Vashirdfel Simply A Masterpiece

Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

mark.waltz During the return of the Bourbons years after the end of the French Revolution and the brief reign of Emperor Napoleon, noblewoman Jeanette MacDonald escaped from an arranged marriage by her domineering uncle (Douglas Dumbrille) by posing as a scullery maid and heading to New Orleans where settlers are awaiting the arrival of potential brides they've never met. There, she waives off the many admirers while sparring with Nelson Eddy, a law enforcement official who rescued her and the other ladies on her ship after they were overtaken by pirates. Of course, sparring on film ultimately leads to love, and in their first film together, MacDonald and Eddy are a romantic duo who became more famous than MacDonald was with her first partner, Maurice Chevalier. The result is a fun, sometimes camp, pairing that isn't as classic as their next ("Rose Marie") or as romantic as their third ("Maytime", my personal favorite of their many teamings), but is lavish and equally memorable in its own right.Today, "Ah, Sweet Mystery of Life" is best known to film audiences for its spoofing in "Young Frankenstein" (in fact, the sequences of the song in the two films sometimes seems like it could be taking place at the same time, even if one is in Europe and the other the newly civilized North America), and its other romantic song, "For I'm Falling in Love With Someone" was also utilized in the Broadway version of "Thoroughly Modern Millie". Elsa Lanchaster, who ironically played "The Bride of Frankenstein" the very same year, is very funny as Governor Frank Morgan's initially suspicious wife, dressed to the nines but complete with cockney vocals, lightening up the minute she finds out that MacDonald is descended from European royalty. Morgan as usual is typecast as a flibbertigibbet, befuddled by everything going on around him. Also very funny is a sequence of when the women first arrive in New Orleans where a desperate local searches through the various women there as if he were shopping for steak at his local butcher. In their initial pairings, MacDonald and Eddy had tremendous chemistry, and you can see why they were so popular. His blandness in acting wouldn't be obvious until their later pairings. MacDonald is an expert comic, truly funny in a scene where she must disguise herself as the unclassy scullery maid, eating bread voraciously like a Parisian peasant starving under the cruelty of her own ancestors. The ending is the epitome of movie operetta camp, turning its constantly repeated love song into a march that may have you shedding tears in laughter.

blanche-2 Jeannette MacDonald and Nelson Eddy had their first teaming in the musical "Naughty Marietta" in 1935. They went on to make "The New Moon," "I Married an Angel," my favorite, "Maytime," and many others. Both performers were operatically trained, Eddy possessing a magnificent high baritone, and MacDonald a coloratura soprano. If her high notes don't have frontal placement and seem to back off, it's still a pretty voice, and of the two, she was the actor as well as being a great beauty.Though the film uses the Victor Herbert score, it differs in plot from the actual musical. Here, a princess ordered to marry one Don Carlo replaces her maid, Marietta, on a ship that carries women to New Orleans to look for a husband. Right before they arrive, pirates attack the ship and the women are rescued by mercenaries, headed by Richard Worthington (Eddy). With her beauty and obvious education, Marietta sticks out and begins a love-hate relationship with the vain Worthington. Soon, however, a messenger arrives - the King is looking for his escaped princess.The couple sing "Ah, Sweet Mystery of Life," while Eddy leads his men in "Tramp, tramp, tramp," and MacDonald entertains with the "Italian Street Song," and "Chansonette" among other solos that each has.This isn't the greatest MacDonald-Eddy musical, but it was a huge hit and started them off on their partnership. Were they in love in real life? Supposedly they were and never got together because Eddy wouldn't have wanted her to work. But take a look at Gene Raymond. He kind of looks like Nelson Eddy.

dref4508 Only a few of the other comments mention the dialogue of this movie, which I think is superb! The verbal sparring between Marietta and Captain Warrington is a delightful contrast to their soul-mated singing and elevates this film above other musicals of the era. One always suspends disbelief when viewing any film, of any era (come on, you don't think modern films are really "real", do you?), and it may be difficult for some to enter into the mindset of a '30s moviegoer, but with not too much effort even those who say they don't like this type of film, or these actors, or whatever, can find something to enjoy in this film. (Just call it a fantasy, without special effects.) Some of the opening scenes are almost embarrassingly silly, but quite soon the movie hits its stride and the music, humor, and sweep of the story carry you along. As an untrained actor in his first real role (singing cameos don't count), Nelson Eddy does quite well, thank you; I am inclined to think that the oft-repeated comment about his "wooden" acting style may owe more to L. B. Mayer's jealousy (remember what he did to John Gilbert?) than to a true assessment of his skill (which, admittedly, did improve over time). Mayer wanted MacDonald for himself and the obvious attraction between Eddy and MacDonald, coupled with her stinging rebuffs of Mayer's advances, made him no good friend of "the baritone". (Bear in mind, too, that Eddy was not interested in being an actor; he used film to advance his concert career.) I think this is a grand film, almost my favorite of the duos' work. "Maytime" has an edge because I had the good fortune to see it on the big screen when it was re-released in 1962, and I've only seen the others on television. The music in "New Moon" is glorious, and Nelson and Jeanette seem to be having such fun together in "Sweethearts".... All I can say is, if you have the opportunity to see MacDonald/Eddy films on the big screen at a film festival or revival theatre, don't pass it by!

Neil Doyle If old-fashioned operettas with lots of full-bodied singing and coy charm aren't your idea of entertainment, then steer clear of NAUGHTY MARIETTA--which, frankly, was somewhat of a museum piece even when first released in '35, belonging, as it did, to a style of musical theater that had long passed.But back then, NELSON EDDY and JEANETTE MacDONALD were a hot singing duo, and MGM would soon be casting them in film after film, based usually on hoary old operetta-type stories. Unless today's musical fans have a taste for this kind of singing, they're likely to find the film totally unbearable.I can still succumb to the charm of this kind of story and to these singers, for Nelson's baritone is one of the best you're ever likely to hear on screen--only Howard Keel and Gordon MacRae come close to approximating it. As for the story, it has to be taken with a grain of salt--a simple bit of nonsense about a princess escaping from France and ending up in Louisiana, where she gradually falls in love with a man who helped rescue her from French pirates.It's a slender tale on which Victor Herbert strung some of his golden melodies, sung to the max by MacDonald and Eddy. As a singer myself (I was in The Friendly Sons of St. Patrick Glee Club, a club started by Victor Herbert himself), we sometimes did the Herbert melodies as part of our repertoire.FRANK MORGAN and ELSA LANCHESTER as the governor and his wife add the required amount of broad humor and the sets and costumes have that lavish MGM look.Pleasant, if not the most memorable teaming of MacDonald and Eddy.