Phonearl Good start, but then it gets ruined

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

weezeralfalfa If you have seen the '50 Disney "Treasure Island", there is little point in watching this sequel, which is more of the same, although it is available free at YouTube, in case you are tempted. After a while, I got weary of the thick lingos of Robert Newton, as Silver, and Lloyd Barrell, as Mendoza, often making it difficult to understand what they are saying. Newton, of course, was famous for his portrayal of Silver in the '50 film, and I assume also in the present film. Actually, I liked Newton's portrayal of Blackbeard("Blackbeard the Pirate") better than his Long John Silver. Like the original, this was shot in Technicolor, but in various Australian locations. The main point is the competition between Silver and Mendoza to find a second stash of Captain Flint's treasure missed on the first journey to Treasure Island, in the '50 film.......Have a number of questions pertaining to the screenplay: 1) If Israel Hands is blind, how can he be picking off Silver's men with a musket or stealthily with a knife, when they are all huddled in the stockade, then chase Jim Hawkins all over the island, before toppling off a cliff? 2)How did Mendoza's crew get off Mendoza's Island, when Silver's crew stole their ship, after being marooned by Captain MacDougall for planning a mutiny? Did they manage to use shore boats to navigate from this island to Treasure Island? 3) Why did Jim Hawkins reveal Silver's plan of mutiny to MacDougall, since he wanted to go with Silver back to Treasure Island? 4)Why was Purity so intent on marrying a lowlife such as Silver? Did she think he would agree if she insisted that he drink milk rather than rum? 5)How did the containers of gunpowder work as hand granades if they lacked fuses? 6) It's confusing to me how the treasure map and gold medallion worked together to reveal the location of the treasure.

Socratease This film is a great example of what happens when Hollywood hacks decide to take a classic character from literature and prostitute it for all it's worth.So, cobble together a script full of "arrrghs" and "belays", hire a few props and stuntmen from a western and, by heck, while you're at it write in a hoedown scene to boot.Invent a love interest for Long John Silver who has all the characteristics of a 19th century American mom.Transport it to what looks to be the Australian bush and pretend that it's a tropical island.The only thing going for this bucket of bilge is Robert Newton.

wes-connors After Walt Disney's relatively well-produced version of "Treasure Island" (1950), timber-shivering Robert Newton (as "Long John Silver") returns. He is made to rescue kidnapped Kit Taylor (as Jim Hawkins) along with a damsel in distress, avoid the marriage-minded Connie Gilchrist (as Purity Pinker), and embark on a far less satisfying treasure hunt. This slight, long, and disappointing sequel rests its laurels almost entirely on Mr. Newton's top-heavy characterization. Late in the running time, young Hawkins and a vision-impaired Rodney "Rod" Taylor (as Israel Hands) give Newton a run for the money. Another "Return to Treasure Island" (also 1954), starring Tab Hunter, was even more peripheral to the original. Like Newton says, "Tis a long time since Treasure Island." **** Long John Silver (12/16/54) Byron Haskin ~ Robert Newton, Kit Taylor, Connie Gilchrist, Rod Taylor

MARIO GAUCI Flavorful but overlong sequel to the Walt Disney version of TREASURE ISLAND (1950), which had given Robert Newton his trademark role of R.L. Stevenson's one-legged pirate Long John Silver; unsurprisingly, being an independent production – filmed on a low budget in Australia – it wasn't up to the standards of the earlier film (or the equally well-regarded 1934 MGM version with Wallace Beery as Silver), despite employing the same actor and director! While I haven't watched the Disney or MGM films in years, the pirate lingo here – and particularly Newton's hammy delivery of it – got to be a bit too much after a while; besides, Kit Taylor is pretty bland as Jim Hawkins (stepping in for Bobby Driscoll) and the DeLuxe color rather unattractive and cheap-looking (though the poor-quality print I watched didn't help matters any)! Slow-starting and altogether juvenile (particularly the subplot involving Connie Gilchrist, a hearty tavern-keeper hellbent on reforming – and marrying – Silver!), the film picks up steam during the second half with the pirates' return to Treasure Island (where they find Israel Hands, played by Rod Taylor – but I'm damned if I recognized him! – still alive but now a blindman and craving Hawkins' blood), which also serves as the site of their showdown with a rival band of cutthroats, headed by a Spaniard nicknamed "El Toro". Still, it's Newton's show all the way: his scenery-chewing antics make the film bearable, and he even went on to reprise his role yet again for a TV series