Meskada

2010
5.3| 1h38m| PG-13| en
Details

Small-town detective Noah Cordin is called to solve a juvenile homicide that occurred during a home burglary in his affluent town of Hilliard. The dead boy's mother, Allison Connor, is a member of the Meskada County Board of Commissioners, and a powerful woman in Hilliard; and the entire township rallies together in solidarity - to support her and Detective Cordin's efforts to find the killers.

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Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Pacionsbo Absolutely Fantastic
Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
NateWatchesCoolMovies Meskada, or Quiet Kill as it was renamed for distribution (a rose by any other name) is a slow burning, blistering small town murder thriller that ratchets up the tension and sneaks up on you as the calamitous events unfolding reach a fever pitch of sickening human mistakes, inevitable depravity and broken, dead end people doing their best with the intellects they've been given, and the not always great life choices they make with them. Nick Stahl nicely underplays the lead investigator of a home invasion that left a little boy murdered, which takes him a few towns over to the other side of the state, namely Meskada County. Jonathan Tucker and Kellan Lutz play the burglars, torn between fear and guilt. Tucker, fantastic as always, relishes in his backwoods deadbeat role, equal parts dumbbell sleaze and ferocious caged animal kamikaze terror. Lutz, who really can't act his way out of his own nut sack, wisely keeps his head down and doesn't shake up the otherwise talented roster too badly. Rachel Nichols plays Stahl's partner with the right gusto. James Mccaffrey, known for voicing Max Payne, is awesome as a bar owner and outspoken town representative whose righteous anger clashes with Stahl's dogged need to uncover the truth at whatever large scale collateral damage. The best performance of the film comes from a brooding, volatile Norman Reedus, playing a jaded, bitter man who is just looking for an event to use as an outlet for a self inflicted downward spiral of depression and anger. Reedus is a ridiculously talented guy and he really gets the chance to shine here, using his narrow eyed, scruffy emotional edge to great advantage. The town is also going through an economic crisis that is only exacerbated by this murder investigation, creating all the more tension for the film to work with. It's sad that nobody checks out these fantastic indie gems that slip under the radar, and this one is especially worth checking out. It's a fiery yet restrained small town murder yarn that plays almost like a Russian tragedy, where even though you know from the gate that it isn't going anywhere nice, it's going to be beautiful to experience. Downbeat films may not make us feel good, but they often change us or let us see a different side of human nature that is very beneficial. This one is a perfect example of that. Dark, dreary and stressful, but with vital signs still kicking at an essential, unavoidable set of flaws in humans that needs to be explored.
Tss5078 Meskada is another direct-to-video feature I knew nothing about ahead of time. I choose it because the story sounded interesting and I love the cast. In these cases, the film is usually hit or miss, with no in-between. In the case of Meskada, it's definitely a hit! The story follows a local detective, investigating the death of a child, during a home invasion. What makes Meskada different from the rest is that 15 minutes into the film, you know who did it and why, it's not a mystery. Nick Stahl who I usually don't like and Jonathan Tucker who I've always liked are both fantastic in this film. It's roles that neither is really used to playing and both stepped up to the challenge. The story wasn't all that strong, but the acting was, and what I really liked about this film is how it came at a common story in an unconventional way. It's defiantly worth checking out!
Objectivity Quite frankly, I did not expect much of this film, particularly after I saw a score of 5.0 on IMDb.Throughout the film you keep asking yourself "where is this going to" and each time, as the film goes on, you get more of a surprise and the tension increases a notch.Throughout the film I kept thinking "Winter's Bone". This film reminds me a lot of "Winter's Bone", and they were both made in 2010, but at the same time this film is quite different, but still about small town and small community secrets all the same.The acting is top class, and the direction flawless. No film stars on show but they're not needed - this is top class entertainment from little known actors (not for long) and it is top direction too.Watch it - you won't regret it.
gradyharp Threads of the past weave through this interesting film about small town folks and their loyalties to each other when it comes to intervention from the outside - even to the defense of homicide. Josh Sternfeld wrote and directed this little thriller with a small cast of young actors who may just be more noticed after this dramatic effort. Two boys - Eddie Arlinger (Kellan Lutz) and Shane Loakin (Jonathan Tucker) - drifters who go on the road to rob houses and sell their goods to pawn shops through their relationship with a bar girl (Grace Gummer, another of Meryl Streep's daughters) - accidentally kill a little boy during a robbery in Hilliard. The boy happens to be the son of a Meskada County Commissioner ( Laura Benati). Young small town detective Noah Cordin (Nick Stahl) and his new partner Leslie Spencer (Rachel Nichols) are brought in to solve the crime despite the fact that the town sheriff (Michael Sirow) and cohort (Michael Cerveris) think they can handle the matter themselves: much of the clash is bringing in an outside detective who grew up in a poor small town not far from Hilliard, viewed as interference. The local Bar owner Billy (James McCaffrey) and Shane's brother-in-law Dennis (Norman Reedus) fight to protect Eddie and Shane, but events occur that reveal the true identity of the killer after a showdown between the out of town detective and the townsfolk that come to grips with a situation no one wants to explore. While the story leaves some gaping holes unresolved, the script does manage to capture the small town loyalties that often avoid reality. Adding the aspect of how the national economy is affecting the livelihood of small town residents heightens the tension. The young cast is very fine, especially the key performance by Jonathan Tucker. Heartthrob Kellan Lutz and Grace Gummer provide the sensual interest and Nick Stahl continues to impress as an actor on the ascent. Newcomer Michael Sirow is an actor to watch as is Grace Gummer. In all this is an entertaining film that has the courage to not 'make nice' the unsettling problems of backwoods small town ethics. Grady Harp

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