Leo

2002
6.5| 1h44m| en
Details

A young mother is plagued by a tragic mistake and alienates her little boy. A brilliant writer is released from prison after serving a 15-year sentence and begins working at Vic's Diner. Their stories converge when the man must overcome obstacles of the past to save the little boy and ultimately himself.

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Reviews

TrueJoshNight Truly Dreadful Film
Matialth Good concept, poorly executed.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Andreas Niedermayer The movie itself is a kind of southern Gothic drama with a very distinct cinematographic approach. The storyline is made up of two subtly intertwining narrative layers that make the movie as a whole hard to grasp at the first look, but thoroughly convincing as an independent character study at last. Very complex material in terms of plot and narrative style, very gloomy and depressing in terms of character portrayal and very distinct in terms of pace and cinematography. A convincing and experienced cast round off the movie's basic quality. The complexity and the unusual style might make it hard to digest for the masses, but it is a real gem for people who like to look beyond the surface and dive into the mind of the protagonist.
Lindsay Why had I never heard of this movie until I saw it sitting on the video store shelf? I hadn't seen Elisabeth Shue in anything really good lately, and I hadn't seen Joseph Fiennes in anything since Shakespeare In Love, so I didn't have high hopes for this movie. But I'd have to say it's one of the best I've seen in a long time.This is one of those movies in which different story lines converge into one towards the end of the film. Fiennes is a recently released convict, having served 15 years for murder. Shue portrays a lonely wife and, later, a seemingly heartless mother. While both actors are great in this movie, Shue in particular is shocking (in a good way). Shue is unfailingly likable, whether playing a babysitter or a hooker, so seeing her as Mommy Dearest is both unsettling and refreshing. Having been in the industry for nearly 2 decades when this movie was released, it's exciting to see the (still gorgeous) actress making yet another Leaving Las Vegas-style breakthrough.I don't want to give away any important plot points, so suffice it to say that this movie left me with the same disturbed, depressed, yet greatly moved feeling that I get from movies like American Beauty. Don't let the fact that most people have never heard of it keep you from picking it up during your next trip to the video store.
talltale-1 LEO is the kind of film few people will have heard of--and that your local video store dealer will try to get you to rent because he knows nothing about it, either, and wants you to check it out for him. That's what happened to me, at least. And with a cast this interesting, why not? Let me tell you why not. This is a very ambitious attempt to deal with themes of identity, child abuse, guilt, redemption and acceptance (all wrapped around James Joyce and his Ulysses, for Christ sake!)--with almost none of the requisite writing or directing talent to back up all that ambition. The director appears to have relied upon his good cast, who undoubtedly came aboard due to the ambitious script. But acting talent can only go so far; here, it stops well short of productivity. Elizabeth Shue is particularly wasted--emoting to beat the band in a role that is one-note (well, one-and-one-half) and tiresome. A young actor named Davis Sweatt does wonders with the main character as an adolescent, and Joseph Fiennes is fine, too. Deborah Kara Unger gets abused again (she's got to stop this sort of thing), Dennis Hopper is his usual nut case, and Sam Shepard's laconic and macho. By film's end, almost anything good has fallen away and what is left seems like pure pretension. It's rare to see so much possibility come to so little.
crosma Writing gives you the ability to create worlds and examine your own life more effectively. Could writing be the perfect ticket to self-understanding? That may sound contrived, but it may just not be.Leopold Bloom is a young gifted writer, but his mother believes he is the product of an affair. For this she resents him. Stephen on the other hand, is an ex-convict. He's quiet and controlled, as is Leopold. In a class, Leopold is asked to write a letter for an exercise. He writes this letter to a convict, where it is received by Stephen. They exchange letters, and become each others only friends.The ending is cliched, but with the rest of this highly original behind it, there was no other way.You'll be surprised by how moving this becomes towards the end after remaining quite sterile for most of its runtime.