FeistyUpper If you don't like this, we can't be friends.

Crwthod A lot more amusing than I thought it would be.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

DICK STEEL Two childhood friends, Deco (Lazaro Ramos) and Naldinho (Wagner Moura) meet Karinna (Alice Braga), a stripper looking for a cheap ride to the city of Salvador, in exchange for sexual favours with the boys. Who could pass up a blonde like that, and in record time, we see the friends getting it on with her inside their steamship.It's actually an extremely simple story, with lacklustre sex, some flesh, and again, a short story premise being extrapolated painfully into a feature length movie. The central theme here is the disintegration of a deep brotherly friendship because of man's innate selfish nature when it comes to affairs of the heart, and how lust takes over to blind the dudes that it just isn't worth fighting over a slut.If I may paraphrase a popular saying, why forgo your sights on the various bikes available in the store for the village bicycle, which everyone has ridden? If there should be any plus points for the film, then it would be the handling of this character exploration of the breaking down of a friendship. However, that alone isn't sufficient to garner your attention through the movie.Alice Braga, the Brazilian actress who starred in City of God, looks good in the role, but seriously it's nothing to fantastic about it. Her Karinna is one seriously indecisive about the matters of the heart, though totally passionate about losing her clothes without batting an eyelid. While she realizes that her indecisive ways is causing havoc to the friendship of both men she likes, making some preliminary plans to escape the situation but not execute it doesn't help much too. What made it all worse, and this is directly linked to the story, is the frustration of leaving things just hanging in the air. The movie ends in similar fashion to Karinna's character - the inability to decide.Oh, and the overrated scenes of the city, it's seediness, gloominess, etc, it's really all done in quick montages, or on location sets that doesn't offer you anything more than a sneak peek. Like its characters, the movie's delivery just doesn't make you care for any of them, or their self-inflicted plight.All said, this movie will probably not get any thumbs up by the ah pek community. What they're primarily looking for, gets glossed over too quickly, bogged down by the characters trying to emote too much. I'm not sure how some can tout the supposedly steamy scenes as hot, unless of course they haven't got it in a long time.

Claudio Carvalho In the Northeastern of Brazil, the twenty years old hooker Karinna (Alice Braga) negotiates a travel to Salvador, Bahia, in the boat of the friends Deco (Lázaro Ramos) and Naldinho (Wagner Moura), having sex with them and getting some money in return. Deco first, and Naldinho later, fall in love for Karinna, who likes both of them, forming a triangle of love and jeopardizing the friendship of Deco and Naldinho."Cidade Baixa" is a real and cruel triangle of love, having the landscape of the red light district in the lower zone of Salvador and the environment of hopeless people that lives in the limit of the marginality of the society, prostituting, robbing, and fighting for surviving. The plot is actually unpredictable, with many possibilities and an open end, having the excellent actor Lázaro Ramos in the lead role, with the also good actor Wagner Moura. But the great surprise is the unknown actress Alice Braga, niece of Sonia Braga, performing a very erotic and hot character and dignifying the name of her aunt. This low budget movie exhales sexual tension and eroticism, and is very pleasant and recommended, showing a deglamorized side of Brazil unknown even for many Brazilians. My vote is eight.Title (Brazil): "Cidade Baixa" ("Lower City")

debblyst Reading the IMDb comments from non-Brazilian reviewers, I get the impression "Cidade Baixa" has been mismarketed internationally -- it's far from the ambition, impact, range or scope of "City of God" or "Central Station". It's rather a modest chamber movie about a love triangle setting apart lifelong friends Deco (the incredibly overrated Lázaro Ramos, here in a one-note-so-minimalist-it's-really-lifeless performance) and Naldinho (intense, charismatic Wagner Moura) over the sexual attention and ultimately the "true" love of stripper Karinna (newcomer Alice Braga, sexy, lovely, inexperienced and unconvincing).Director Sérgio Machado's only previous solo feature effort was "Onde a Terra Acaba", a well-researched documentary on Brazilian legendary filmmaker Mário Peixoto and his single finished film, the 1931 classic "Limite". Like many directors who cross the bridge from documentaries to fiction, Machado here is completely taken over by "the magic of acting". While Machado's undisguised fascination with his three lead stars is overwhelming, the characters in "Cidade Baixa" lack real essence -- the emotional outbursts are there, but the motivations are never clear. The great performance and best designed character comes from veteran José Dumont: he creates a multi-layered, throbbing character in five minutes and has more truth and energy than the three stars combined.The plot is painfully predictable, it has been told before (and better) countless times. The film's ultimate point -- that a threesome is as good an arrangement as any -- is only shyly hinted at, and probably won't come across for many viewers, but the sexual tension is tangible the whole time. The film is professionally accomplished, but I'm not sure the director's choice for claustrophobic settings and overuse of close-up shots is helpful to the story-- indeed it's a shame that we hardly get to see the open spaces and the entrancing population of Cidade Baixa (the lower part of the city of Salvador, capital of Bahia), which, after all, is the title of the movie! If you blink, you'll miss the falling-to-pieces but still impressive colonial architecture, and you may not see the low-life poverty and fight-for-life vibrancy typical of that neighborhood, because the camera only has eyes for the three stars. Even the Lacerda elevator (the architectural landmark that divides the Lower from Upper City) is seen but for a few seconds. And, for those of us who know and love Salvador for its magical spiritual and carnal energy, the life-affirming music, the irrepressible live-and-let-live savoir-vivre, it's really hard to believe how grim, bleak and sullen all these characters are.Anyway, the film is never boring, has some good scenes and it's thankfully unpretentious, but the loose ending can be a letdown for many viewers. Maybe next time the talented but still unimposing Sérgio Machado will find a finer balance to his elements, adding a thicker, less tired plot and widening his framings to fully explore his locations, all of which deserves his attention as much as his cast.

dannyjapan Cidade Baixa is more of an accomplished film than you might think. The locations and the camera-work are well presented, The acting is very realistic and the main actress is beautiful as well as talented. It may not be City of God or even Central Station but this film is well paced and full of energy. The Cane and Abel style relationship between the two male leads becomes integral to the film's message: should you let a woman get in the way of a friendship. Well quite frankly you shouldn't as love and lust can be destructive as well as invigorating - how this manifests itself in the film is something I won't go into so as not to spoil it for you. Anyway, I thoroughly enjoyed the film and I would recommend anybody to watch it.