Jack Goes Boating

2010
6.3| 1h31m| R| en
Details

A limo driver's blind date sparks a tale of love, betrayal, friendship and grace—centered around two working-class New York City couples.

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Reviews

Executscan Expected more
XoWizIama Excellent adaptation.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
SnoopyStyle Jack (Philip Seymour Hoffman) is a limo driver working for his uncle with his friend Clyde. Clyde and his wife Lucy invite Jack and her co-worker Connie (Amy Ryan) to dinner. Connie is socially awkward like Jack. It's winter. After Connie mentions boating, Jack decides to take swimming lessons. She gets attacked on the subway. When Connie mentions that nobody has ever cooked for her, Jack decides to take cooking lessons. Meanwhile, jealousy seeps into Clyde and Lucy's marriage over perceived infidelity. Philip Seymour Hoffman and Amy Ryan are endearing together. There are some good oddball moments. Amy Ryan trying to close a deal while spouting blood is kind of funny. It's a bit clunky at times with Philip Seymour Hoffman trying out directing for the first and only time.
secondtake Jack Goes Boating (2010)Based on Philip Seymour Hoffman's transparent, penetrating performance, this movie will hold up in the future as well as it does now. But I think it will disappear for many years because it doesn't pull off anything sensational. And that's its strength. It's not a subtle movie, and in many ways it's a little too obvious pulling on heartstrings. But maybe that's okay turf for an interpersonal drama.The tale of two couples who are friends and who are having various hopes and troubles together as both friends a lovers is an old one, but it must be the best of material in some ways because it's the best of material in life, love and friendship. Keeping it focused on two pairs of people is not just movie-making convenience (though it is that, too), but it's the truth of life sometimes, too.This isn't an edgy story, and in some ways it's so mundane it would seem to totter into boredom. But Hoffman, as Jack, is too sympathetic and convincing to let the movie get away from him. He's a great actor, we all know that, and he's showing he's a good, if not inventive or brilliant, director as well. If there is a conventional structure--set up, hints at conflict, conflict, resolution--there is a restraint and economy to make it all make sense. A strong movie. And it's impressive now if you're in the right mood, and will be impressive in thirty years, too, if we can keep track of it somehow. I think it is already slowly disappearing from view, so give it a good look.
TxMike We get no back-story. We drop right into the middle of the lives of these 40-something New Yorkers. He is a NY limo driver, she is just starting in telephone sales. Somehow they get together when a mutual friend fixes them up for dinner over Chinese take-out brought in."He" is Philip Seymour Hoffman as Jack. He is planning to apply with MTA for a better job, a career. "She" is Amy Ryan as Connie, training for a new job in phone sales for Dr Bob's seminars. As far as we can tell neither has been married, probably neither in a serious relationship. It would be an understatement to simply say their approaches were unconventional.It is the type of story you have to stick with, because the first few minutes seem pretty dull. But sticking with it pays off. P.S. Hoffman also directs, as far as I can tell his first time, and it is effective.Their close friends are a couple, John Ortiz as Clyde and Daphne Rubin-Vega as Lucy. They have a back-story of sorts, which involved a short term stray from their marriage vows, but they seem to have moved past it. But not completely.Jack seems to lack normal social graces but seems to be learning. Somewhat a perfectionist, when he decides to cook dinner for Connie after an incident on the subway where she was mugged, he takes lessons from a chef, and prepares the exact meal several times at Clyde's apartment, to make sure he gets it right. Then, when something happens to distract him, and the meal is spoiled on the big night, he doesn't cope very well.Still Jack and Connie seem to have a "connection", as the movie ends in summer Jack and Connie are in a row boat in Central Park. Jack learned to swim just for the occasion!
MartinHafer This is an odd film. It starts off a lot like "Marty" and you feel a connection to the characters, but by the end, the film's more like "What Ever Happened to Virginia Wolfe?" (with all the arguing and substance abuse)...and that's a combination that just didn't sit well with me.Philip Seymour Hoffman had apparently starred in the play on which this film is based. In addition, he directed this low-budget project. How the two projects differ, I can't say, as I never had a chance to see the play.Hoffman plays a very shy and insecure middle-aged guy who is single. His friend sets him up with a lady who is equally shy and socially awkward. While neither really open up much at their initial meeting, over time a relationship slowly develops--at which time you learn more about the two characters. She is carrying some emotionally baggage and cold probably use a sex therapist, as she is phobic about being touched. He is incredibly unsure of himself and worries excessively about screwing up. In many ways, these two people did remind me of the characters in "Marty"--but they seemed to have MUCH more emotional baggage and were much more constricted emotionally. Because of this, the film was VERY dry and slow...glacially slow. Now I could have stood this, as I did connect with the pair. But, sadly, late in the film, the couple that introduced the two began to act almost exactly like Richard Burton and Liz Taylor from "Who's Afraid of Virginia Wolfe?"--and it just didn't fit with what had already been established. I wanted to see these two sweet screwed up folks together--not watch the Bickersons drink, do drugs and argue in the most vicious manner. It truly made my skin crawl.Overall, I would not watch the film. The first portion is great--the last, too dominated by the screwed up couple, was tough going. I think a tighter focus would have helped this film considerably. It's a shame, as the acting and some of the characters were nice.By the way, if you are interested, the title is referring to the risks Jack (Hoffman) is willing to take to change and grow. Despite a fear of water and unable to swim, he promises to take his new girl boating--and subsequently learns to swim and overcome his fear.

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