Murder, Inc.

1960 "The Super-Corporation of Crime!"
6.6| 1h43m| en
Details

Chronicles the rise and fall of the organised crime syndicate known as Murder, Incorporated, focusing on powerful boss Lepke and violent hit man Reles.

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Reviews

Hellen I like the storyline of this show,it attract me so much
UnowPriceless hyped garbage
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
treywillwest I love the urban-crime films of the '40s- early '60s. They're distinguishable from Noir in that while they focus on the seedy side of urban American existence, they do so without focusing on personal subjects- protagonists or anti-heroes. (The most famous example would be Dassin's Naked City.) This movie stands out within this largely forgotten Hollywood genre. It does not even have a collective protagonist, like most such films, such as a police force. Indeed, the only action that brings any emotional catharsis occurs off-screen, and one cannot conclusively identify its perpetrator. Society is just violent, and sometimes we identify and approve of some of its brutalities more than others.
tavm While Murder, Inc. mainly revolves around the capture of gangster Lepke, the most compelling character is hit man Abe Reles, excellently played by Peter Falk in one of his earliest movie roles. He got an Oscar nomination as a result. Those who know him mostly as the calm Lt. Columbo will be very surprised by the intense rage Mr. Falk puts in his performance especially during his "take" speech he gives to a married couple who have no choice but to accept his offer of an apartment he gives them. Also noteworthy are Vincent Gardenia as his lawyer (loved his "I'd rather you were dead" aside before Reles-having overheard him-asked, "What did you mean by that?" "It was just a figure of speech,"comes the reply), May Britt as wife in aforementioned couple, Sarah Vaughan as a nightclub singer (in a musical interlude), and Morey Amsterdam as a comic who meets a tragic end in the beginning. Based on a true story but with, as always, some dramatization involved. One of the two directors was Stuart "Cool Hand Luke" Rosenberg. Well worth seeing for gangster movie fans.
William J. Fickling Thank God for Turner Classic Movies for digging up obscure stuff like this, not available on video or DVD, that would otherwise disappear. Not that it's that great a movie; it isn't. There are much better gangster films. However, it is notable for two things: it is Peter Falk's debut film, and it names names, something most gangster films before and after didn't do, unless the film was set well into the past. Of course, all the gangsters whose names are given are conveniently dead: Abe Reles, Louis "Lepke" Buchalter, and Albert Anastasia. A notable omission is Meyer Lansky, who was alive at the time and thus could have sued for libel. But a pretty good overview of organized crime in the 30s and 40s. Albert Anastasia, by the way, was the real life model for Johnny Friendly, played by Lee J. Cobb, in "On the Waterfront." He was gunned down in a barber's chair while he was getting a haircut in a New York hotel barbershop in 1957. 8/10
goumba one of the better gangster movies. peter falk is excellent as abe reles and a solid performance from vincent gardenia as his lawyer. "Murder Inc. gives a real account of the back stabbing that accompanies the underworld.