Twilightfa Watch something else. There are very few redeeming qualities to this film.

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Cristal The movie really just wants to entertain people.

rekall1900 If the Godfather can be rated as the greatest of realistic crime or gangster movies then Mad Dog Time should be rated as the greatest of surrealistic movies. This is a film which takes the serious reality of the mob world of killers and shows them in a strange weird way that should rate this film as one of the great films of the cinema art. It is like watching mobsters in a way the painter Picasso viewed reality with his famous Cubism. In some ways it is Film Noir but in other ways it is comic and even romantic. If you want to see a different kind of crime movie that is well acted and whose meaning may be no more than the art of strange film or showing what creative film making can do, then catch this one.

Woodyanders Loopy, but shrewd and formidable mob boss Vic (an excellent performance by Richard Dreyfuss) gets released from a mental hospital. Several of Vic's fellow criminal cohorts who include volatile henchman "Brass Balls" Ben London (a gloriously manic and over-the-top hammy portrayal by Gabriel Byrne), the smarmy Jake Parker (a perfectly smug Kyle MacLachlan), and vicious rival "Wacky" Jacky Jackson (a neat turn by Burt Reynolds) all try to bump Vic off. Meanwhile, laid-back and self-assured hit-man Mickey Holliday (nicely played with low-key confidence by Jeff Goldblum) finds himself caught in the middle of all this deadly lunacy. Writer/director Larry Bishop brings a supremely hip, quirky, and original idiosyncratic sensibility to this deliciously dark and deadpan pitch-black comedy about betrayal, loyalty, and ruthless ambition run dangerously amok. The bang-up cast have a field day with the colorfully grotesque rogues' gallery of blithely amoral and treacherous hoodlums: Ellen Barkin as tough, sultry moll Rita Everly, Henry Silva as Vic's reliable right-hand man Sleepy Joe Carisle, Gregory Hines as philosophical smoothie Jules Flamingo, Diane Lane as Vic's sweet, perky mistress Grace, Billy Drago as the slimy Wells, and Christopher Jones as brutish rub-out artist Nicholas Falco. Bishop makes the most of his juicy secondary role as lethal and laconic ace assassin Nick. Popping up in nifty bits are Billy Idol as a blustery thug, Michael J. Pollard as the ill-fated Red, Joey Bishop as mortician Mr. Gottlieb, Rob Reiner as a jolly chauffeur, and Richard Pryor as Jimmy the Gravedigger. Byrne's delightfully insane duet with singer Paul Anka on "My Way" rates as a definite sidesplitting highlight. A tense and amusing climactic Mexican stand-off likewise tickles the funny bone something hysterical. Frank Byers' slick cinematography, the outrageously nutty dialogue, Earl Rose's jazzy cocktail lounge score, and a choice soundtrack of vintage swinging golden oldies all further enhance the engagingly peculiar charm of this immensely entertaining one-of-a-kind curio.

offyerswod "Mad Dog Time"..."Trigger Happy" whatever you wanna call it...simply doesn't hit the mark. Maybe its just me, maybe i just don't like Gangster comedies ( as i thought Oscar , Johney Dangerously and Mafia also sucked ) It's probably more "witty sharp wordplay" than all out Comedy, only its not as witty and sharp as it ( or the other reviewers )Make it out to be. The Rick , Mick , Vic Thing was old to begin with making it a running gag was at times painful to watch. There wasn't enough Changes of Location or Feel for the period they were supposed to be in. The Majority of the film was either set in "Dreyfus's Club" or a variety of Offices /dim rooms... ( what was with that Sit down Gun stand off thing Goldblum kept winning ?) The supporting cast was... on Paper excellent ( great to see Silva & Drago)but characters were killed off before they had time to develop. and Richard Pryors cameo was a Joke ! The Romance and Love element of the film also bogged it down.4/10 I don't think i'll return to it anytime soon.

Odysseus_Rex I don't know much about the Rat Pack, and Frank Sinatra always seemed a bit too self-consciously full of himself to me. So when I call this one of my all-time faves, it's nothing to do with a tribute-band mentality. As another reviewer says, Mad Dog Time is about symbolism, not realism. It's kafkaesque (a pity Kyle MacLachlan is probably the weakest of a very strong crowd, when he was so good as Josef K), it's stylish, knowing, sardonic and slick. Jeff Goldblum is navigating his way around a variety of characters, trying not to get shot and acting deftly rather than dorkily, trying to stay abreast of what he knows and others don't, whom he can outshoot and whom he can't. Gabriel Byrne and Richard Dreyfuss (his best performance) have a ball, and the supporting cast look spot-on. The symbolism, the settings (the one outdoor motion shot with Jeff Goldblum walking down the steps seems really weird after so much lounge lizardry), the dialogue (style, not practicality, is the order of the day), it's all about characters interacting, not really gangsterism. Fun to watch, must've been fun to do. What the critics were up to is really a mystery...