Nang Nak

1999 "Death Never Do Us Part."
6.5| 1h51m| en
Details

In a rural village in Thailand, Mak is sent to fight in a war and leaves his pregnant wife, Nak. Mak is injured and barely survives. He returns home to his doting wife and child, or so he thinks.

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Tai Entertainment

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Reviews

Actuakers One of my all time favorites.
Acensbart Excellent but underrated film
CommentsXp Best movie ever!
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Claudio Carvalho In 1868, Mak (Winai Kraibutr) is summoned to the war and leaves his beloved wife Nang Nak (Intira Jaroenpura), who is pregnant, alone in their isolate house in Prakanong. Mak fights with his friend Prig that dies while Mak is seriously wounded. He miraculously survives and after a long time, he returns to Prakanong.He meets Nak and their son and they live happily together until the day that a friend of Mak visits him and tells that Nak had died in the delivery and he is living with the ghost of his wife and his stillborn son. Mak does not believe on his friend until the day that he discovers the truth about his family. "Nang Nak" is a movie about a Thai legend of a faithful wife that dies but does not live the world of the living waiting for her beloved husband that is missing in action in the war. The story of eternal love is a touching ghost story with a melodramatic farewell in the end. My vote is seven.Title (Brazil): "Vidas do Além" ("Lives from Beyond")
Peer Gynt I find that Nang Nak could be considered as a typical example of a sub genre of horror movies. It can be defined a "religious horror" movie since it highlights the horror-generating element's (in this case the ghost) human component. Rather than scare the audience, it triggers deep religious compassion. In fact, the story centers on a young woman, Nak, who refuses to acknowledge her own death. Her binding love for her husband is too deep to be defeated by Death. Hence, convinced that she is still human and not a ghost, she awaits his return from the war even after her death during delivery. This is why she kills all those who attempt to warn him about the strange situation. The movie reaches a climax in the last scene, which is intense and charged with pathos. Deep in the forest a group of monks forms the setting for the exorcism, calling to mind the chorus of a Greek tragedy. There is no horror in the scene, which is instead a religious ceremony conducted with respect for the dead. The High Priest represents all that is sacred, unlike the exorcist who attempts to free the village from the curse by violating Nak's tomb and destroying the body. The High Priest treats Nak like a person who has the right to wish her husband goodbye in order to rest in peace. The scene in which husband and wife join hands for the last time is charged with aching emotion. The narrator's off-screen voice inserts the story among Thai legends and the audience perceives that it verges on reality and as such could occur again.
Coventry Here we have something totally unique: an Asian ghost story! That's not unique at all, I hear you say? Well, it is if you bear in mind that "Nang Nak" comes from Thailand and hasn't got anything to do with the overrated and rather weak stream of Japanese horror movies, such as "Ringu", "Ju-On The Grudge" and "The Eye". The film is based on a perennial Thai legend that apparently everybody knows over there and finally received a reasonably well-budgeted and international-orientated film version now! The legend revolves on the happily married couple Mak (the man) and Nak (the wife) and is set in the second half of the 19th century. Mak is very reluctant to leave his pregnant wife to go and fight in the war, more particularly because she's expecting their first child. When he returns home, still recovering from the loss of his best friend in battle as well as a near-fatal chest wound, Mak finally hopes to find peace and quiet with his beloved family. But something changed here, too… Friends and neighbors keep telling that Nak died whilst giving birth and that Mak only lives together with the spirits of his wife and child. "Nang Nak" is one of those extremely rare films that successfully blend romance and genuine drama with horror! This film is as moving as it is frightening and, trust me, it's REALLY frightening at times! The story is pretty intense and heartbreaking, mostly thanks to powerful performances, yet the horror elements are definitely not ignored and multiple images are almost too grisly to process. For example: One minute, you observe the romance between two people and the next; you're watching eerie rats eating the corpse of a murdered woman! Near the end, the film becomes even more horrific, with exorcisms and burials all around, and STILL the story remains incredibly poignant. Not only the substance is amazing, mind you. "Nang Nak" might easily be the most stylish and beautifully photographed Asian film ever made! A giant amount of sequences, albeit unrelated to the basic story, are truly mesmerizing to behold and illustrate sunsets, animals, wildlife and agriculture. It's almost like watching an educational National Geographic documentary AND a great movie at the same time! Highly recommended!
lost-in-limbo Mac returns home form the war to live with his wife Nak and newborn baby after being nursed back to health by some monks. When he gets home he's unaware that both his wife and child are ghosts. So, when his neighbours and friends try to warn him, he doesn't believe them and also contributing to it is that his wife tells him that their friends treated her poorly when he was gone.A damn right weird, but beautifully told and directed horror feature from Thailand. It's quietly intriguing and also it flows with some originality. Something about this film is just plain hypnotic with its change of moods, moving score and luminous locations. The cinematography was rather provocative and relentless in its treatment. This added to the film's whole uneasy feel, which somehow really gets under your skin rather effectively. The actual plot is a tale of everlasting love and loyalty to the one we care for and share our life with, no matter the circumstances. This is portrayed in such a haunting and subtle way and the direction follows the same suit. So when suddenly some frantic scenes of violence and bizarre makeup effects pop up, it just felt out of place compared to the overall tone that was created to begin with. The pace of the film because of it was a bit bumpy, but nonetheless it's hard to find a massive fault about it. No matter if nothing was really happening on screen, you just can't keep your eyes off it. One reason for that is the good performances, and that's especially from Winai Kraibutr as Mak and Intira Jaroenpura as Nak. You do care for these characters. Although, sometimes maybe the dialogue was a bit of a stretch and tad melodramatic, but a dreamy experience with some nightmarish occurrences creates some unsettling moments and develops a decent and meaningful drama within. Even if it's a tad slow. But, hey it did deliver a unique story and also the tension that was built was well sustained.This unusually tragic love story was a wonder to view.