Phonearl Good start, but then it gets ruined

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

OneView Columbia had scored a significant financial and critical success with The Jolson Story in 1946 featuring actor Larry Parks miming successfully to Al Jolson's singing voice, the ageing entertainer re-recording all his great hits for the film. Then as now thoughts of a sequel were forthcoming but the story of Jolson's career had essentially been told in its entirety. This can be seen in the struggle the screenwriters had in creating a compelling narrative for the second film. The key plot points are fairly anaemic, including the end of one marriage, the gestation of another, a temporary retirement for Jolson and his re-discovery entertaining the troops in World War II. The final third of the film, in almost an act of desperation, is given over to the production of The Jolson Story, resulting in Larry Parks playing Jolson opposite Larry Parks playing himself. This includes one sequence where Parks playing Jolson stands on set urging Parks playing Parks who is in fact playing Jolson to successfully mime to the real Jolson's singing. Possibly the word meta was invented to describe just this kind of scenario.The lack of plot means that the audience is left mostly idling between musical numbers. The actors try hard; Parks in particular is very personable and captures some of the sheer stage presence and energy of the real Jolson. Barbara Hale has a thankless role as Jolson's new wife, mostly sitting admiring the prolonged performance scenes. Ludwig Donath is precise as Jolson's cantor father with concern for his son echoing through every scene even when he is conveying anger. Despite the presence of Technicolor the production looks a little cheap with a lot of fairly basic sets - the cinema foyer looks like a re-dress of something used in another film and the Alaskan army hut is two walls and a backdrop. Many scenes are conveyed through newspaper and other montages and there is never really much conviction to Jolson's international travels.The music is the main drawcard here and the real Jolson provides committed and passionate singing throughout. It is a pity that the surrounding fabric of the film could not better support his work

vitaleralphlouis If you loved "The Jolson Story" or Al Jolson's music, disappointment awaits you in this dreadful, lifeless and dishonest sequel.This movie would have us believe that after his initial superstar success, his career fell apart, he married a nurse, and unhappily drifted into a sing-less retirement. The only good Jolson numbers in this one are lifted -- literally -- from the first movie. Truth says otherwise.Even without a Google search I know that Jolson's stardom remained, he married Ruby Keeler, Broadway's #1 female star, and they appeared together on stage and screen. Jolson was involved in this sequel, so I do not understand why he's untruthfully portrayed as a loser.

