Let No Man Write My Epitaph

1960 "Ripped Raw and Roaring from Real Life!"
7| 1h45m| en
Details

Nick Romano lives in a poor tenement building on the south side of Chicago with his well-meaning but drug-addicted mother, Nellie. She encourages him to pursue his piano-playing talent in hopes that it will bring him a better life. Nellie's neighbors, like the alcoholic ex-lawyer who secretly loves her, help her in keeping Nick away from Louie, the resident drug dealer. But a chance meeting between Nick and Louie could change things forever.

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Reviews

Alicia I love this movie so much
Wordiezett So much average
Sexyloutak Absolutely the worst movie.
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Lechuguilla Set mostly in the slums of Chicago in the late 1950s, this intense drama tells the story of several adults trapped in depressing lives from which there seems no escape. So they bundle their good intentions in hopes of shepherding a fatherless teenager named Nick (James Darren) into a more hopeful life. Shelley Winters plays Nick's mother, Nellie. And Burl Ives plays the Judge, a man who somehow allowed his love of alcohol to derail his judicial career. A few others add to Nick's improvised family.Although Nellie would probably be considered the lead character, the film could almost be described as having an ensemble cast, given that each of the main performers has scenes independent of Nellie. The script is talky but tight; dialogue largely drives the plot forward. Themes include dignity and self-determination despite apparent hopelessness.Consistent with these themes, interiors are mostly drab and bleak; alcohol and drugs figure prominently in these peoples' lives. B&W lighting trends low-key and mostly low-contrast, though side lighting adds a hint of noir in some scenes. The score consists of intermittent elevator music that's very soft and nondescript. Ella Fitzgerald's piano playing and singing mirrors the softness of the background music. Casting is perfect. The main players all give topnotch performances.Based on a novel, this film gets off to a somewhat slow start but the drama picks up, and builds to a theatrical climax. It's been awhile since I have watched a film with such a good script, particularly in the second and third Acts. And with a great cast and terrific performances, "Let No Man Write My Epitaph" makes a highly favorable impression.
Michael O'Keefe A provocative drama, directed by Philip Leacock, set in Chicago's notorious South Side in the 1950's. Shelley Winters stars as Nellie Romano, a waitress working in a bar hoping to do the best for her young son Nick(James Darren). Nick will grow up on the dirty streets dodging bums, drunks and drug addicts. Nellie and Nick live in a dirty tenement apartment, where there is more than an abundance of losers trying to look out for them. Nick practices on piano, while his mother does her best to hide the fact that Nick's father died in the electric chair.Nick often dons a black leather jacket, but is not the worst young man in the neighborhood. Albeit he gets a jail sentence for helping a friend victimized in a gang fight. Nick avoids jail by way of a "special favor" from his mom's boyfriend Louie(Ricardo Montalban). Things get dark when Nick finds out that Louie, a bookie and drug pusher, plies Nellie of any virtue with dope.A story of shame, squalor, poverty, addiction and survival. Besides Winters' stellar performance, Burl Ives turns in a strong job of acting as a former judge turned drunk. And jazz singer Ella Fitzgerald is solid as a junkie piano player. Other players include: Jean Seberg, Rodolfo Acosta, Walter Burk, Phil Ober and Bernie Hamilton.
parkerr86302 I am very pleased to see all of the positive responses here at IMDb to a film that was not considered to be much in its day. Very well done, and a lot more frank then you would expect from the era.Not really a sequel to KNOCK ON ANY DOOR---the relationship is minor at best, non-existent at worst. You don't have to see the first movie to understand this one.A very positive thing is the relationship between the lead (James Darren) and his alcoholic mother (Shelley Winters). He knows all about her past but loves her anyway, and the dialogue is good. Far too many movies perpetuate the stereotype that parents and children of the opposite sex cannot, or should not, discuss serious "adult" issues intelligently.Strongly recommended bit of film noir.
adsqueiroz What a film! A classic or a thriller, I don't know, but it sure is one of those films for you not to miss. It is already one of my favorite classics. A story that makes you understand how it is important to pursue a dream, a dream of not letting a child follow the footsteps of a criminal father. A story that teaches us some important values. It is a struggle for life and an excellent opportunity for us to think about this problem. Drugs, violence and alcohol are some of the matters that make this film an important issue to discuss about. Good casting and acting also help to make this film a must-see. It is a classic worth watching.