Solemplex To me, this movie is perfection.

GamerTab That was an excellent one.

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Staci Frederick Blistering performances.

blanche-2 William Campbell, in my youth, appeared on a TV show called Cannonball that had a very catchy theme song. So catchy that we made up new lyrics to it that were about our school principle.He has several other distinctions, some as an actor, and he earned his place in the JFK saga by being married to one of JFK's girlfriends, Judith Campbell Exner.Campbell plays a locksmith, Tommy Dancer. He often hangs out at a bowling alley. One night he meets a man, Willis Trent (Berry Kroeger) who invites him to a party. After we hear the song "Let the Chips Fall Where They May" sung by Viviane Lloyd, Dancer meets Betty Turner (Karen Sharpe). They begin dating.Tommy is offered a job for $5000 if he will rent a safe deposit box, and while in the vault, make impressions for two keys to box 315. He doesn't know it at the time, but the box has $200,000 in it that Trent wants stolen. He refuses to do it until Mike Mazurki beats him up and then Betty is threatened. In a suspenseful scene, he makes impressions of the keys.Then he finds out about the money from a man named Herbie (Paul Fix) tips him off about the money and suggests that they split it.Familiar faces here, including Fix, Kroeger, Mazurki, and of course Campbell. Karen Sharpe, who played Betty, married Stanley Kramer and became a producer as well as an actress. Anita Ekberg, looking gorgeous, is on hand as Earl Farraday's (Robert Keys) girlfriend - it's Farraday who owns the safe deposit box.Despite the film being low budget, there are several interesting things about it. First, being low budget, it's filmed on the streets of Los Angeles. The sections they were in were familiar to me and made it so much fun, seeing a large Rexall Drugs, Dutch Paint, the whole ambiance of old Hollywood.The other thing is one starts to notice keys everywhere. Dancer works in a key-making establishment. He's called on by Trent to open a trunk, so he makes an impression of the lock; he makes keys for the safe deposit box, later he uses the keys to get into it - he is constantly using keys. Finally you're noticing them every time he pulls one out.Lastly, parts of the film are very Hitchcockian - one is the ordinary man in extraordinary circumstances; the other is danger in landmarks or familiar places not known for danger, as Dancer first escapes being hit by a bowling ball and then attempts escape by traversing pin-setting machines. Really terrific. Unfortunately, today we're all too familiar with danger in familiar places.Not bad for a low budget film.

Spikeopath Adapted by Burt Kennedy from the Frank Gruber novel, The Lock and the Key, Man in the Vault is a minor 50s crime flick that has somehow been lumped into the film noir encyclopedias. Andrew V. McLaglen directs and William Campbell, Karen Sharpe, Anita Ekberg and Berry Kroeger star. Story has Campbell as a locksmith who gets coerced into a deposit box theft just as Sharpe turns his head romantically.Amazingly, nothing much happens, there's a lot of talking and pouting, Campbell's teddy-boy quiff always holds court, while Kroeger tries to eat all the indoor scenery. William H. Clothier is utterly wasted on photography, only really getting to use his skills when the story enters out onto the real L.A. locations; which are actually the film's only saving grace. OK! The deposit box sequence has a modicum of suspense, the mystery element as Campbell tries to fathom out what's going on also works, but come the weak and cop-out finale you may well wish you had done the gardening instead. 5/10

Claudio Carvalho The mobster Willis Trent (Berry Kroger) is informed by one of his gangsters that the locksmith Tommy Dancer (William Campbell) is efficient and fast in his work. Willis befriends Tommy in a bowling alley and invites him to open a trunk at his home. Tommy accepts the job and then he is invited by Willis to stay in a party at his house, where he meets the wealthy Betty Turner (Karen Sharpe). Later they go to his place and Betty forgets her stole when she goes home. On the next morning, Tommy returns the fur to Betty and they date at night. Then Willis offers five thousand dollars to Tommy to make the keys of the safe deposit box no. 315 in the Hollywood Bank that belongs to the rival criminal and head of gambling Paul De Camp (James Seay) and has two hundred thousand dollars of illegal money. Tommy turns down the offer, but Willis threatens to harm Betty's face to achieve his goal."Man in the Vault" is a good film-noir but unfortunately the moralist ending ruins the story. The romance between Tommy and Betty is dated, but acceptable for a movie of the 50's. But the conclusion with Tommy giving the stolen money to a police officer is ridiculous even in those years. My vote is seven.Title (Brazil): "Domínio dos Homens Sem Lei" ("Domain of the Men Without Law")

jim riecken (youroldpaljim) Tommy Dancer is a locksmith whose skills do not go unnoticed by mobster Willis Trent. Trent wants Tommy to get into the safe deposit box of a rival mobster. Tommy refuses, despite being offered $5000 and later being roughed up by one of Trents goons. Tommy agrees when he his tipped off by one Trents men that the box contains $200,000 in cash. Tommy decides to go along with the plan, and keep the 200 grand for himself and run off with Trents moll, whom he has fallen in love with.MAN IN THE VAULT is standard low budget crime thriller from the period made enjoyable by the presence of Berry Kroeger, Paul Fix and Mike Marsurki. William Campbell gives a good performance as Tommy. There are some good moments of suspense, but things get a bit confusing toward the end.