Solemplex To me, this movie is perfection.

Lovesusti The Worst Film Ever

Actuakers One of my all time favorites.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

yishi-76940 In China we say, never too young to be famous. It clearly works for our girl here. Never missed a chance to have fun. 25 years old, very accomplished. I just kept wondering what she had left along the way.

Red_Identity This is the problem with the film- it feels like emotional torture-porn of some sort. It keeps on going through the same scenario over and over again. If you've seen the first 20 minutes, you've pretty much seen it all. It's stuck on an endless cycle of despair. I get that's the point of this character-study, but it's just incredibly repetitive and predictable. Every time Jolene enters another aspect of her "journey", you just know how it will all end. As it is though, it's not exactly a bad film just because it's well executed, even if the script really isn't good. The performances are solid, but it serves as an amazing introduction to Jessica Chastain, the most exciting new face in Hollywood. It's her film, and it's because of her that my grade isn't any lower. She carries the film flawlessly, hitting all of the notes of her character, even if it's true that the script does give her the same stuff over and over again at times. See it for her, and let's all celebrate that she was able to break out as a true star.

gradyharp JOLENE is an adaptation of one of EL Doctorow's short stories from his collection 'Sweet Land Stories'. That story was one of the few forgettable ones in that collection and makes one wonder why it was singled out for a screenplay by Dennis Yares. Doctorow is one of America's most important writers (Welcome to Hard Times, The Book of Daniel, Ragtime, Billy Bathgate, Loon Lake, The Water Works, The March, City of God, etc) and this is surely not one of his finest moments. Made in 2008, it did give Jessica Chastain an opportunity for exposure (as in "total'!) so perhaps that is why it is making the rounds again - before Oscars....Jolene is a 15 year old girl, at story's beginning, who knows nothing about her parents and who marries a geek boy (Zeb Newman) whose own parents are mysteriously dead and lives with relatives who are odd - the aunt (Theresa Russell) is angry with the world and uncle (Dermot Mulroney) is a pedophile: Jolene ruins her first relationship by having an affair at age 16 with the uncle , her 'husband' commits suicide, and she ends up a juvenile delinquent in a 'home' for wayward girls. There she is courted by staff member Cindy (Frances Farmer) who helps her new young lover escape. Jolene runs away to hit the road hitchhiking (selling favors along the way), and ends up in a desert drive-in where she meets and marries a tattoo artists Coco (Rupert Friend) who is a drug dealer on the side and Jolene steps out of another bad relationship. Making her way across the country she stops in to work as a stripper and is noticed by a rich man (Chaz Palminteri) from Las Vegas who shows Jolene wealth and love but is murdered by a rival gang from New York. Once again she hits the road to end up in Tulsa, OK where she is courted by a sicko right wing evangelistic wealthy boy (Michael Vartan) who marries her despite his wealthy parents concerns, gets her pregnant, then throws Jolene's past in her face, claiming their newborn child as his own - Jolene being a used and unfit mother. In desperation Jolene moves to Hollywood where she follows her one talent - art - and dreams of becoming a movie star.Dan Ireland directs this bit of treacle and an outstanding cast makes the best of the script they're given. Chastain shows evidence of the superb acting skills that now yearly are becoming more apparent. But as a movie, JOLENE Is a contrived little mess - and it makes us wonder how the powerful EL Doctorow could be so diluted. Grady Harp

alithiapa As a foster kid tossed from home-to-home throughout southern Louisiana only to land with hard-earned education in Boston working at Harvard Medical School and living in the penthouse of the Ritz, I can tell you that I identify with this movie. There is something luring about the disenfranchised vulnerable that makes beautiful for predators (even well-intended predators with good intentions)- mark. I am most curious to learn where and with whom the author did his research to accurately reflect the subtle, but violent truths of this character Jolene. He captures the dichotomy of her seeming power but destined powerlessness with piercing accuracy.