Vashirdfel Simply A Masterpiece

CrawlerChunky In truth, there is barely enough story here to make a film.

Portia Hilton Blistering performances.

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

MartinHafer This film is one of the earliest incarnations of The Dead End Kids--a group of lovable tough teens who were first introduced in the play "Dead End" and who appeared in several films for Warner Brothers AND Universal. The Warner films were more popular (as well as better) and included "Dead End" (the movie version of the play) and "Crime School". As for Universal, they hired some of these boys away from Warner for a few films and serials. Not only the composition of the Dead End Kids changed over the years but so did their name--being renamed 'The Little Toughguys' (for Universal), then The East Side Kids and ultimately The Bowery Boys. Lovers of these films will no doubt recognize Huntz Hall, Billy Halop and even David Gorcey (Leo's brother) in "Little Tough Guys" but many of the other regulars of the era are missing (Bobby Jordan and Leo Gorcey were not signed by Universal and would return later after the Little Toughguy films ended). In total, they'd make 89 films and three serials for four different studios! Confusing? A bit...but is "Little Toughguys" any good? That IS the important thing as far as this review goes.Johnny Boyland (Billy Halop) is mad. His father was convicted of murder. The family is evicted and Johnny's sister is fired because of her father...even though she'd done nothing wrong. The family is clearly in crisis. Not surprisingly, Johnny vows to be bad and lead a life of crime. So, he assembles a gang which turns out to be financed by the teenage son of the District Attorney who convicted Johnny's father! What gives? What's really going on here?!This is pretty typical of these earlier films featuring the boys--with a strong emphasis on crime and rehabilitation. In other words, they have a strong social conscience. Later the boys would be less criminal...more just knuckleheads! All in all, entertaining and very similar to other early films from these boys.

gullwing592003 The first entry for the Dead End Kids & Little Tough Guys series for Universal from 1938. Made between "Crime School" & "Angels With Dirty Faces". This series also overlapped the popular East Side Kids series for Monogram. Their last entry for Universal was "Keep 'Em Slugging" in 1943 with Bobby Jordan replacing Billy Halop as the gang leader. "Little Tough Guy" stands out in seeing Huntz Hall as a real tough guy & gang leader instead of playing his usual dumbbell clown role. I just wish he would've done it more often because he was good at it & it also worked better with a more serious Huntz Hall matched against Billy Halop but in the subsequent entries he's back to being goofy again & it doesn't work as well with Halop as it does with Leo Gorcey. Although he was a bit serious & dramatic in the 3 serials.I have the entire Universal Little Tough Guys DVD box set from "Little Tough Guys In Society" (1938) & "Call A Messenger" (1939) to "Mob Town" (1941). I've watched all these films & it's probably their rarest & least known series but it's still good & entertaining. Some of the films like "Give Us Wings" (1941) feature all the original Dead End Kids, all except Leo Gorcey. Too bad Leo Gorcey wasn't in any of these films because it might've worked better than it did & maybe the films would've been more memorable. In the original Dead End Kids I always enjoyed the confrontations between Leo Gorcey & Billy Halop. Too bad they couldn't work together anymore after Warner Bros dropped them.

Little-Mikey Having been a fan of the Bowery Boys/East Side Kids, I eagerly grabbed this movie, expecting to see the wildly madcap misadventures of Mugs, Glimpy and the rest of the East Side Kids, boys whose misadventures stemmed from their being naughty, though not altogether bad, along with the local cops who tended to feel that the East Side Kids were a far bigger threat and who belonged behind bars. As a rule, the East Side Kids, in a race against time, with the law hot on their trails usually wound up making good and coming out the heroes in the end, by using their street smarts and their smart alack attitude. This was the general formula of the movies starring the East Side Kids. The East Side Kids were truly the kings of the B-grade movies.With this in mind, I was at first disappointed in this movie. It was a grim and somewhat tragic story of a gang of boys stuck on the wrong side of the tracks and who, through circumstances beyond their control, wound up on the wrong side of the law, turning to crime.Through it all, some of the character traits that would shine bright in their later movies, was apparent. There were some comic moments in this movie, though too few and far between in this movie.In spite of my disappointment, this movie is one movie that I can watch over and over again.A point of interest to the technical-minded viewer who loves to look for detail, the record changer in Cyril's house is a Capehart, one of the high end record changers at that time. And in the 1930s, this model cost more than the price of a new car!

RCorder91 I have seen this movie and found it to be somewhat entertaining. It is one of only two movies in which the former Broadway star and (later) radio star (Big Town), Edward Pawley, plays the good guy! He plays the role of "Jim Boylan", father of "Johnny Boylan" (Billy Halop). Mr. Pawley usually played villainous roles in his more than 50 movies during a 10-year stint in Hollywood. One other exception was in the movie "Hoosier Schoolboy" in which he played the role of Captain Carter (Mickey Rooney's father)who was also a war hero with a drinking problem. Edward Pawley was probably best known in movies for his role as Danny Leggett (aka, Public Enemy Number One) in the James Cagney vehicle, "G-MEN." He also had feature roles in movies such as "The Oklahoma Kid" in which he played Humphrey Bogart's partner (Ace Doolin), "Romance of the Limberlost" in which he played Jean Parker's suitor (Jed Corson), Thirteen Women in which he played "Burns", Myrna Loy's accomplice in crime, "Romance On The Range" in which he played Roy Rogers' ranch boss and covert outlaw (Jerome Banning), et cetera, et cetera.