Onlinewsma Absolutely Brilliant!

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Bella I thought that this film was hilarious and it had me chuckling out loud. I really liked the skit that they make their boss walk the plank and then turn their office building into a vehicle and travel into a city and then swing into the window and get into a sword fight. It is an epic battle and the narration is amusing as well. The cinematography was great as well. There were no shaking shots and everything that was meant to be seen in the shot was clear. The songs were hilarious. The Meaning Of Life was my favourite one. The lyrics and video to go along with it are both hilarious. I would recommend this film for older audiences as it contains adult themes.

James Wormold Some films, if not most, are greater as a whole than as their individual parts. Monty Python's "The Meaning of Life" is not one of those films.In fact, it scarcely is a film."The Meaning of Life" is a large-budget response to the next generation of comedy in the classic Python sketch-show format. The film, as a whole, does not work, but the individual parts may. For the most part, WHICH parts depends on your sense of humour.The show is admittedly meaner and more surreal than ever before. The imagery is audacious and powerful. The jokes are zany, often gross and brilliantly timed. The musical numbers are quite exceptional.Despite this being Python's last feature, it is anything from dull. The troupe is gleefully aware of their audience and will go to unbelievable lengths to generate laughter, or offend.Warning: You may never be able to eat vegetable soup again.

guedesnino Directed in 1983, by Terry Jones co-creator and member of the comedy company Monty Python, the English group employs to the film a division in "sketches" somewhat common the television humorous series, and that during the film is explained through the acid humor , Its division is due to the inability of the public to follow a long and continuous history without commercial breaks or that does not introduce throughout history violence, sex explicit or anything else stupid to the point of being censored and provoke controversy enough to take people Of the screen of a TV and to arouse the interest of going to see a movie in the cinema.This sour, debauched, witty and playful tone will be present in all divisions and sub-divisions of "The Meaning of Life," yet the script will be careful enough to create connections between stories which is done very simply and Effective, and with great humor.The film is divided into about eight chapters: The Miracle of Birth; Growth and Learning; Fighting each other; Middle-age; Liver organ transplants; The Autumn Years; The meaning of life; Death - and when these frames connect the effect is even more fun.At the same time, the use of "sketches" allows a dynamic and propensity to encourage the audience to stick with moments and images that interest them the most, the opposite is also true if we have a brilliant opening with metaphors and that today (2017) envisions traces of foresight of our future, where the world abolishes the labor system through labor (like the old slaves of the building that sails in the economic sea), to live a financial economy and actions. If this opening frame is mastered and will be device for linking to another chapter, stories like the English army, are ineffective for any analysis of the film. They do not corroborate in any way, and the impression that it causes, is to be an instrument of relief for a previous joke more complex, intellectualized and consequently respire for those who do not understand or for those who are still reflecting. This gap between intellectual laughter and easy laughter will be presented at other times with the same effect.A memorable moment appears in the chapter, the autumn years, specifically in the "sketche": "The Autumn Years," in which a monstrously fat Mr. Creosote eats wildly and when he receives a small piece of chocolate, he explodes. Something that for us Brazilians is very familiar when we remember Mrs. Redonda, emblematic character created by Dias Gomes for the telenovela "Saramandaia", whose end of the character is the same as that of Mr. Creosote.There are many good moments in the 1983 film, my favorite is that of a group of pompous dinner guests who are interrupted by the visit of the "Death" (Grim Reaper), in short, everyone who is there will die and when asked why Of so many deaths at a dinner, behold the answer is due to a simple salmon mousse, and the climax comes from the comment of a lady (Michael Palin), who with his unpretentiousness says: "I did not even eat the mousse." This speech is supposed to have been improvised, and because it is so well used it provokes laughter, carries a subtlety that assists in the inquiry not only of the motive of death, but also in the sense of life, where there is no apparent meaning, everything is mere Conditions that are mostly caused by the desire of man.In the quest to answer the philosophical title which is also the main argument of "The Meaning of Life," we realize that in the end the answer is less interesting compared to the pleasurable process in attempting to answer it. Perhaps the answer of some sense, is the way of the (eternal) search.

igorrogov Nearly perfect and could have been better. Still, in its slightly unfinished and a uneven shape this movie stirs one's comical imagination and damages your straight view of the world permanently. From then onwards everything around looks more or less silly, no dope required thank you very much.Inspiring, even in the most depressing topics. Intelligent, although riotously silly in some episodes. Eccentric, but always bright. Tasteful, even when treating subjects like disembowelment, projectile vomit and nude women running. Classic.