KnotMissPriceless Why so much hype?

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Rodrigo Amaro To make mistakes is something of the mankind, but to prevail with the error is stupid. Financial problems stopped the filming; one director was replaced for another and so does the crew; and the movie was released with delay. With all these problems the movie was made and the final result was a semi-epic in large scale that leads to nowhere. Prententious, boring, predictable and meaningless "Nomad" is another story about a powerful warrior that's gonna come and defeat his enemies in order to instate peace on his land and to his people the Cazakhistans. Obivously, it's gonna follow the same path of movies like "Rob Roy", "Braveheart" where someone brave fights enormous challenges and battles against his enemies to earn respect and live peacefully in his land but all this message was already used in many other films and it didn't worked here. Having recently watched "Mongol" (both movies are similar and "Nomad" even makes mention to the name of Genghis Khan) I watched this one, did some comparisons and both achieved in failing to caught my attention. The whole thing about the villain wants to kill the baby who's gonna be the future warrior was repetitive; all the movie is repetitive even the masqueraded fight between the two best friend (played by Kuno Becker and Jay Hernandez). "Mongol" was very weak too. This movies are missing value and importance because it's only a excuse to make violent movies and spend some money building incredible sets and it misses a good and more original story.The fights between the tribes are bad conceived, slowing down the movie's rhythm more than the dramatic scenes (which is good in some points especially when Jason Scott Lee is on screen). And even showing one of the most violent scenes ever made (a guy attached by four horses and then sliced in pieces, remember "The Hitcher" but this time the scene is more scary) this movie doesn't go very far with story or nothing.The choice of actors to play the main characters was interesting but it might be strange to see English language actors playing Cazakhistans with Cazakhistan actors. It was a good effort but if you want realism don't expect to get it with this film. Ivan Passer and Sergei Bodrov directed this disappointing film and one must wonder: Is it really true that two heads thinks better than one? Next time don't try to imitate David Lean, the only genius in making epic movies. 2/10

dimagic Pathetic. This is what happens when director comes to work just because someone is paying him to. The intentions were good, great locations and settings for a film of epic proportions. But the performance, damn! I swear, in some shots you can see extras on the background staring in the camera, or looking at the actors because no one told them what they should do when they hear "Action!". The battle scenes are so bad you wonder - are these people for real? They could've done more damage just by hugging each other. In the slow-mo scenes you can see people on battle field walking around or just standing, waving their hands. Only action in the foreground is somehow emphasized. But for what? The story is so illogical and discontinuous, it seems like random situations in chronological order, sometimes not even that. The dialogs are dumb, the love plot is more embarrassing and ridiculous than in Hong Kong action movies. With a budget of 40 million, and you can see every dollar invested on the screen, in best case scenario, the final result of all this enormous effort is a shiny round laser disk in the thin cover placed on the shelf in video store.

v-i-p-777 A film I have seen recently that I really liked was NOMAD. It was directed by Talgat Temenov, Sergei Bodrov, Ivan Passer. It stars Azis Beyshinaliev, Jay Hernandez, Mark Dacascos, Kuno Becker, Archie Kao, Jason Scott Lee, Ron Yuan. NOMAD was written by Rustam Ibragimbekov. This film is a historical film set in 18-th century KAZAKHSTAN, where a young boy Abylai (Kuno Becker), who becomes a KHAN (KING) is destined to make one nation from three JUZS (GROUPS) who fought each other and free them from the Jungars. At the beginning the Jungars attack his mother and the Jungars kill everyone. But one man saves his life and teaches him science and how to fight. After that, Abylai (Kuno Becker) becomes a young man and starts to fight against the Jungars. Before he becomes famous the Jungars capture him. But the Emperor of the Jungars makes a deal with him and gives him a challenge. If he wins, he will be free. The challenge is that Abylai (Kuno Becker) has to fight with one warrior but it is his friend who he will kill by mistake. At the end he becomes a KHAN of all KAZAKH people and makes a KAZAKH nation and they fight against the jun gars together and beat them. But NOMAD is not only about war but also about the love between Abylai and a woman. A famous phrase of Abylai in this fight is 'ARUAK'. The film was nominated for a Golden Globe.

Max_cinefilo89 Nomad is no different from American epics. Had the spoken language been English instead of Kazakh, it would have been impossible to distinguish this film from movies like Gladiator, Braveheart or Troy. It's just the latest entry in an overused genre. Still, I enjoyed watching Nomad. It entertained me for two hours even if I knew where the story was headed to, and that's all I demanded from it.Like so many other similar flicks, Nomad deals with a tyrant, the people he's been tormenting for years, and a "chosen one" who will eventually dethrone him. When he first hears of this, the cruel dictator orders that this child be found and immediately killed. Naturally, the attempt fails, and the boy is raised in a remote village by an old, wise father figure, a character clearly based on the Merlin/Gandalf/Obi-Wan Kenobi blueprint. As the years pass, our hero, named Mansur (Kuno Becker), becomes a skilled warrior, perfectly capable of leading his rebellious countrymen in battle against the evil monarch. While preparing for the conflict, Mansur also has to deal with his feelings for a girl and the effects said romance is having on his lifelong friendship with Erali (Jay Hernandez), a man willing to do anything for his country and, most importantly, his leader and best friend.The themes explored in epics are generally love, loyalty and freedom, and Nomad covers all of them them in a competent but predictable way: anyone who's ever seen this kind of movie will have no trouble figuring out how the various subplots, not to mention the big picture in itself, are going to end. But while it isn't exactly fresh, Nomad is a respectable film, its main quality lying in the visuals: the battle scenes are as great and gorgeous as in a Ridley Scott film, and the same should be said of the numerous shots concerning the eye-popping landscapes. In fact, with so much beautiful imagery (although a bit more violent than the average Hollywood blockbuster), it's a bit weird not to find the Blade Runner director's name among the executive producers, which do however include Milos Forman (the man behind the fabulous Amadeus).So, as usual, style prevails over content, but when it looks so good, why complain? Nomad is a piece of pure, simple, unadulterated fun; that's why I liked it, and the reason genre fans should embrace it as well.7,5/10