Karry Best movie of this year hands down!

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

nzswanny It's one of those movies that you have to sit down and watch; you cannot go and cook some spaghetti while you're watching it, you have to pay attention. You can feel a rise in the film's soul as you watch it display fine cinematography, good performances and almost perfect pacing. The film runs at an exact length, never feeling too long or too short altogether, and the scenes run through as one scene, as how most movies should be. The dream sequences in this film are my favourite, them being surreal beings with meaning the main character attempts to understand. The main character, Jimmy Picard, tells his tragic past in a fashion only talented actors could pull off, and it makes you realize why Benicio Del Toro was cast out of all the actors that are around. I think you'll enjoy this a lot, especially if you're a fan of a good drama.

SnoopyStyle It's 1948. Jimmy Picard (Benicio Del Toro) is a Blackfoot from Browning, Montana. He has debilitating symptoms after suffering head trauma during the War in France. The government doctors can't find any explanation other than possible psychological problems. They call in French anthropologist George Devereux (Mathieu Amalric) to examine for any cultural problems in the Indian. They extend Devereux's stay as he starts to make inroads. Devereux is joined by his married mistress Madeleine (Gina McKee).Del Toro delivers a good performance although he does mumble sometimes. It doesn't help that Devereux has a noticeable French accent. The best parts of the movie are the flashbacks. Jimmy's life before is a series of interesting vignettes. His present day is a lot less interesting. It would have been more compelling drama if he is faking. I don't care about Devereux's private life or his character. I also don't find Jimmy's treatment that dramatic. I would like better a movie derived from his flashbacks.

punishable-by-death This one slightly reminiscent of A Dangerous Method, but this has a lot more to say, and frankly make the aforementioned movie now seem extremely below par. The psychoanalysis explored here is incredibly intriguing, and different, and makes Cronenberg's piece seem very distracted and far less interesting, despite both being true stories.I've liked Mathieu Amalric as soon as I saw him in Venus In Fur (still criminally underrated as Polanski back in form) and TGBH also, and here he lands one of the lead roles and does a fantastic job as a bit of an eccentric but confident anthropologist. He and Benicio Del Toro were the only reasons I watched this initially.Del Toro is playing a war vet who suffers head trauma and is having spells of major migraines and blindness since. Plus he is playing a native Indian, so there are many subtle themes woven into the narrative without shouting them at you. The main thing I took from it was how as people from different cultures, we are at the same time very different but also all human and more similar than we think. It also touches on the treatment of native Indians, though it is barely there, just again written subtly into the narrative: Because he is Indian and drinks occasionally, all the white American doctors think he is a drunk, hence his symptoms. One of the rare times he actually speaks to them is to tell them "my name is Jimmy, not'chief'". He for the most part will only talk with the anthropologist.Del Toro nails the brain trauma victim, as I think I took more from his character personally as he reminded me a lot of myself. People say you are crazy, are schizophrenic, a drug-addict, when in reality you have brain trauma. Your mind is not well. You are judged. This aspect of the movie was done perfectly as I was able to relate with Del Toro's character immediately, and everything about his character and his actions were realistic and executed with finesse. It is not a fun experience, and even less fun when you are put in a nuthouse because of it and are surrounded by truly lost souls as you wonder "why am I here?" Definitely one of the better films that takes place in one of these facilities, though it has nothing on Cuckoo's Nest or Persona.The scenes where he talks about his past were really well done too, I was never confused as to what was a scene from the past or otherwise. Most of that is due to Del Toro, as he plays two different characters essentially, pre-accident and the present. He will only talk to the anthropologist played by Amalric, as he has been asked for, despite being a doctor with a shady reputation. But he happens to specialise in native Indians, and his approach to psychoanalysis is interesting to say the least. It was further intriguing to see him use more unconventional methods – to western culture at least – and rather focused on spiritual aspects that the native Indians believe and practice. His respect for the religious ways of his client is admirable and the world would be a better place if more doctors were that open-minded.The basic story is predictable as all hell, and I really wish the movie inserted more conflict between the two. But there are some truly great, emotional scenes between Del Toro and Amalric that dig deep into the human condition, and despite their cultural differences they realise that they are not so different. It certainly helped that the script was well-written and filled with interesting, unconventional ideas.This was also a fascinating look into how war vets were treated after WWII when it came to brain injuries. It is quite haunting, especially considering the fact treatment for people like Jimmy P. is somehow even worse in today's world, especially with US Army propaganda proclaiming they are 'Protecting freedom' and 'keeping us safe' - two of the most-cringe worthy quotes constantly repeated on US television, especially in sport, by athletes themselves, which on its own is disturbing given how big sport is in the US. I could go on and on but I won't, I simply thought this was a great metaphor for how army veterans are treated if returning home maimed and disabled. The government they thought they were serving simply does not give a toss about them, which is the unfortunate reality.I was waiting for this to go down an unexpected path as it winded down.. It kinda does and kinda doesn't. But it is a true story so I guess they stuck to the actual events. Overall a very interesting film that, despite its flaws, tells an interesting story while also touches on various social subjects that happened to be a part of his life and treatment at the hospital.3.5/5 – Sorry DC, I love your work, but this one is infinitely superior to your own take on psychoanalysis. This film has a big heart and makes for an emotional watch.