lugonian JOLSON SINGS AGAIN (Columbia, 1949), directed by Henry Levin, is a sequel to the highly successful THE JOLSON STORY (1946), which focuses on the life and times of legendary entertainer, Al Jolson (Larry Parks), continuing where the previous film left off, singing to his heart's content to a night club audience as his wife, Julie (Evelyn Keyes, in a role based on Ruby Keeler), finding that her husband is much happier singing to his audience than being in retirement with her, is seen walking out of the club and his life forever. With the film released three years later, one would have to assume that it had taken Al Jolson nearly three years to finally stop singing and get down to reality that his wife is out of the picture and not ever coming back.In the opening of this sequel, Jolson (Parks) returns home to find Julie has packed up her bags and is gone for good. He searches for her, only to find that she has divorced him. With the advent of World War II, Jolson returns to show business by entertaining the troops overseas. During this time he finds sadness with the death of first his mother (Tamara Shayne), and later his father (Ludwig Donath). Jolson continues to be a trooper and perform whenever and wherever he's needed, but due to overwork and little rest, he collapses during a performance. He is later nursed back to health by Ellen Clark (played by Barbara Hale, based on Jolson's fourth wife, Erle Galbraith, an X-ray technician), whom he soon marries. In spite of his great showmanship, Jolson faces a setback in his career, receiving no offers and finding himself passed over by a newer generation of singers, like Bing Crosby or Frank Sinatra. When Jolson gets a chance to appear in an all-star benefit, his name is not among the many stars listed in the program, thus coming in last to sing one song to a half empty theater. Jolson's song captures the attention of Colonel Ralph Bryant (Myron McCormick), an avid fan who had previously met Jolson during his war tour. Now a movie producer, he stumbles upon an idea in producing a motion picture based on the life of the great Jolson, a big gamble that would soon pay off.A half hour shorter than its predecessor, JOLSON SINGS AGAIN, at 96 minutes, fails to disappoint when it comes to bringing back many of the old Jolson songs, as before, sung by the real Jolson but lip-sync by Larry Parks. The soundtrack is as follows: "Rockabye Your Baby With a Dixie Melody," "Is It True What They Say About Dixie?" "For Me and My Gal," "Kol Nidre" (traditional Jewish prayer); "Back in Your Own Back Yard," "I'm Looking Over a Four-Leaf Clover," "When the Red-Red Robin Comes Bob-Bob Bobbin' Along," "Give My Regards to Broadway," "Chinatown My Chinatown," "I'm Just Wild About Harry," "Baby Face," "After You've Gone," "I Only Have Eyes For You," "Sonny Boy," "Toot-Toot Tootsie, Goodbye," "California, Here I Come," "California, Here I Come" (reprise); "You Made Me Love You," "Let Me Sing and I'm Happy," "My Blushin' Rosie," "Mammy," "The Spaniard Who Blighted My Life," "California, Here I Come" (reprise); "About a Quarter to Nine," "The Anniversary Song," "Waiting for the Robert E. Lee," "April Showers," "Pretty Baby," "Carolina in the Morning," and "Rockabye Your Baby With a Dixie Nelody" (reprise, finale). As many songs heard in this and the previous Jolson story, it is evident there are more songs to go around that never made it to the final print.Other than William Demarest and Bill Goodwin reprising their roles as Steve Martin and Tom Baron, the supporting players include: Robert Emmett Keane, Eric Wilton, Martin Garralaga and Larry Parks. Yes, Larry Parks! Parks is the star in this production playing Al Jolson, but he also appears as himself during the Hollywood sequence where Jolson meets Larry Parks prior to the production of THE JOLSON STORY. Barbara Hale as Jolson's new and younger wife, is extremely likable. Unlike the Julie character, Hale's Ellen doesn't have a hold on her husband and agrees to let him do what he is put on Earth to do, and is to live up to his reputation as "the world's greatest entertainer."While some may argue that JOLSON SINGS AGAIN to be an unnecessary sequel, but in fact, is a worthy follow-up. Since the earlier film found Jolson's wife leaving him during a performance, the question remains as to what becomes of Jolson afterwards. JOLSON SINGS AGAIN explains it, tracing his up and down career during the war years of the 1940s, and centers on a harsh reality as to how even the most popular of entertainers can no longer be wanted and soon forgotten by the industry. Jolson happened to be one of the fortunate ones to have achieved his greatest comeback. While many bio-pics of the day focus on the subject matter already deceased, the Jolson movies are rare cases where the central character is very much living. The real Jolson died in 1950, so chances for a third Jolson story was unlikely. As for Larry Parks, the other films in which he starred had failed to become as memorable as his two Jolsons. His career suffered a setback during the early 1950s during the McCarthy-ism era.THE JOLSON STORY and JOLSON SINGS AGAIN make worthy double bills whenever shown on Turner Classic Movies (TCM premiere: December 13, 2007). While both films have turned up on both home video and DVD, it's JOLSON SINGS AGAIN that has lacked frequent television exposure in recent years. As sequels go, JOLSON SINGS AGAIN is as good as it gets. And with Technicolor, it's an added plus. (***1/2)

willrams The sequel to The Jolson Story with Larry Parks playing himself and meeting Al Jolson for the first time to do this film. Jolson also appears in a long shot of a ramp scene singing Swanee River, but most people didn't know this until years later. The story begins with a Hollywood producer wanting to do the story, and takes up where Jolson's first wife gets a divorce. The movie of his life is a big winner! Later, during WW II, Jolson goes overseas to entertain troops, catches malaria, and while in a hospital falls in love with his nurse; a kind and patient beautiful nurse, played by Barbara Hale. William Demarest plays Jolson's manager and press agent. Ludwig Donath plays cantor again, and momma is played by Tamara Shayne, who lend much humor to the story. Perfect for those who loved Jolson and his music! This production won 3 Oscar nominations for writing, cinematography and musical scoring. I give it 10/10