Steineded How sad is this?

Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

winner55 The previous reviewer, who complained of the historical inaccuracy of the film, somewhat missed the point. While the film may not be true to the original Morgan's personal story, it is certainly true of the conflict between legal authorities and outlaws throughout the English speaking countries during the 19th Century. The Governor at the end asks for Morgan's scrotum to be used as a tobacco pouch; I don't know if this happened to Morgan - but it happened to Nat Turner. Jesse James' corpse went on tour briefly as a carnival attraction before his family intervened; so did the bodies of Bonnie and Clyde in the 1930s. In Canada, one Indian outlaw was so feared, they used cannon to get at him in his last house rather than face him with small arms. Public hangings came to a halt in Great Britain because the crowd got raucously drunk and lecherous after-wards. The fact is, outlaws became legend because government agencies and private interests, as well as the perversity of the general public, made them so.Like Bonnie and Clyde, part of the function of this film - which is really more a 'docudrama' than an adventure film or simply another crime film - is recording what was said of Morgan once he became infamous. Of course most of it was lies - people want their fifteen minutes of fame, even if it's just for bumping into an well-known outlaw.That said, this film suffers from two major problems. First its low budget - it is clear from certain set-pieces that the film had high ambitions.. It is unfortunately clear, from the quality of the film-stock used (and its unevenness) and the awkward uniforms of the provincial police, that there just wasn't enough money to fulfill those ambitions.The second major failing is that the lead is given over to Dennis Hopper, a 'cult' actor of very limited range. He simply isn't up to it. His dialect is terrible, and he utterly lacks either the panache of a flamboyant outlaw, or the angst of a socially driven one. In fact we end the film not knowing much about Morgan, which makes all the broad lies about him believable. And that's a weakness - he needs to be a factual counterpoint to his own legend. Hopper cannot give us this, it's beyond his capabilities.Nonetheless, its an interesting film to watch, even as merely a curio. It was a risky film to make; Australian film industry had not yet attained 'world-class' status, and the strictly Australian subject-matter is certainly interesting. There is also some interesting cinematography, and the story has an odd draw to it even if its promise is never fully realized.Not a classic, but hardly the disaster some have remarked it as.

westchamp This is one of the worst movies I have ever seen. There is not a shred of historical accuracy, in fact reality is reversed. Just one example: Morgan preyed on the few ethnic Chinese he encountered. The acting is over the top, the script is a poorly written lie. I have never seen worse fake beards.Hopper arrived in Australia and reportedly only would make the film if the script was totally rewritten so he could be a hero. Since the script was ten made up on the fly, the may explain how bad it is and how disjointed the movie is.Any movie about Ned Kelly is a lot better than this film.

wes-connors In the mid 1800s, Irishman Dennis Hopper (as Daniel Morgan) emigrates to Australia, seeking a share of the continent's gold. Instead, Mr. Hopper finds himself branded, and thrown in a torturous prison; there, he is gang-raped. Upon release, Hopper hooks up with aborigine David Gulpilil (as Billy), with whom he seeks revenge upon sadistic Bill Hunter (as Sergeant Smith), Jack Thompson (as Detective Mainwaring), and others. Eventually, vengeance becomes heroism; Hopper is admired and assisted by the common people, and hunted by corrupt and powerful authorities. Hopper's "scarcely human" performance certainly fits the disjointed feel of the film. Mr. Gulpilil heads up a strong supporting cast. The personnel involved in "Mad Dog Morgan" make it not only worth a look, but also a huge disappointment. *** Mad Dog Morgan (1976) Philippe Mora ~ Dennis Hopper, David Gulpilil, Bill Hunter

Infofreak I've been searching for this movie for years, and now thanks to a recent DVD release here in Australia I've finally been able to see it. And best of all, it's a bloody good movie! 'Mad Dog Morgan' was made in Dennis Hooper's "wilderness" years where his reputation and behaviour meant that mainstream Hollywood was too nervous to employ him. During this period he made some of his most interesting movies, often overseas, with some of his bravest and most honest performances. Movies like 'Tracks', 'Bloodbath', 'The American Friend' and this one. Sadly little seen and rarely talked about. Hopper plays Irish immigrant turned bushranger (that's outlaw to non-Australians) Daniel Morgan, hero to the more famous folk hero Ned Kelly. Hopper, by the look of him in the 25 minute documentary included on the DVD, could out drink and drug Robert Downey Jr and Christian Slater combined and STILL give a remarkable performance. Hopper is helped by a supporting cast of the (then) cream of Aussie acting, most of whom are probably not all that known to overseas audiences apart from Jack Thompson, and maybe David Gulpilil ('Walkabout', 'The Tracker'), Bill Hunter ('Newsfront', 'Muriel's Wedding') and the legendary Frank Thring ('Ben-Hur', 'Mad Max Beyond Thunderdome'). Director, Australian ex-pat Philippe Mora, went on to an eclectic and eccentric career which included cult favourites 'The Beast Within' and 'Communion'. 'Mad Dog Morgan' is one of the most underrated and overlooked movies ever made in Australia and deserves to be rediscovered.