Salubfoto
It's an amazing and heartbreaking story.
Aneesa Wardle
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Jonah Abbott
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Edgar Allan Pooh
. . . to Our America of the Future in this 1936 Looney Tune, LITTLE BEAU PORKY. PORKY's action opens with a fort depicted in the middle of an otherwise empty desert. Obviously, this edifice is meant to symbolize Fortress America, the "City on a Hill" since its very founding. As he often does, Porky himself plays Yankee Doodle, the World's Disrespected Whipping Boy. Soon all the dog soldiers peopling this fort pack up and leave (many viewers today will identify these feckless canines as Current Day NATO members, whom President-Elect Trump has fingered as shirkers and malingerers all along.) So like us, Porky is "An Army of One" when Middle Eastern Terrorists invade Fortress America. (Ask yourself, where was NATO when 9-11 went down? Or Fort Hood, San Bernardino, and Orlando? Totally A.W.O.L., that's where!) But as the plucky Porky decides to Be All He Can Be, the insurgent Arabs here topple like dominoes. Kids of the 1900s probably wondered why Warner was seeing off their older brothers to fight Germany and Japan with a cartoon set in a desert. Today's tots should be able to see the light easier.
TheLittleSongbird
Porky is not one of WB/Looney Tunes' strongest or funniest characters and his effectiveness as a lead character has been a mixed bag but he is likable and works very well as a support character with other stronger personalities. Here he takes on a lead role, and is quite funny and endearing. And Little Beau Porky has a huge amount to enjoy, Frank Tashlin was a great if underrated animation director and you can see that clearly. It does have a couple of drawbacks, the pacing is not always consistent with a build up that sets things up a little too slowly and a slightly rushed ending and somehow it does feel odd without the presence of Mel Blanc, Joe Dougherty tries his best as Porky but his stutter has always been overdone to me. The Arab stereotyping will go either way too, I personally wasn't offended but others might. The animation is fluid, well drawn and shaded/coloured with care. The camera angles are very clever and are the prime reason why Tashlin is deserving of more recognition. Carl Stalling's music score is lush and full of character, accentuating every gag and character gesture, and the dialogue even early on has freshness and sharpness. The gags come thick and fast at a wild pace, there are a healthy amount and all of them are funny, the best particularly with the camel uproarious. The pacing is generally solid, and the story while a tad predictable entertains, while the supporting characters compliment Porky well(especially Ali Mode). Billy Bletcher provides witty vocals. All in all, hugely enjoyable though Porky has done better. 8/10 Bethany Cox
slymusic
Directed by Frank Tashlin (billed as "Frank Tash"), "Little Beau Porky" is a fairly good Warner Bros. cartoon starring Porky Pig, even though he is not the Porky we are more familiar with (and he was not yet voiced by Mel Blanc), but we love him just the same. In this film, Porky is a bumbling, incompetent, fearful, yet determined soldier in the French Foreign Legion, way out in the bleak desert. When a messenger informs the commanding officer (a pompous, humorously accented bulldog with numerous bell-chiming medals) that Ali Mode and his Riff Raffs plan to attack their army, the unlikely Porky manages to save the day in a severe test of his fortitude.Two highlights: First, the commanding officer angrily addresses Porky, who is the only officer not properly standing at attention; Porky exerts his usual uncontrollable stutter when he asks "Who? Me?", and the commander hilariously imitates Porky's stutter when he answers, "Yes, you!" And second, Porky learns that trying to scrub the commander's camel can be quite an ordeal, because every time Porky climbs the ladder to scrub the camel's humps, the camel hunkers down, and every time Porky climbs down, the camel stands up; Carl Stalling's music score greatly accentuates this rapid "seesaw" effect between Porky and the uncooperative camel, with Porky eventually breaking the ladder."Little Beau Porky" is a nice, enjoyable little cartoon. In typical fashion for director Frank Tashlin, the final battle sequence features a lot of rapid camera-cutting and a conglomerate of wild sight gags. Everything happens almost TOO quickly during this finale, but no matter. The battle scene is full of Tashlin's energy and spirit, which is just what this cartoon needs in order to end with a bang!
Lee Eisenberg
Current events in the Middle East give us Americans an incentive to watch Porky Pig's early cartoon "Little Beau Porky". This one came out back when the famously stuttering swine was less than two years old and looked like a walking heart attack (and Joe Dougherty was still providing his voice, as Warner Bros. hadn't yet hired Mel Blanc).Anyway, the plot goes something like this. Porky is a soldier in a foreign legion outpost in either the Arabian desert or the Sahara. He always gets the most menial jobs and isn't allowed to participate in missions to trap the dastardly sheik Ali Mode (the Termite Terrace crowd loved to give people crazy, pun names, didn't they?). But when Ali Mode - who bears a mild resemblance to Osama bin Laden - attacks the fort, Porky pretty much becomes Rambo.Obviously, the Arab stereotyping makes it a little harder to laugh at this cartoon. It's mostly funny just because of some of the gags they pull. As long as we understand the stereotyping, then it's a pretty entertaining cartoon.Back when they made this cartoon, they probably never imagined that sixty to seventy years later, a lot of the world's focus would center on the Middle East. "Syriana" should explain it all.
