of the movie...I think. They talk about evil spirits and not in much detail. About 1/4 of the movie is gone by the time some action happens in the movie. Until now, it had just been silence in establishing the affairs between the characters and the job of the husband, Nop. From here on out it is just confusing. There are lots of suspenseful scenes, as a lot of it is shot as a lone girl going through the jungle at night following scary sounds, but ultimately it is not a horror movie and no ghosts jump out at you. Oh and nothing happens. Ever. Much ado about nothing. There is a ghost in the story (maybe, you never really get to know for sure), the ghost of Nop, which appears as a normal person who drinks a lot of water (implying that somehow he has turned into a tree). Again, just kind of weird. The end is resolved by the affair ending for good as requested by the ghost/alive Nop (can't be sure). Summary: Not a horror, but has suspenseful scenes; confusing as hell; not much dialogue and what little dialogue there is does not add to the understanding of the movie; not much background music which means most of the movie is in a semi-silence.I rated it a 3 because I have to give credit to the fact that this movie actually was conceived, directed, and some how ended up in theaters, despite the fact that is the weirdest thing ever. Most movies leave you feeling someway or another, this one just left you with a ?.Comment from my husband: Don't pay lots (or any amount) of money to see this movie. Unless you really have nothing better to do and need to kill time, but be sure though because this "time" you will never get back in your entire lifetime and the movie will leave you wondering, what the f*##???? I mean for crying out loud they're screwing personified trees in the movie. Enough said.