Cubussoli Very very predictable, including the post credit scene !!!

Steineded How sad is this?

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Paul Evans A killer uses the backdrop of the Blitz to disguise their crimes, as they set about killing women, and engraving swastikas on their tongues, The Police call in home office pathologist Dr Lennox Collins to assist. The Police are convinced that German Ziegler is guilty, but Collins together with his assistant Molly sets out to prove his innocence and find the true killer, trouble is forensic science is still in its infancy.What an absolutely brilliant ninety minutes of drama this was. The Blitz setting is an excellent backdrop for a murder mystery, the crimes are nasty and the detection is intriguing. You could be forgiven for thinking that Dr Collins had landed there from the future, but these pioneers certainly existed, leading to the technologies used today.Fabulous characters, all beautifully acted. The two central characters, Lennox and Molly are a joy to watch, the chemistry between Patrick Kennedy and Tamzin Merchant is the quite wonderful and helps to engage you.At times it's dark, serious and also funny, it's instantly a drama that grips you, it also boasts a fabulous ending which manages to crank up the tension.Bravo, I thought this was excellent. 9/10

skelley-154-161909 Don't believe the reviews posted by the media snobs, this show is fun to watch, well done and is period accurate. The only thing that is stretched a bit is the sophistication of the forensic knowledge, but it's easy to overlook.If you're into rock-em, sock-em action then this is not the show for you. It mostly appeals to those who are accustomed to the pace of British shows and their propensity toward utilizing the English language rather than smacking you across the head with the obvious in the form of splashing, flashing video imagery.I loved this show, and I hope there are more in our future.

Tweekums When a woman is found dead young home office pathologist Lennox Collins attends the scene; he soon determines that she was strangled; there is something more sinister about the case than that though; she had a swastika carved onto her tongue! His inspection of the scene is interrupted by reporter Molly Cooper but rather than getting the story she hoped for she gets offered a job as Collins' secretary. The only clue to what the woman had done earlier on the night she was killed is a letter 'M' on her hand; an indication that she had been to the Metropol dance hall. There are a handful of suspects here; including the somewhat seedy owner and a German refugee with a penchant for collecting saucy postcards. Soon another murder takes place; it appears they are dealing with a serial killer.This two part story is very much a melodrama despite being inspired by the memoirs of somebody who worked with a pathologist at the time. Surprisingly it was quite fun despite there being numerous moments when the viewer will think 'that wouldn't have happened back then'… for example at one point Molly walks down a well lit night time street… so much for the blackout! Guessing the killer shouldn't be too difficult either; in such dramas it is never the first accused or the obviously nasty person! Patrick Kennedy and Tamzin Merchant put in good performances as protagonists Lennox and Molly; I rather hope we see more of them in further stories one day. Overall I'd say this is a fun melodrama; just don't expect it to be another 'Foyle's War' or you'll be very disappointed!

pawebster "I know - let's cross Foyle's War with Silent Witness. It can't fail!" That's the crass idea behind this - the only idea behind it. Patrick Kennedy even looks like Michael Kitchen's younger brother and his character has a similar phlegmatic approach to crime solving. What a pity Tamzin Merchant is not a patch on Honeysuckle Weeks. It might just have worked if it hadn't been so creakily wooden, if the fake bomb sites hadn't had obvious cardboard bits, if the CGI had been a bit more convincing and if they hadn't resorted to gratuitous gore - but I suppose they had to put that in as part of their homage to Silent Witness. It might yet find its feet, but it's a poor testimony to the creativity of British TV. Scandinavia and the USA are bursting with good ideas. What went wrong in the UK?