Steve Pulaski The visuals in Jimmy P: Psychotherapy of a Plains Indian are almost, almost worth the price of admission. The opening scene of the film beautifully articulates setting and irony by showing the grassy plains of America while Native American flute music is played in the backdrop. It's a comforting, soft opening to a film that is erected predominately off of complex discussion and ideology.The film stars Benicio Del Toro in a role he clearly embraced and enjoyed, playing Jimmy Picard, a Blackfoot Indian, who has returned from war with seriously debilitating symptoms, most specifically, a crippling headache. Jimmy is placed under the care of George Devereux (Mathieu Amalric), a real-life French doctor and anthropologist, who specializes in ethnology and psychoanalysis. The two meet together and form a quaint bond between their lengthy discussions about Native American history and culture, stemming from Devereux's desire to learn about the culture, as an anthropologist often does and Jimmy's checkered past, which involves troubled love and a teenage daughter that another man is raising.With the right directorial methods and smooth, engaging writing, Jimmy P. could easily be a film that one can effortlessly sink into, investing in its characters and learning a thing or two about psychological methods. It just so happens that my semester of high school psychology delved into Freudian ideas and psychoanalysis quite extensively, both principles are based on three key ideas: the inner conscious and unconscious act as dueling forces in the mind, the discussion and population of defense mechanisms in order for people to cope or estrange themselves from their past, and the idea that dreaming means more than disjointed shows that play in your head while you sleep.Making a film centered around often complex and occasionally droning material, especially when that film is about the founding days of a division in psychology, is unbelievably challenging, so based on that, it's surprising to say Jimmy P. succeeds as well as it does. French director and co-writer Arnaud Desplechin (who wrote the film with Julie Peyr and Kent Jones, respectively) does all he can to make the film as absorbing as possible, and for the first hour or so, his efforts are effective, as we watch Jimmy and Devereux invest in some great conversational banter that is geared more towards cultural relativism than it is in trying to structure cheap and expected payoffs. However, the film runs out of gas when you realize just how stiff and frequently dull the material gets. Perhaps it really is no fault of the trio of writers, nor Desplechin himself, but the fact that the ideas presented in the film are difficult to make engaging on an entertainment level.Jimmy P: Psychotherapy of a Plains Indian works for a little while because it's interesting to see how a significant subsector of psychology was born by a doctor who was clearly interested in learning about different walks of life and the makeup of cultures and people of groups he didn't belong to. Amalric embodies the mindset of an anthropologist/psychologist quite nicely here, effectively making for a character we can appreciate. However, the stiffness of the film catches up to it, with the film's discussions in its second and third act becoming greatly long-winded and the entire project slowly running out of steam before reaching the conclusion. Rather than rewarding and captivating, the ending comes off a long-awaited conclusion to a film that was so close to making a film about psychology absorbing for two hours.Starring: Benicio Del Toro and Mathieu Amalric. Directed by: Arnaud Desplechin.