Vashirdfel Simply A Masterpiece

Jenna Walter The film may be flawed, but its message is not.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Janis One of the most extraordinary films you will see this year. Take that as you want.

kieferjp I understood in about the first 5 minutes what was going on, as I'm an addict myself. I personally thought the first 20 minutes of the movie were the best, and the last 10 minutes, everything else is filler, and is meant to drive the point home I guess of how the life in a way is like. You're crazy, you do crazy stuff, you're literally insane while in the life of a hardcore junkie, alcoholic.The woman at the start was his high, he looked at her with fear, and then she leaves. And than BAM your addiction kicks in begging you to call your dealer etc. Then it just goes off lol. All in all a powerful movie for the addict, not so much for non addicts.

ged_b If you watch this, do so with an open mind, and I mean WIDE open.It's incredible. While I was watching it I had the thought in my mind of something I read quite recently where some well known voice had derided addiction as disease. He (at least I think it was a 'he') stated that addiction is not a disease as with addiction one can choose to give up at any time, whereas with disease one can not. I.e. If I am an alcoholic, then I can stop drinking and get well, with some will power and support perhaps. If I have cancer I can't simply decide not to have cancer any more. Although this is true in some cases, as in cancer, it's certainly not true of all cases. Addiction is a disease, same as cancer, only it's a different type of disease.This film takes a deep, raw look at addiction, from a very interesting perspective. It's a kick in the face of the usual crap which deals with addiction.

Mike Jonez Wow i don't even know where to start... this movie is unlike no other and can only compare to requiem for a dream and fear and loathing in las vegas, those would be the only 2 movies I've seen that are comparable. i gotta say its a pretty tough movie to get through but once you get past the first 15-20 mins its gets more clear, interesting and you start getting a better understanding of the movie and whats going on... (some may be lost). this movie is very crazy and trippy. i did enjoy the ending and it explains the movie more if you were lost...watch this if there aren't many other things to watch, if you enjoyed the 2 movies i stated above you might enjoy this one... it says its a comedy though i didn't find many funny scenes but if some of you are into the dark insane crap

Panama Smith Adam Mason pours a cocktail of taboos in the independent film "Junkie". Sex! Drugs! Rock and Roll? (Well, there is a cool soundtrack of songs by The Dogs d'Amour) But, in "Junkie" the third word to add to any proclamation starting with Sex & Drugs is blood. And, damn straight, there are buckets of it. Here, there, everywhere. So, now that the obvious aspect of the film is out of the way; let's move into what makes Adam Mason's "Junkie" a hypnotic trip. Broken family. Broken dreams. Broken house. Danny and Nicky are in a fight between themselves, the past and future. And in this film, the ring these two square off in a house that looks like it's stuck in a time warp. Dirty dishes, dirty house and dirty souls all about. Danny (Daniel Louis Rivas) dwells in depression. Nicky (Robert LaSardo) exists in excess. When their drug connection Otto (Tomas Boykin ) arrives, he tickles the brothers' funny bones and veins. Danny's ex Sonja (Tess Panzer) pops by to see if the wagon is in tact; or if he's burning it down like the bridge of their relationship. Toss in Dad (Andrew Howard) into this mix; and, the twisting of sobriety and sanity goes through the roof and gets straddled into the basement for both brothers. Rivas' performance has a twitchy Anthony Perkins as Norman Bates quality to it. His character of Danny is low-key. Now, of course when one key is low, another has to be crashing the cymbals. And, in "Junkie", Robert LaSardo's character Nicky does just that. His performance is as high as helium and furious as a Tasmanian devil. Adam Mason's direction plays off both character's quirks. In an unobtrusive style, director Mason lets the camera fall back and let the actors rip it up. Robert LaSardo is an unguided missile in red boxer trunks. For that character, that wardrobe is an apt choice. Nicky's battling his brother and clawing for a championship. Danny, on the other hand, is just trying to stay one step ahead of the next round coming around the bend. Written by Simon Boyes and Adam Mason, there is an improvisational quality to the interactions of the leads and supporting cast. And, if you look closely, there is even a scene with a flash of poignancy between both brothers. It passes by quickly, but Nicky (Robert LaSardo) and Danny (Daniel Louis Rivas) really hit the mark in that scene. Adam Mason's "Junkie" proves that the greatest obstacle to getting clean and sober is the person who knows us best.