Cathardincu Surprisingly incoherent and boring

Actuakers One of my all time favorites.

ThrillMessage There are better movies of two hours length. I loved the actress'performance.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Charles Herold (cherold) In Nine Lives Aren't Enough, a pre-politician Ronald Reagan plays a brash reporter with a tendency to add some fiction and conjecture to his stories, much to the irritation of editor Howard Da Silva. Lucking into a big story during a police ride-along, he soon finds himself dodging thugs, foiling competition, and charming the pretty Joan Perry.The cast is solid and the movie is generally pretty amusing, but it also exhibits all the sloppiness typical of B movies. Characters are little more than one character trait, and Perry is weirdly chipper and flirtatious for someone who just lost their father *that* *day*. It's very watchable, but not especially memorable.

blanche-2 "Nine Lives Are Not Enough" is a light 1941 B mystery starring Ronald Reagan, Joan Perry, James Gleason, Howard da Silva, and Faye Emerson.Reagan plays a newspaper writer, Matt, who prides himself on getting the big stories, but he's a little too quick on the draw and brings in the wrong info. His latest malfeasance has caused him to be demoted to riding in a patrol car with two officers. As luck would have it, they are called in on a dead body. Turns out it's a millionaire, Edward Abbott, who for some reason was holed up in a boarding house. Was it suicide or murder? Matt is sure it's murder; unfortunately, the inquest decision is suicide. But Matt is not convinced. Out of a job and falling for the victim's daughter (Joan Perry), Matt keeps investigating, and the bodies continue to fall around him.This was a perfect role for Ronald Reagan, who had a lightweight, charming presence on the screen. He's so good here, handling the rapid-fire dialog and some slapstick with ease. The whole cast is good, and the mystery moves quickly and keeps you interested. I particularly loved James Gleason, a policeman who is saddled with the worst cop ever (Edward Brophy).Joan Perry became Mrs. Harry Cohn and retired. And we know what happened to Reagan. Years ago, someone mentioned that even if you didn't like his politics, once you met him, he would charm you. The person she was talking to said, "Never," to which the other person replied. "You would. I've seen it happen many times." I believe it.

MartinHafer This is a B-movie that Ronald Reagan made for Warner Brothers near the beginning of his career. Unlike many of his previous films, here he plays lead and he seemed very adept to this sort of film. Plus it sure helped that he had excellent support in the form of several adept character actors--including Eddie Brophy, James Gleason and Howard de Silva.Reagan plays a crime reporter who seems to drive his boss crazy. Several times, Reagan's stories turned out to be seriously mistaken and instead of firing him, the editor gives him a dead-end assignment--going out on patrol with a couple idiot cops (Brophy and Gleason). However, instead of punishment, it turns out that there really is a story, as a missing millionaire is unexpectedly found dead in a local rooming house. So, it's up to Reagan and his police friends to uncover the mystery in a film that is highly reminiscent of a Falcon or Saint series film. Despite being a very likable and competent film, the series never clicked and this is the only one of the series.

wes-connors Investigative reporter Ronald Reagan (as Matt Sawyer) is at odds with his editor, and may lose his job permanently if he's wrong about a big story with dangerous gangster connections. Mr. Reagan thinks a millionaire was murdered, but officials say suicide. The dead man's daughter, pretty Joan Perry (as Jane Abbott), comes to agree with Reagan; and, the two are mutually attracted. He is finally fired, for getting the story wrong, but more murders may prove Reagan right, after all… Reagan, who doesn't always dominate the films he is advertised as the "star" of, really lives up to his top billing, this time around. A. Edward Sutherland's "Nine Lives Are Not Enough" is an intermittently bright and funny comic murder mystery, with Reagan showing promise as a light comic; he is the movie's main asset, maintaining interest throughout an unfortunately fair feature. After this appearance, Ms. Perry took herself out of cinema circulation, for marriage with Harry Cohn.**** Nine Lives Are Not Enough (1941) A. Edward Sutherland ~ Ronald Reagan, Joan Perry, James Gleason