Masquerade

2012 "15 days lost to history."
7.8| 2h11m| en
Details

Though it places his own life in danger, a look-alike commoner secretly takes the place of a poisoned king to save his country from falling into chaos.

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Reviews

GrimPrecise I'll tell you why so serious
MamaGravity good back-story, and good acting
Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Janis One of the most extraordinary films you will see this year. Take that as you want.
fredf-67149 "This movie is going to be enjoyed a lot by big fans of Korean cinema but to be completely honest I don't see other more casual movie fans enjoying it as much."I have to disagree with this statement. If you like good cinema and are at home with subtitles I think you will enjoy this. It has to be one of the best period films I have watched in a long time. Much less impenetrable than the usual crop of Asian cinema. This screenplay is carried of with poise and quiet confidence. I felt like I was watching a masterclass in cinematography while I was watching it. It happily fills it's allotted two hour time span without dragging at all.Highly recommended!!!!
lasttimeisaw Last year's South Korean box office champion (a No. 3 all-time grossing picture in the history of Korean cinema), this period drama stars Byung-hun Lee for a meaty dual role, the king and his doppelgänger scoundrel, intricately chronicles a spell of 15 days' clandestine regency under the helm of the said doppelgänger. A grandeur of a period drama pivots heavily on its art design, set decoration, makeup and costumes whether or not can conjure a believable world of that time, as a result MASQUERADE is impeccable in all these aspects. Despite basically it is an interior chamber piece, a few outdoor shots meticulously dispense us legitimate solemnity and natural quaintness. The outline of the story is quite straightforward, and all the ramifications are predictable, the transformation from a good-to-nothing to a righteous and gallant role model is the unflagging keynote, director Chang-min Choo interposes effectual gags in-between the brooding atmosphere, first time we saw a king breaks wind on screen and his eye-opening defecation formalities, which is gross at first glance, but the comical reaction is pure golden! (Hollywood should learn how to turn repellent vulgarity into some genuine laughter from it). Finally Lee scoops up his representative work on big screen which could testify his talent beyond the awful exploitation of his taciturn Asian fighter figure in Hollywood action potboilers. Acting with his mother tongue, the constant changeover of manners and tones is a demanding task, he successfully nail both the imperial majesty and the antic street-smartness. What is more touching is among the set pieces where the expendable side characters face their doom, Lee's reactive performances are wonderfully empathetic, effectively efface the cliché and sappy default of a thin plot. Seung-yong Ryoo (the helping hand), Hyo-ju Han (the queen) and Gwang Jang (the eunuch) all offer a bit subtler presence pertains to their different functions. There is an elephant in the room since everyone knows the impostor cannot be spared at any rate, so the film cunningly contrives a twist to lift the culmination which we cannot say is a mind-blowing one, at least it is a tenable one. Overall, the film is slightly over-stretching its sentimentality but nevertheless stands for a universal crowd-pleaser and a top-notcher of South Korean film industry.
Yogesh Prabhu It's a period drama called "Masquerade", also as "Gwanghae – the man who becomes the King". It is a real story of an infamous tyrant king, but he was a good politician who helped restoring his country which had been ravaged by the war with Japan and also secured the country from the Qing Dynasty of China for a while through his practical diplomatic policies. Now he is mostly regarded as a wise king unluckily stuck in the domestic political feuds which turned out to be the main cause of his undoing, and many historians say Joseon would have not suffered two disastrous invasions by the Qing Dynasty if he had not been dethroned by a coup in 1623.We can witness many resemblances of "Kagemusha"(1980) and "Dave"(1993) in Masquerade. As getting involved in the political feuds at his court, King Gwanghae(Lee Byeong-heon), has been nervous about possible assassination attempts, so he needs a double for protecting him from constant danger. The king's adviser, Heo Gyun(Ryoo Seung-yong), finds a suitable man for the job. He is a clown named Ha-seon(also played by Lee Byeong-heon), and he has been earning a living through his silly antics imitating the king in front of people. Ha-seon got trained and adequately does his job as ordered while the real king is having his own private time outside the court, but he is soon assigned with a far greater task. The real king suddenly loses his consciousness due to poison, situation becomes worse and Heo Gyun demands Ha-seon to disguise himself as the king for a while to deceive others at the court. Ha-seon is reluctant, but he quickly accepts his plan because he is promised that he will be paid well. The feel is good to see a Jovial type king rather than a stern, under the guidance by Heo Gyun and the king's eunuch. As Heo Gyun instructed before, all he has to do is just sit in the King's chair and act like him. Though the people at the court are a little confused by sudden changes in His Majesty's behaviors, Ha-seon playing really good. Even the Queen and his personal bodyguard believe him, but Ha-seon crossed his line this creates an enmity between the haters in the own courtyard. Even though he belongs to a lower caste, but he is a smart guy who can read and learn, so he becomes more active than before at the council with his high-ranking officials.As we awaiting eagerly the king regains the consciousness and it makes the situation Orphic and it heads to a terrific climax. Lee Byeong-heon, Ryoo Seung-yong and some part timers really build the film in to a Class.TWO THUMBS UP!
Denise Tan I am not a fan of costume drama/movie and have limited knowledge of the truth historical events which the story is based upon. I even have doubt of watching this movie at the first place. But the slogan drew me in, 'The Kingdom in the hands of a layman for 15 days".The front part for about 30 minutes is kind of pale. But I am happy that I got through that. Because what follows is the one of the most intriguing and interesting plot I had watch for a long time.It is simple plot. A king is afraid of an assassination plan (later got drugged) and proceed to hide himself and put a fake on the throne for 15 days. The story follow Ha-seon, a layman impersonate as the fake king puppet during his 15 days reign of Joseon Kingdom and the relationship with his servants and the queen.Lee Byung Hun is terrific as King Gwanghae and Ha-seon. The transition through and forth is clearly display. The affection towards his maid, Sawal, the Queen and the royal chief secretary is so well acted.This movie give people something to think about. A king and a layman is not much different. A king is made to rule the country but he is not necessary the best man for the job. In the other way round, a layman with little literature education who had experience the poverty and difficulties as a citizen should not have the ability to rule a kingdom. BUT, HE DOES WITH HIS OWN WAYS AND MADE CHANGES THAT TURN THE KINGDOM INTO A BETTER PLACE.