Jesse James' Women

1954 "ROARING WITH EXCITEMENT!...And the Women Who Made the West Wonderful, Wild and Deadly!"
4.3| 1h23m| NR| en
Details

Jesse James leaves Missouri for Mississippi, and immediately charms all the women in Mississippi out of their bloomers and garters. His first conquest is the banker's daughter who helps him loot the bank in exchange for a promise of marriage; he wanders over to the saloon and runs the crooked partner of the proprietress out of town, takes all of his-and-her money and leaves her, between kisses, hounding him for her share; the third one, the saloon singer, actually makes a mark out of him as she cons him into a boxing match against a professional fighter and he loses the fight and his money, but he holds the singer and the fighter up as they leave town and gets his money back; and then he romances and swindles Cattle Kate, a replay of what he had done somewhere before to Kate.

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Panorama Pictures Corp.

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Reviews

Raetsonwe Redundant and unnecessary.
Matialth Good concept, poorly executed.
Jenna Walter The film may be flawed, but its message is not.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
fredcdobbs5 Donald Barry stars in, co-wrote, co-produced, directed and probably did the catering, landscaping and janitorial work on this cheesy, badly shot, ineptly written, amateurishly acted and poorly made low-budget-- VERY low-budget--western purporting to be about infamous western outlaw Jesse James. If you're going to make a movie about a real person, it would probably help if you stuck at least a few actual facts in it, and that's what you get in this stinker--few actual facts. Other than showing that Jesse had a brother Frank and that he and fellow outlaw Bob Ford didn't get along, there isn't much about this movie that has any basis in fact. The short and paunchy Barry wrote Jesse as being completely irresistible to women--and makes sure that his henchmen mention that fact every so often--and plays him like a Vegas lounge-lizard in the vein of Wayne Newton (but even smarmier) who has scads of beautiful women just throwing themselves at him. To give Barry credit he did pick some absolutely gorgeous women like Peggie Castle, Lita Baron and Joyce Barrett to fight over him, but whatever efforts they try to make at giving this film some kind of professional touch are ruined by the juvenile and pedestrian script and Barry's completely botched attempt at directing. He smirks his way through the picture and doesn't really have much chemistry with his cast, most of whom are amateurs whose "performances" consist of haltingly reciting their lines and trying to stay on their marks (a few of them even have trouble trying to stay on their horses). The whole project reeks of someone getting a little money together and telling his friends, "Let's make a movie!". Castle and Betty Brueck have a rather long catfight in a saloon, which is actually done fairly well, and there's a sequence with Barry engaged in a boxing match with a traveling prizefighter that is handled tongue-in-cheek and is mildly amusing, but other than those small pluses Barry, Castle (who is far and away the best thing about this picture) and Baron have done far better work, and I wouldn't doubt that at least those two women didn't bring up this picture in any discussion of their careers, as well they shouldn't have.
bkoganbing If Jesse James had not been shot by Bob Ford according to Jesse James' Women some enraged husband might have done the deed. This film is an account of a fictional hiatus that Jesse James and his gang have in the state of Mississippi. Jesse is using his middle name of Woodson and traveling incognito as it were.The rest of the gang including brother Frank played here by Jack Beutel just want Jesse either go home to Missouri or start doing what outlaws do. But Jesse who is presented here as a love 'em and leave 'em Lothario is just having too much fun.Actually in real life the one thing you can say about Jesse James was that he was a good husband and father to his family. Star Don Barry who also produced this film created his Jesse James totally out of whole cloth. This one is total fiction.But what fiction when you have women like Peggie Castle, Lita Baron, and Judith Barrett fighting over you. Castle and Baron having a gunfight like they do in Dodge City is a great old hoot.Don Barry and Bob Steele had similar career paths. Both were short guys who were both B picture heroes and villains and both played good roles in mainstream films as well. With the right breaks they could have had careers like James Cagney.Jesse James' Women could use some restoration, but it's a fun film.
gridoon2018 It's no wonder that most posters of "Jesse James' Women" have the catfight that occurs in the middle of the film front and center; it seems to be the set-piece that the entire first half of the film is building to, and when it's over the second half seems to have nowhere to go. The catfight itself is relatively long and raw, however it could have been even longer and rawer; in any case, it's considerably better than a male boxing match near the end of the picture, as even the spectators of both events admit themselves! Peggy Castle is quick both with a gun and with her fists, and the newcomer who plays her opponent is quite the match for her. Star-director-co-writer Donald Barry plays Jesse, and he's the object of desire for these beautiful women and more; you can call this a bit of a vanity project, but then again, you'd probably do the same thing if you were in his place. An aimless but watchable Western - though the DVD prints are badly in need of remastering. ** out of 4.
warrenday This is an undiscovered treasure and deserves to be considered right up there with "Plan 9 from outer Space" as the worst movie ever made. Outside the four or five professional actors this low budget could afford to hire, the cast is filled out with Mississippi amateurs who would embarrass a small town little theater production with their stiff, wooden acting. It is a real hoot.You will not believe the sets where someone's idea of art direction was to dab spots of paint all over the walls. Along with the most painful acting, this has to also be the worst photographed film where the idea of lighting is to turn on some overhead floods. And the staging could serve as a textbook on how to NOT stage where you can see the "actors" walk to hit their mark and stomp on it like a bug.The only explanation for the positive reviews above is that these people must be getting a share of the DVD sales. "Jesse James' Women" is to bad films what "Citizen Kane" is to great films.