SpuffyWeb Sadly Over-hyped

Pacionsbo Absolutely Fantastic

Intcatinfo A Masterpiece!

Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Michael Ledo Lady Cocoa (Lola Falana) is taken from prison and "hidden" at a casino hotel so she can testify in a racketeering case. At the hotel her boyfriend and bad guys who want her dead show up.Lola Falana also sings the sound track. Football star and HOFer Mean Joe Greene has a minor role as Big Joe. Note that the slot machines take Ike dollars and the initial conversation at the prison concerned "block busting." . My copy was poorly restored with sound being a major issue.The story lacked action and decent drama. It is mostly Lola acting like a spoiled brat spouting off odd facts and listing sources.Guide F-word, sex, nudity (Lola Falana) I saw this on a 12 pack of films featuring Urban Action films.

Leofwine_draca LADY COCOA is an unheard-of blaxploitation movie from cult director Matt Cimber. This is a film made with no budget and no talent which makes it a real test of the will just to sit through. The story is about a tough femme fatale who agrees to testify against her ex-boyfriend, a leading mobster, in court. She's subsequently put under a witness protection scheme while a bunch of hit men turn up and attempt to whack her.It's not a bad premise as premises go but the execution is really lousy here. The whole first hour is set in a single hotel room while the viewer is subjected to the main character incessantly whining and complaining about everything in sight. Lola Falana is no Pam Grier, that's for sure, and her whiny performance becomes grating about five minutes in. She gets way too much screen time and has such a dreadful character that you'll be hoping the bad guys do succeed in wiping her out.Later on, things finally do leave the confines of the hotel and there's a little low rent action, but it's not especially interesting. The supporting cast are a bit better than the lead, especially the old timers, but Cimber's direction is awful and static, leading to a lifeless viewing experience. His subsequent horror movie THE WITCH WHO CAME FROM THE SEA was a little better, but only just.

Scott LeBrun Cracking blaxploitation feature stars singer / performer Lola Falana as the title character, a sexpot being released from prison so that she may testify against her racketeer boyfriend Eddie (James A. Watson Jr.). Watching over her are a corpulent, seen it all veteran cop, Ramsey (Alex Dreier), and a former patrolman, Doug (Gene Washington). Cocoa must of course dodge various attempts made on her life while making life miserable for Ramsey and Doug. Because whatever Lola wants, Lola must get, of course.This is actually a pretty lively and amusing comedy that eventually segues into conventional action and suspense. It gets a lot of its juice from the give and take between the two main characters. Doug doesn't like the assignment, or Cocoa, at first, but we all know it's merely a matter of time before he succumbs to her charms (and assets). Football great Washington and Ms. Falana set off an appreciable amount of sparks in the lead roles; Dreier lends gravitas and experience in his role. The supporting roles are amusingly cast; that's director Matt Cimber himself in the role of honeymooning newlywed Arthur, and Millie Perkins ("The Shooting") as his bride. Washingtons' peer 'Mean' Joe Greene plays one of two unrelenting hit men. Exploitation mainstays George 'Buck' Flower, John Goff, and Richard Kennedy appear as a gambler, 'Sicilian', and put-upon waiter respectively. Watson is smooth as the villain behind everything.Ultimately, Mikel Angels' screenplay is just a little too predictable (save for one twist involving Perkins). Fortunately, the movie still manages to be fun, with good location photography, a nice action sequence with a runaway car *inside* a casino, and a music score by Luchi De Jesus that puts a few amusing spins on that old standard, 'Pop Goes the Weasel'. Ms. Falana herself co-adapted it with De Jesus for the brassy theme song, belted out by the super sexy lady over the opening credits.Lolas' bimbo shtick may become wearying early on for some viewers, but those who stick it out will be rewarded with what turns out to be a solid entry into this genre.Eight out of 10.

thefountainmenace Another extreme cheapo blaxploit.... Mean Joe Green, who I primarily remember for his enthusiatic endorsement of Coca-cola in the 80's, plays a hit-man flunkie for a pimp/drug dealer, and though because of his semi-celebrity status he is given top billing, he was apparently not trusted to pull off even one speaking line. Not one word the whole movie. Pretty incredible. This is basically crap - hard to watch unless you enjoy very bad slow movies. Lola Falana seems to be quite the firecracker, but this story of her one day of freedom before she testifies on her ex-boyfriend (the aforementioned pimp/dealer ) for the FBI doesn't hold anyone's interest.To me there was some real confusion (mainly due to bad editing, scripting and directing) on whether or not the fat old cop was straight or corrupt.